Sentences with phrase «electronic publishing rights»

All content posted on TechnologyGuide is granted to TechnologyGuide with electronic publishing rights in perpetuity, as all content posted on this site becomes a part of the community.

Not exact matches

We buy one - time print publication rights for Chicago Parent with exclusive first North American publishing rights as well as electronic rights allowing us to place the material on our website.

Because a study published in the Electronic Journal of Research In Educational Psychology suggests that students who think out loud while taking a math test are more likely to get the right answer.

The project explored what constitutes a publication, peer review, citation, privacy, intellectual property rights, and integrity and authentication of material and archiving in an age of electronic publishing.

Before a single child's information is turned over to any 3rd party, policymakers should give assurance to parents and educators that no harm will come to Tennessee school children by adopting the following principles: The state and districts should be required to publish any and all existing data sharing agreements in printed and electronic form, and include a thorough explanation of its purpose and provisions, and make it available to parents and local school authorities statewide; The Department of Education should hold hearings throughout the state or testify before the legislature to explain any existing data agreement, and answer questions from the public or their representatives, obtain informed comment, and gauge public reaction; All parents should have the right to be notified of the impending disclosure of their children's data, and provide them with a right to consent or have the right to withhold their children's information from being shared; The state should have to define what rights families or individuals will have to obtain relief if harmed by improper use or release of their child's private information, including how claims can be made; and finally, any legislation must ensure that the privacy interest of public school children and their families are put above the interests of any 3rd Party and its agents and subsidiaries.

«The Author grants to D Publishing a licence: -LSB-...] to exercise, including by way of sub-licence, all rights in the Work other than its first volume and electronic publication rights (Subsidiary Rights).&rights in the Work other than its first volume and electronic publication rights (Subsidiary Rights).&rights (Subsidiary Rights).&Rights).»

Dohle further clarified: «Accordingly, Random House considers contracts that grant the exclusive right to publish «in book form» or «in any or all editions» to include the exclusive right to publish in electronic book publishing formats.»

Dohle's letter made clear the company's position that «the vast majority of [its] backlist contracts grant [Random House] the exclusive right to publish books in electronic formats, as well as more traditional physical formats.»

In a message to members, they basically rejected RH's argument that its older contracts that grant rights to publish «in book form» or «in all editions» is a grant of electronic rights.

Kris again controls the rights to all seven of the Fey books and WMG Publishing will be reissuing them in both electronic format and trade paper editions right up to the day that Kris releases the new 8th book of the Fey, the first book in the Places of Power series next summer.

Publishers bid against one another for print - and electronic - publishing rights to content that they expect will be most successful in the market.

As more opportunities and respectability open up for both new and established writers, these rights that the Union are trying to hold on to are already in place through electronic self - publishing.

In possibly the largest self - publishing coup to date, J.K. Rowling, author and digital rights holder of all of the books in the Harry Potter series, will be releasing the electronic editions of her books and selling them through her new website, Pottermore.com, beginning with the first book in the series releasing in October and the next book being released in early 2012.

To me, this highlights not so much the complacency of editors, but the attitude of the publishing industry generally to electronic rights and the fair sharing of royalties.

Electronic rights to published works that you own but have never exercised; we can help you build a backlist of eBooks that complement your print editions.

One of the major surprises, though, was that many publishers are still not tapping into the wealth of their back list titles; this could be one of the reason more and more authors are attempting to regain control of the rights to their older — and often out of print — works in an effort to revitalize interest in the author and in the works by self - publishing them to electronic platforms.

Their entire reason for existing is vanishing right in front of their eyes due to technology, the increase in electronic publishing and the small income writers make from electronic sales.

That's right, any smart small company or self - published author can get books now into the distribution chains, both in electronic markets and paper book markets.

-- After it hits the top markets, then indie publish it, or if it sells, after you get the rights back, indie publish it as a stand - alone for $ 2.99 electronic.

The majority of POD services own the ISBN, and have less claim on electronic and digital publishing rights.

He edits and publishes the Idaho Weekly Briefing e-publication and an electronic monthly publications on water rights the National Water Rights Digest (both available by email), and writes a column on Idaho for several newspapers in the rrights the National Water Rights Digest (both available by email), and writes a column on Idaho for several newspapers in the rRights Digest (both available by email), and writes a column on Idaho for several newspapers in the region.

Author John Scalzi posted this most excellent «Electronic Publishing Bingo» scorecard over on his blog, and, while it's hilarious in its own right, I think it's also worth a bit of closer discussion.

Paying close attention to what we then called «electronic publishing» started for me in the early 1990s, with a conference other consulting colleagues and I organized for Publishers Weekly which we called «Electronic Publishing and Righelectronic publishing» started for me in the early 1990s, with a conference other consulting colleagues and I organized for Publishers Weekly which we called «Electronic Publishing and Righpublishing» started for me in the early 1990s, with a conference other consulting colleagues and I organized for Publishers Weekly which we called «Electronic Publishing and RighElectronic Publishing and RighPublishing and Rights».

«I think it is very likely that we will see a number of self - published authors sign contracts with traditional publishers this year for the paper rights only, leaving the authors in control of their electronic rights.»

Let me start with Amanda, since you're following a path that has been established even before the advent of electronic publishing, namely self - publishing, building great success, and then having a traditional publisher acquire rights either to the self - published titles or to future works.

We are open to previously - published manuscripts as long as the submitting author now controls all electronic and print publishing rights.

I've been thinking of publishing my prayer books for teenagers with this company as I have now received back the electronic rights from the publisher.

With indie publishing, most writers are only focused on one tiny aspect of their pies, the electronic rights.

Today the Electronic Frontier Foundation (EFF) published «Digital Books and Your Rights,» a checklist for readers considering buying into the digital book marketplace.

An Indie Publishing Company means that Christine helps you publish your book (fiction, non-fiction, illustrated book...) and you keep all the rights to your work (the copyright, the ISBN) and you keep all your work — meaning all the electronic book files (for paper or ebook).

Our older agreements often give the exclusive right to «publish in book form» or «in any and all editions»... Such grants are usually not limited to any specific format, and indeed the «form» of the book has evolved over the years to include variations of hardcover, paperback, and other written formats, all of which have been understood to be included in the grant of book publishing rights... Whether physical or digital, the product is used and experienced in the same manner, serves the same function, and satisfies the same fundamental urge... Accordingly, Random House considers contracts that grant exclusive rights to publish «in book form» or «in any and all editions» to include the exclusive right to publish in electronic book formats.

We control exclusive first worldwide rights to publish your work, as well as all unpaid magazine, syndication, newspaper, and electronic publication rights.

A few years ago Electronic Arts signed a deal with Disney giving them exclusive rights to produce and publish Star Wars games for ten years.

Just when we all thought the whole publishing fiasco with Brutal Legend was over, Activision Blizzard — the former publisher of the game — has broken its silence and threatened Electronic Arts, saying that it still owns the rights and that EA's contract with Double Fine is invalid.

Consider the licensing boondoggle behind that game: it was published by Nintendo, developed by Rare (which is now owned by Microsoft), contains the James Bond characters and scenarios owned by both the Broccoli family (producers of Bond films) & Ian Fleming (creator of Bond himself), plus today the video game rights to the Bond series are held by Electronic Arts.

Additionally, Old Man's War is published by Tor, which has the rights for electronic versions of the book, and which will take its (totally fair) cut of the proceeds.

Electronic Arts (EA) has bought the rights to develop and publish video games based on LucasFilm's Star Wars franchise that is now owned by Disney.

Darnton explores the costs and benefits of Google's having effectively captured the right to publish electronic versions... [more]

The Commissioner is an advocate for the privacy rights of Canadians and her powers include: Investigating complaints, conducting audits and pursuing court action under two federal laws - Privacy Act and Personal Information Protection and Electronic Documents Act (PIPEDA); Publicly reporting on the personal information - handling practices of public and private sector organizations; Supporting, undertaking and publishing research into privacy issues; and Promoting public awareness and understanding of privacy issues.

Darnton explores the costs and benefits of Google's having effectively captured the right to publish electronic versions of U.S. literature thanks to the settlement of the class action by publishers.

At the heart of the dispute was whether the publishers acquired electronic rights to authored works originally published in print.

We have electronic publishing totally tied up by lawyers before the products even hit the ground on the one hand, and on the other, the internet generation who really do not care about copyright restrictions and the implications down the track of not protecting the author's rights of ownership.