Sentences with phrase «element into painting»

How do you approach putting a sculptural element into painting?

In the late 1950s, she started to incorporate collage elements into her painting, and her work was exhibited at various venues in New York.

As soon as I left Yale I started experimenting with more referential shapes, and with putting imagistic elements into paintings that were still pretty abstract.

She incorporated craft elements into her paintings due to their association with women and femininity.

Not exact matches

The painting is far more beautiful than the wall because it incorporates into itself a far larger number of discrete elements.

The painting, on the other hand, works into its final harmony a multiplicity of elements potentially capable of discord, but in this case effectively harmonized.

I too have run into folks (so far always men) who have fetishes involving stockings and / or feet (and also various other elements that us vintage gals often wear, such as gloves and painted finger nails) online and know how unnerving it can be to have someone say something wildly inappropriate to about your attire.

Additional styling elements visually popping against my test truck's arresting Flame Red paint job including black powder - coated bumpers, silver front skid plate, black wheel - arch moldings and billboard - sized «RAM» letters stamped into the tailgate.

SPACE MARSHALL: The finished game for your PC with your top of the line RSI Constellation spaceship ready to fly + 20,000 Galactic Credits + Exclusive access to the Alpha and Beta + Spaceship shaped USB stick of game and all digital elements + CD of game soundtrack + Fold up glossy full color map of the game universe + Set of 5 Ship Blueprints + 8 - inch painted model of your in - game ship + Hardcover copy of «The Making of Star Citizen» including loads of behind the scenes images and info, prelim concept art, development stories + Spend half a day with Chris Roberts and get into the details of the development + Black Citizens Card

Super Mario Maker gently eases you into your quest to become the new Miyamoto, with a half - built course that you must jazz up simply by painting new elements on the screen of the Wii U's Gamepad, using the stylus.

Essentially, MNR translates track building into «paint driving» - you paint down a track as you drive over a flat terrain, adding other elements like surface textures, water, mountains, trees, and weapon items later.

Of course time exists very clearly in painting, although in the opposite way to music or film; it's telescoped into the structure of the work, and expands into its constituent elements only after the whole has been experienced.

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

Part of a series of 102 silkscreened canvas panels conceived as one painting with multiple components, in this piece there are elements that call to mind Franz Kline's investigations into calligraphic compulsions.

So a kind of hierarchy of importance as to the various elements of a picture, that's something that I've struggled to somehow bring into abstract painting.

In contrast to works that incorporate found everyday objects, such as the «Combine» paintings of Robert Rauschenberg or the Dada collages of Kurt Schwitters, Almquist's experimental paintings extend his picture plane into three dimensions with constructed elements of disjointed, dream - like imagery.

Over the past twenty years, she has employed a diverse array of techniques and vocabularies, ranging from the cheerily clumsy figuration of folk painting to imitations of digital image editing (an interest that has also extended to the incorporation of digitally printed wallpaper and conversational text elements into her canvases).

Meg Lipke's work brings textiles into the sculptural realm while incorporating elements of abstract painting.

The so - called expansion of course is into sculptural and installation - type manifestations of painting, where the space of the viewer is often encroached upon by physical elements in the artwork.

Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist's early paintings of the 1950s and their evolution into assemblages made in the 1960s, which integrated objects, mechanical elements, and modes of deconstruction.

Stephan Groß drafted the fictional logo of the so - called System vorbestimmten Zeiten MTM — for universities — while a painting of a clock frozen at precisely four minutes past eight ironically exaggerated the naturalistic elements of painting, simultaneously reminding visitors that each moment of perception is always already about to dissolve into another.

The division of many of his canvases into areas of slightly shifted perspective add an element of cubism to paintings that also provoke thought.

Eclecticism may have a point, in taking painting both toward its elements and into the world.

For those unfamiliar with their work, the exhibition at Maureen Paley's is typical of their mode of presentation in being more of an environment or a set — vividly coloured wall paintings with strong formal and graphic elements unite and frame the various sculptural and pictorial components into an integrated whole.

Known for his playful integration of abstract elements into figurative scenes, Philip Guston was a Canadian - born American artist who achieved recognition and fame by working in two seemingly different (yet connected) styles — Abstract Expressionism and Representational Painting.

During the following decade, Stella also introduced elements of relief into his art — these he came to call maximalist paintings for their unique sculptural qualities and visuals.

He responds to the manner in which the paintings were positioned, overlapping each other, and creating new compositions by transforming two - dimensional painted canvas into accidental sculptural elements.

There are several reasons why children paint (and some of those same reasons no doubt continue into adulthood for those people who become professional artists), but by that time there is more thought, planning, and understanding of the visual elements and principles of art.

In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and sculpture.

Completed in 1969, this series revolved around her notion of the «never ending screen,» a sculptural element she developed and deployed throughout her career, even incorporating it into paintings and drawings.

The introduction of geometric elements into the vocabulary mix contributes new potentials for dynamic contrast and interplay in creating equivalencies between the reality of order and chaos in nature and that in the paintings.

Scher's larger works (and groupings of multiple works) provide fields where some of these elements convene, where countless drawings — which often get loose into otherwise abstract paintings — are funny conundrums that outlast their own laugh lines.

The pictorial economy of complicated deep paintings depends on producing a swarm of countless small elements, organised into bundles with relatively unstable contours.

Wielding an increased vocabulary of imagery and also of paint treatments, Adams transfers what she knows about nature, biology, zoology, botany, geometry, light, space, and spray paint into a parallel universe where the elements of composition have a different relationship to one another.

To create his «Drape» paintings, Gilliam embraced intuition and improvisation by pouring acrylic paint directly on a canvas, which may be folded, tied into knots, or hung from architectural elements.

Collection (1954/1955) is the artist's first «Combine painting,» an early type of Combine that hangs on the wall like a traditional painting but reaches into three dimensions with various elements attached to the work's surface — such as the silk veil over the mirror attached just off - center and the found wood scraps along the top edge.

The three vertical panels, in addition to referencing the traditional triptych format, appear to be horizontally subdivided into three regions: a relatively quiet area along the top, bordered by a long squeeze of red paint that crosses the surface from left to right; a densely layered strip across the center, where the majority of the collaged elements are concentrated; and a band of brightly colored stripes that fills the bottom.

My work has traditionally been characterized by immediacy and gesture, executed combining elements of both painting and drawing, and I typically have tapped into the instinctual and...

His paintings, stemming from this dual interest in the forces of nature and abstraction, have strong gestural and textural qualities, intricate layering (with the strongest elements of each layer coming through into the final work), and an evocative sense of color and light that aim to distill something essential from the natural world.

This print translates Abts's characteristically precise, meditative, and abstract painting style into a new medium, employing multiple printmaking techniques to create a complex, layered composition that balances linear, geometric elements with fluid, sinuous strokes.

Resonances of Cote d' Azur's topography inform the painting as splashes of emerald sea, terra cotta tiles and limestone bluffs are atomized into their chromatic elements and reassembled as elements of design.

The paintings and drawings of Los Angeles artist Mark Grotjahn (born 1968) collide abstract and figurative elements into spider - webbed splinters that skew traditional perspective and dazzle the eye.

Joffe introduces an element of abstraction into her figurative works, evincing a distinct style of painting that draws on bold lines and geometric forms to create powerful human portraits.

His powerful epic narrative is the result of elevation and transformation of the medium of drawing into the painting through the use of traditional methods of processing light and dark as the primary elements.

I combine these elements, using collage and assemblage techniques, often integrating encaustic into the work as either a paint or an adhesive.

But as he painstakingly arranges these things and others into thick resin that coats his hybrid collage - paintings, he dematerializes them as well, revealing their potential to become elements of mind and pattern, like the inner - eye of whirligigs captured in his recent Millenium Phosphene Bloom.»

These works by mapping the element of time and duration explore issues of fabrication, transportation, painting, assembly, disassembly and the integration of the work's elements into the public realm.

His colorful acrylic paintings are created using the aleatoric process which forges random visual elements, detached from their normal position or function, into new uses.

The film is divided into four short chapters: «The Structural Elements,» «Carving the Figure,» «Saints» Garments: Estofado Technique,» and «Flesh Tones: Painting the Encarnaciones.»

Thaddeus Strode appropriates text and images from comic books, philosophy, and horror films, as well as the classic elements of a Southern California youth — punk rock, surf, and skateboard culture - into his paintings.