References to Francisco Goya's late
eighteenth century print They've Already Got a Seat (from the Los Caprichos series) appear through choices in costuming, notably in the upside - down chair affixed directly to Martins's head, and Joseph Beuys is evoked through the props of a felt blanket, wooden cane, and taxidermied animal.
Not exact matches
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material, which includes
prints by
eighteenth -
century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland.
The seventeenth and
eighteenth centuries witnessed the development of the improvisational capriccio and artists such as Jacques Callot, Francisco Goya, and Giovanni Battista Piranesi invented variations on fantastic and dramatic themes in
printed series.
The museum's holdings from Eastern Asia include Chinese tomb figures, Japanese
prints and illustrated books from the late
eighteenth to the early twentieth
centuries.
Fifteen other works by Murillo, including
prints, books, and drawings, accompany the two self - portraits, which have not been exhibited together since the early
eighteenth century.
The interior resembles a confounding series of hallways, but with a twist: the walls are adorned with hand block -
printed wallpaper depicting the delicate cream contrasts of an
eighteenth -
century floral Georgian Knot pattern.3 The interstitial, liminal presence of walls and passageways has a long trajectory in the artist's work.4 Here, dynamic and surreal corridors become Sosnowska's phenomenological response to an environment frozen in time.
«Necrology» (2017) is a series of giant posters depicting fictional obituaries written in the style of
eighteenth -
century title pages
printed in muted cream, blood red, and black with elaborate typesetting.
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material —
prints by
eighteenth -
century draftsman William Hogarth, pages from animal encyclopedias, and Jimi Hendrix's 1968 album cover for Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.
Adelphi Paper Hangings produce the finest quality, block -
printed wallpapers available on the market today by using the same methods and materials from the
eighteenth and nineteenth
centuries.
A specialist in Japanese art of the Edo period (1615 — 1868), Kenmotsu has written on color
printing and illustrated books in the
eighteenth century, including entries for The World of the Japanese Illustrated Book: The Gerhard Pulverer Collection at the Freer Sackler Galleries, Smithsonian Institution.
With the vogue for Western science (rangaku, literally «Dutch studies») in the
eighteenth century came a renewed, though marginal, artistic practice influenced by Western methods and media that lasted into the early nineteenth
century; Western influence can also be seen in nineteenth -
century prints by such artists as Katsushika Hokusai (c. 1760 — 1849).
His canvases are populated with dramatic images lifted from sources as various as Salle's own black - and - white photographs,
eighteenth - through twentieth -
century French and American painting, 1950s
print advertising and how - to - draw manuals.
Arranged thematically, the more than eighty small drawings, large - scale works, and sketchbooks on view will foreground Brown's iterative reworking of motifs from her wide - reaching arsenal of source material —
prints by
eighteenth -
century draftsman William Hogarth, pages from animal clip - art books, and the cover of Jimi Hendrix's 1968 album Electric Ladyland are just some of the images that Brown has rendered again and again in her own hand.
In the
eighteenth century it was all the rage to
print textiles with scenes from daily life.