Gia isn't hagiography, I'll give it that, but it is reductive to a fault; once known as a screenwriter with a literary bent, having risen to the challenge of distilling novels by no less than John Updike and Tom Wolfe, Cristofer turned into a sensationalist when he started directing, and virtually anything that's not an exploitation staple is relegated to the margins in Gia — not to mention in Cristofer's sophomore
efforts Body Shots and Original Sin.
Not exact matches
Made no
effort to block
shot or put his
body on the line.
the team that deserve to win is the one that want it the most over two legs and put there full
effort in to both legs and puts there
bodies on the line to win, (good example the c / h who put his
body in the way of welbecks
shot he knew what was at stake for his team and acted accordingly) we only wanted to win and turn up when it suited us, not in both games very typical of this team under wenger lately.
His first
shot was blocked by Paul Dummett's hands in front of his
body, then he rifled an
effort into the side - netting and he delayed too long in switching the ball to his right foot after being teed up by Firmino.
All of the above provide excellent opportunities for heart - stopping action, intricate espionage
efforts, car and helicopter chases, gunfire exchanges, depictions of
bodies riddled with bullets, elaborate explosions, death threats, acts of torture... and some horrible little explosive device that is
shot up a nostril into the sinus cavity.