Using costume, photography and film, Gutierrez produces
elaborate narratives scenes that employ pop culture tropes that reveals identity as a social construct.
His painted room and object installations stand in close relationship to
the elaborate narrative scenes set by Joseph Beuys, Sigmar Polke, and Kurt Schwitters.
Not exact matches
Deep Red is the film which unites the two camps, combining propulsive
narrative intrigue with a series of kill
scenes more
elaborate and expressionistic than anything the director had yet attempted.