Sentences with phrase «electronic sound artists»

The centerpiece of the exhibition is Le Corps Sonore (Sound Body), composed for the museum's iconic spiral staircase by the pioneering electronic sound artists Éliane Radigue, Laetitia Sonami, and Bob Bielecki.

composed for the museum's iconic spiral staircase by the pioneering electronic sound artists Éliane Radigue, Laetitia Sonami, and Bob Bielecki.

Not exact matches

Unfortunately, it feels like the artist was a bit too ambitious, trying to incorporate every popular sound out there, from electronic sounds, vintage 80's vibes, raw southern rock, to even some Chance the Rapper gospel feelings.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

And the Hyperdub artist, one of electronic music's most acclaimed figures, has sampled sounds from Metal Gear Solid games in tracks such as «Archangel» and «Distant Lights».

For its first iteration, Search Engine will run 24 hours a day for seven days from October 11 - 17, sustained by glo moving artists, with electronic sound by New York composer Daniel Wohl and with local audience engagement.

PERFORMANCE Composer Jason Moran curates a special perforance, «Causes and Cures: Music for Glass Armonica and Excited Piano Strings» by sound artist Camille Norment and electronic musician Craig Taborn at the Park Avenue Armory.

Artist and filmmaker Ryan Trecartin's groundbreaking sound design — a densely layered mix of rapid - fire dialogue, electronic music, and live instrumentation — extends the depth, intensity, and insane hilarity of his art.

The line - up includes live performances by rapper Azealia Banks and electronic producer Arca, a sound / dance piece by German artist Tino Sehgal, a new work by choreographer William Forsythe, and panels highlighting The Shed's programmatic ambitions.

Electronic musician and sound artist Stephen Vitiello, who uses atmospheric noises from his surrounding environment in his soundscapes for films, videos and art installations, shares the bill with Byron Westbrook and Andrea Parkins on Thursday evening.

Recognized for his interdisciplinary activities and collaborations as a sound artist, as well as his music project Burning Star Core, Yeh's work has recently been presented at the Liverpool Biennial, MoMA, Performa 13, the ICA Philadelphia, Museum of Modern Art in Warsaw, the Pérez Art Museum, Electronic Arts Intermix, the Contemporary Arts Museum Houston, and Roulette.

«Electronic musician and sound artist Stephen Vitiello transforms incidental atmospheric noises into mesmerizing soundscapes that alter our perception of the surrounding environment.

This silent icon of media art provides both an interesting sonic experience within Cloud and a fitting historical reference: the work operates with audio generators, an audio amplifier, and an altered TV monitor, marking one of the first instances in which an artist employed live interaction between a sound system and an electronic image.

Dara Birnbaum, Damnation of Faust: Evocation, 1983 Video, color, sound, 10:02 minutes Courtesy of the artist and Electronic Arts Intermix (EAI), New York

Among the works on display are Bitbang Mirror (2015), for which Mirza uses a concave mirror by Anish Kapoor to explore its acoustic qualities with a loudspeaker; Standing Stones (2015), a technologically upgraded marble sculpture, exhibited in Solitude Park and created by Mirza together with the Italian stone mason Mattia Bosco; Dance of Death Intervention (2015), an intervention with light and sound, inspired by the characteristic metallic screeching of Jean Tinguely's Mengele - Dance of Death (1986); and A Chamber for Horwitz; Sonakinatography Transcriptions in Surround Sound (2015), an approximately two - hour long electronic light and sound concert based on compositions by Californian artist Channa Horsound, inspired by the characteristic metallic screeching of Jean Tinguely's Mengele - Dance of Death (1986); and A Chamber for Horwitz; Sonakinatography Transcriptions in Surround Sound (2015), an approximately two - hour long electronic light and sound concert based on compositions by Californian artist Channa HorSound (2015), an approximately two - hour long electronic light and sound concert based on compositions by Californian artist Channa Horsound concert based on compositions by Californian artist Channa Horwitz.

Vito Acconci, Theme Song, 1973 Video, black and white, sound, 33:15 minutes The Museum of Modern Art, New York, Gift of the artist © 2018 Estate of Vito Acconci, Courtesy Electronic Arts Intermix (EAI), New York

For this event, which will encompass the entire park, noted sound artists will create unique sound platforms through traditional instrumentation, amplification of objects, juxtaposition of voices, and experimental electronic sound.

Known for her experimental video performances with contemporary, electronic composers, Angie Eng is ending 2015 with an ironic twist in her solo exhibit, Doom and Gloom at the pioneering abode for downtown artists with a proclivity for new technology, and hybrid forms including sound, moving image and interactivity.

Beth Bradfish (composer and sound artist) explores contemporary acoustic and electronic sounds.

Sharmyn is a program assistant at LAMPO, an organization that promotes and supports artists working in electronic and electroacoustic music, free improvisation, sound art and other new forms.

Sharmyn is currently a program assistant at LAMPO, an organization that promotes and supports artists working in electronic and electroacoustic music, free improvisation, sound art and other new forms.

Works in the exhibition: Administrating Eternity (2011), courtesy of the artist, Hauser & Wirth and Lurhing Augustine; Japsen (1988), sound by Muda Mathis, Pipilotti Rist and Les Reines Prochaines, courtesy the artists, Hauser & Wirth and Luhring Augustine; I'm Not The Girl Who Misses Much (1986), sound by Pipilotti Rist after Happiness is a Warm Gun (1968) by John Lennon and Paul McCartney, courtesy the artist, Electronic Arts Intermix (EAI), New York, videoart.ch, Hauser & Wirth, Luhring Augustine; Ever Is Over All (1997), sound by Anders Guggisberg and Pipilotti Rist, courtesy the artist, Hauser & Wirth and Luhring Augustine; 4th Floor to Mildness from the Mildness Family (2016), courtesy the artist, Hauser & Wirth and Luhring Augustine; Sip My Ocean (1996), sound by Anders Guggisberg and Pipilotti Rist after Wicked Game (1989) by Chris Isaak, courtesy the artist, Hauser & Wirth and Luhring Augustine; Tender Room from the Lobe of the Lung Family (2009), courtesy the artist, Hauser & Wirth and Luhring Augustine; Pixelforest (2016), courtesy the artist and New Museum; Enlight My Space (2008), courtesy the artist, Hauser & Wirth and Luhring Augustine.

Join us on Saturday, March 31 for a performance and artist talk by Tara Rodgers (Analog Tara), a multi-instrumentalist composer and historian of electronic music and sound who produces techno tracks using analog sound sources.

Chelsea non-profit organizations Printed Matter, Eyebeam, Electronic Arts Intermix (EAI), and Family Business announce the first edition of a new annual artists» music festival: Chelsea Sound.

Born in Japan but currently living in Paris, Ikeda is a master at creating strong immersive installations and performances, this is the exhibition I'm the most excited about this month and I'm really pleased to see that Almine Rech Gallery is opening its program to installation art:» Japan's leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and aesthetics.

For contemporary audiovisual artists, the possibilities inspired by this phenomenon, known as synesthesia, have expanded with the advent of recent digital technologies that translate all electronic media, whether sounds or moving images, into the zeros and ones of computer bits.

Yuri Suzuki is a London - based sound artist, designer, and electronic musician who explores the realms of sound through exquisitely designed pieces.

Merche Blasco is an interdisciplinary artist and composer whose practice includes building instruments for electronic music performance, orchestrating participatory sound performances in public spaces, and electroacoustic improvisation.

A black cat costume would go perfectly with «Meow,» an electronic music hour with artist Steven Charles (6 - 7 pm) followed by a talk with the artists about «Seeing Sound,» ODETTA's current group show.

«It feels like there's been a big push over the past 10 years into bridging the gap between sound installations and the world of electronic music,» says Hawtin, highlighting festivals such as Montreal's Mutek or Barcelona's Sonar, which have more in common with the art world than the rave circuit, as well as recording artists such as Germany's Carsten Nicolai, who rose out the European techno scene, but is now more commonly heard in a gallery setting.

During Amsterdam Art Weekend (23rd - 26th of November) Upstream Gallery will show Zeitgeist, a solo exhibition by Marc Bijl as well as an electronic music and voice performance by sound artist Kayleigh Beard.

Indeed, he is an artist who has discovered a direct languaging function of even highly abstract electronic processes, both in the sudden emergence of speech - like sounds and in the liminal and quasi-semiotic configuration of live imaging.

Already, in 1980, Gary Hill had remarked that his works constitute «a kind of electronic linguistic,» suggesting that he is an artist attentive to the sound of language.

A new piece from each artist; Rosenboom is a cutting edge electronic composer and musician, Corringham a sound artist whose fundamental tool is her voice.

Following German artist Andreas Gursky's survey exhibition «nicht abstract» at Kunstsammlung Nordrhein - Westfalen in Germany, Gagosian Gallery presents «Not Abstract II,» an exhibition of recent photographs accompanied by an electronic sound installation by Canadian DJ and producer Richie Hawtin.

Nam June Paik, Electronic Superhighway: Continental U.S., Alaska, Hawaii, 1995, fifty - one channel video installation (including one closed - circuit television feed), custom electronics, neon lighting, steel and wood; color, sound, Smithsonian American Art Museum, © Nam June Paik Estate, Gift of the artist, 2002.23

Hear from the electronic musician, sonic collagist, and improvisational sound artist known as Wobbly.