And so too with the particular
election of these baby boys, which, according to the Church's tradition, at least, was an election to heaven as the first martyrs for Christ.
Not exact matches
All this suggests that the
baby boys of Bethlehem, though passed over for divine deliverance, are nonetheless painted by our evangelists with the hues
of election.
This
election of Jesus for salvation and the
baby boys for reprobation eventuates in the sorrow
of their mothers, whose weeping fulfills the Scriptures: «Then was fulfilled that which was spoken by Jeremiah the prophet, saying, In Rama was there a voice heard, lamentation, and weeping, and great mourning, Rachel weeping for her children, and she would not be comforted, because they are not» (Mt. 2:17 — 18).
This
election of Jesus for salvation and the
baby boys for reprobation eventuates in the sorrow
of their mothers, whose weeping fulfills the Scriptures:
Exhibitions include a / wake in the water: Meditations on Disaster (2014) at the Museum
of Contemporary African Diasporan Arts, Memoirs
of A Watermelon Woman (2016) and A Subtle Likeness (2016) at the ONE National Gay and Lesbian Archives, S /
Election: Democracy, Citizenship, Freedom (2016) at the Los Angeles Municipal Art Gallery, where she previously served as Curator, and
baby boy (2017) at Transmission gallery, Glasgow.
Exhibitions include a / wake in the water: Meditations on Disaster (2014) at the Museum
of Contemporary African Diasporan Arts, Memoirs
of A Watermelon Woman (2016) and A Subtle Likeness (2016) at the ONE National Gay and Lesbian Archives, and S /
Election: Democracy, Citizenship, Freedom (2016) at the Los Angeles Municipal Art Gallery and
baby boy (2017) at Transmission Glasgow.