Paris's Matthieu Haberard brings five new pieces — with a dark wood, epoxy, acrylic painting titled «Screen, where the touch, is a real sensation» (2015), a can - and - water sculpture called «Combine painting» (2015), a wood - and -
electric cable piece called «Your time is running out» (2015), as well as two sculptural installations made of steel, plexiglas, acrylic on canvas, titled «Marcel; Where the bulbs are?»
Not exact matches
When the CAMH survey show came together, Jones was surprised to see how those early drawings evolved over a decade into three - dimensional
pieces, such as the works of her «SHHH» series, which are made from noise - cancelling
electric guitar
cables that she «plugs» directly into walls.
Other examples of the Neo-Dadaist-style «junk art» include Hudson River Landscape (1951, Whitney Museum of American Art) and Australia (1951, MoMA, NY), both by David Smith (1906 - 1965); Untitled (wood, metal
pieces, nails)(1960, Museum of Modern Art NYC) by Jesus Rafael Soto (b. 1923); and certain «combines» by Robert Rauschenberg (1925 - 2008), such as First Landing Jump (made from: painting, cloth, metal, leather,
electric fixture,
cable, oil paint, board)(1961, MoMA, NY).
Just a few centimetres in diameter, the fragments that compromise «Darra» (atom) are everyday materials, as simple as chocolate wrappers,
pieces of worn blankets, and scraps of
electric cable.