Sentences with phrase «eighty paintings»

The exhibition The Portrayal of the Negro in American Painting held at the Bowdoin College Museum of Art in 1964 included eighty paintings from over fifty museums and private collections across the United States.

Tony DeLap: A Retrospective will include approximately eighty paintings, sculptures, and drawings borrowed from collections in California and around the U.S..

This January, the New Museum will present «George Condo: Mental States,» the first major US survey of over eighty paintings and sculptures from the past twenty - eight years of the artist's career.

Bringing together some eighty paintings, collages, and objects, along with a selection of photographs, periodicals, and early commercial work, the exhibition offers fresh insight into Magritte's identity as a modern painter and surrealist artist.

In this exhibition, over eighty paintings and drawings from Stanley Spencer are placed in an art historical context by including twenty works of English contemporaries such as Lucian Freud and Dora Carrington.

June 14, 2015 - September 6, 2015 The Blanton Museum presents Impressionism and the Caribbean: Francisco Oller and His Transatlantic World, an exhibition of approximately eighty paintings by Realist - Impressionist painter Francisco Oller (1833 — 1917) and his contemporaries.

In ARTISNOTFORSALE German artist Maria Zerres installed of over eighty paintings and works on paper she created between 1991 and 1998.

Roger's personal collection of more than eighty paintings, photographs and sculptures reflects the gallery's storied forty - year history, as well as Roger's skill and sophistication as an art collector.

Featuring more than eighty paintings by thirty - seven artists from thirteen countries, drawn from prominent collections across the United States and abroad, this exhibition presents renowned artists such as Berthe Morisot (French), Mary Cassatt (American), and Rosa Bonheur (French) alongside lesser - known yet equally important peers including Anna Ancher (Danish), Lilla Cabot Perry (American), and Paula Modersohn - Becker (German).

Through 1939, he was occupied with painting in Morocco and at that time exhibited eighty paintings in a one - man show at the Musée d'Outre - Mer in Paris, as well as having exhibitions in North Africa.

Eighty paintings, most on loan from German institutions, offer a rare opportunity for audiences to discover Impressionism's little - known German chapter.

Approximately sixty - five artists are represented in Hope and Hazard: A Comedy of Eros, which includes over eighty paintings, photographs, works on paper and sculptures selected by Fischl from the Hall and Hall Art Foundation collections.

AMERICA»S COOL MODERNISM: O'KEEFFE TO HOPPER will show over eighty paintings, photographs and prints, and the first American avant - garde film, Manhatta, from international collections.

February 25 — May 28, 2018 Laguna Art Museum's 2018 retrospective of Tony DeLap's work includes approximately eighty paintings, sculptures, and drawings by Orange County's foremost living artist.

These include eighty paintings representing thousands of miles of back roads traveled in the U.S. over a period of four years.

In the eighties her paintings on the flat surface moved into space as wooden canvas - covered environments, evolving into paintings into which one could literally walk.

As my work changed and grew during the eighties my paint surfaces got thicker and crustier.

Not exact matches

Second Countach was another black one, but this time the LP400 S model, complete with wide wheel arches, massive rear wing and a custom two tone black and white interior, it wasn't one of the very early LP400S that still had the Periscopo, but still she showed those highly sought after «Telephone dial» wheels with the protruding holes... and in true Eighties style these wheels were gold painted, also note this specific Countach LP400S received a special side sill treatment.

Finally, in Nineteen Eighty - Four Orwell's description of a horrifying and soulless dystopia paints a chillingly accurate picture of Burma today, a country ruled by one of the world's most brutal and tenacious dictatorships.

The world's oldest - known cave paintings suggest that man has been in South Africa for the last eighty - thousand years, and whilst the last two centuries proved to be particularly turbulent and challenging South Africa has changed for the better and is embracing a new era of cultural tolerance and optimism.

Painting in the Eighties, Museum of Contemporary Art, North Miami, USA Richard Artschwager, Louise Bourgeois, Roni Horn, Allan McCollum, Xavier Hufkens, Brussels, Belgium Picturing America, The Newark Museum, Newark, USA The Presence of Absence, The Ezra and Cecile Zilkha Gallery at Wesleyan University Center for the Arts, USA Fuzzy Logic, Laguna Art Museum, Laguna Beach, USA A Work in Progress.

«Eighty percent of painting is color,» says Wolf Kahn, quoting his mentor Hans Hofmann.

I got this other tattoo of M&M s on my right arm after 20 years of marriage [to retired stockbroker Bill Miller] but I made M&M paintings back in the eighties, too.

Gerhard Richter's who celebrates his eighty - fifth birthday on February 9, is presenting twenty - six recent abstract paintings, shown for the first time at the Museum Ludwig in Cologne.

These paintings had a mosaic quality to them and it is not surprising that in the mid eighties Young made a series of large ceramic mosaic tile works.

Art in the eighties is examined in The Whitney's new show «Fast Forward: Painting from the 1980s.»

In the late eighties his calligraphic paintings inspired by Chinese Landscape Painting widened his range even more.

De Kooning continued to paint until well into his eighties.

By the late eighties he was selling paintings before they were made.

The exhibition, drawing from Dower's career of over 40 years, and presenting recent paintings hung in counterpoint to selected historic works, including a selection of intricate reliefs that have not been exhibited since exhibitions at the Curwen Gallery, would have been an invitation to reflect on the connections between works from the eighties up to the present day.

Instead of painting after a well - known position from modernism (as Sherri Levine did in the Eighties), Phillips selects a painter, whose fame barely crossed the Swiss borders and who was received highly controversially.

Chimes, who is eighty - five years old, is still at work on this series of paintings, which Michael Taylor, curator of the Philadelphia Museum of Art's retrospective, considers to be «the summation of his themes and obsessions.»

Samorì has managed to produce the most remarkable paintings made on copper, which are as large as a metre eighty by a metre twenty.

The «Geração Oitenta» (the Eighties Generation) in Brazil proclaimed a return to painting, vivid imagery and lush colour.

As his paintings were being rediscovered in the Eighties and Nineties, Wheeler's irascibility rendered him, as one dealer had it, «impossible to deal with.»

The eight decades represented in this show prove that Resika never settled into a comfortable niche or doubled back to something he already knew; now in his eighty - fifth year, he is painting with complete abandon.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

Back in the late eighties, when I was a painting undergrad at MassArt, faculty member Dean Nimmer invited Amenoff, who was one of the It painters of the period, to join our final painting critique.

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

Organized by Claire Gilman, the show included nearly eighty drawings, including works based on paintings by Bruegel, prints by Hogarth, photos by nineteenth - century pornographers, and even the cover of a Dover paperback of «copyright - free» animal figures.

2007 Expanded Painting, curated by Paco Barragan & Nina Arias, Miami, FL Reverie + Revolt: contemporary collage, ArtCenter / South Florida, Miami Real Time, David Castillo Gallery, Miami, FL All Is Well That Begins Well and Has No End, Eighty WSE Gallery, New York Summer Residency exhibition, Cooper Union, New York, NY All Media Juried Biennial, Art and Culture Center of Hollywood, FL CCA at 100: Alumni Looking Forward, Braunstein / Quay Gallery, San Francisco

Selection: FFWD Archives, Kunstverein in Hamburg, Hamburg, Germany After the Fall: Aspects of Abstract Painting Since 1970, Newhouse Center for Contemporary Art, Staten Island, NY Pop Abstraction, Pennsylvania Academy of Art, Philadelphia, PA (brochure)(re) Mediation: The Digital in Contemporary American Printmaking, University of South Florida Contemporary Art Museum, Tampa, FL Painting: Now and Forever, Part I, Pat Hearn Gallery and Matthew Marks Gallery, New York An Exhibition of Paintings, Gagosian Gallery, Beverly Hills, CA The Eighties, Culturgest, Lisbon

Barbara Rose, American Painting: The Eighties, a critical interpretation, copyright 1979 Barbara Rose, Color separation and printing: Thorner - Sidney Press, Inc., Buffalo, NY, essay, and repro.

Influenced by Canada's Group of Seven, Doig's virtuosic work is a departure from the slick art that defined the eighties power - suit Zeitgeist (though last fall, the Saatchi Gallery in London reportedly sold seven Doig paintings to Sotheby's for a cool $ 11 million).

As part of Phaidon's Contemporary Artists series, Peter Doig ($ 39.95) provides a comprehensive look at the artist's oeuvre, from the thick and dappled paintings of the late eighties to the airy pastel washes of the mid-nineties to motifs — à la Gauguin or Rothko — that reflect the lush surroundings of his current home in Trinidad.

In the same year his work was included in the controversial exhibition «American Painting: The Eighties, a critical interpretation» organized and curated by Barbara Rose.

Despite only coming to the attention of a wider art world a decade or so ago, Herrera has been painting for almost eighty years and continues to do so from her studio in Manhattan, the same apartment she has lived in since 1954, although her first stay in New York began in 1939.

Yet I found myself taken by how respectable some of them are, particularly those paintings from the early Eighties.