Gaines wanted another way of making images, one that took
the ego out of painting.
Although Gaines experimented with guration and abstraction in painting, he ultimately looked for a different way to communicate his ideas, one that took the expression and
the ego out of painting.
Not exact matches
This method
of simultaneously revealing and concealing summons Duchamp's Fresh Widow (1920), a blacked -
out window authored by Duchamp's female alter
ego, Rrose Sélavy, and is significant in its ambivalence — positioned somewhere between
painting and sculpture.
The marks and gestures in these and other
paintings don't have a telltale signature or a sense
of the artist's
ego yearning to burst
out in full cry.
Then there are even a few artists who make
painting - like things
out of nontraditional materials like Valerie Snobeck (sculptural objects), Sheila Hicks (textiles), and Donelle Woolford (wood; also Woolford is actually a fake alter
ego invented by artist Joe Scanlan).