Plus, Alan Silvestri's
electronic score for the film is still a fantastic earworm.
Not exact matches
It's a
score that re-defines what a science - fiction
film can sound like in a way that's reminiscent of Vangelis revolutionary
electronic composition
for Blade Runner.
He does have decent taste in music, however: the
film has a great, moody
electronic score by Max Richter, and at times I found myself enjoying the soundtrack more than the visuals, which
for the most part aren't that interesting, save
for some brilliant overhead shots at the beginning.
A unique sound effect buried within the
score of Matt Ruskin's new
film Crown Heights is an
electronic feedback loop or sort of white noise that permeates the soundtrack, echoing the wall of obfuscation and deafness that befalls Colin Warner (Lakeith Stanfield) as he's sent away
for a murder he didn't commit.
When a
film like Prince appears out of nowhere, with its pseudo-incendiary
electronic score and sophisticated examination of revenge, it revives hope
for a pop - art cinema that's not only capable of balancing enraged critique with playful, irreverent aesthetics, but also treats its characters like actual human beings rather than pawns on a chess board.