Sentences with phrase «elements from her previous works»

Elements from previous work — from a simplified silhouette of a standing man to numbers and appropriated images — appear in confined areas.

Overton often recycles materials that she has scavenged or repurposes elements from her previous works.

Not exact matches

Pros + Mesh of 2D and 3D elements + Great Variety in Level design and Difficulty + Play as Mario (and Luigi later on) + A lot of elements from previous Mario games such as the NES series + Great Sound and Music work + Well designed visuals

Devil's Third is an action game that combines elements of melee combat — as per director Itagaki's previous work on the critically - acclaimed post-reboot Ninja Gaiden franchise — and cover - based shooting from both third - and first - person perspectives.

This period adaptation of Sarah Waters» Fingersmith feels like a departure from Wook's previous work — part heist film, part erotic thriller — but aside from the setting there are numerous elements that are characteristic of the director's previous work.

The author, whose previous work The Amazing Adventures of Kavalier and Clay won him the Pulitzer Prize, explained that the new book is largely fictional, though some elements were drawn from his own life.

From previous experience, however, we know it works, and it's likely to encourage manufacturers to include NFC as a basic element of the Android experience moving forward.

A decaying English country house holds menace and mystery in The Uninvited Guests, the remarkable third novel from Sadie Jones.This is a departure from your previous work, especially the supernatural element.

Pitching from sculpture, to collage, to photography, and painting, her work draws on the detailed messiness of life, but her skillful abstraction of the elements erases their previous meaning to produce a work that is open to interpretation each time it is encountered.

Those familiar with her previous work will recognize elements that recall past collections, specifically the Face in the Crowd project from 2013 that shares the contrast between crowded public spaces and a lone heroine with her latest works.

By painting layer upon layer of whites and off - whites over silkscreened elements used in previous works — monochrome forms taken from reproductions, enlargements of details of photographs, screens, and polaroids of his own paintings — he accretes the surface of his pressurized paintings while apparently voiding their very substance.

It seems to me, in Patrick's case, that the work is not taken quite far enough to do either — to fully fail or succeed — and that there is a hesitancy to leave behind some known territory of previous abstract art from the past — an aesthetic, if you will, in which the elements of his work will sit quite happily — and so allow those elements and colours (that Patrick so explicitly delights in) to really take over and go somewhere new.

In previous works, Smith has subtly added to or removed elements from objects such as nails, duvets, record covers, and magazine pages, transforming them in order to destabilise their original presence and function.

These include two walls from a mobile wall system developed for the Art Institute of Chicago, present in the previous venue; a wall from a work of mine from 1991, which itself was a reconstruction of a wall built by Peter Nadin and Christopher D'Arcangelo in the 1970s; wall fragments where exhibition design elements from previous exhibitions in the space at MoMA are visible; vinyl - clad walls built with MoMA's wall system, two of which are clad with vinyl graphics that continue from the lobby; and a cinder block wall which reconstructs a wall system used by the Whitechapel Gallery in the 1950s, a system which will be used in the next iteration of the show at the Whitechapel next year.

They opened their work to elements that had been largely excluded from abstraction in the previous decade, beginning with a reinvestigation of the conventional rectangular support.

What elements carry through from your previous work and where does it rupture with the past?

What would you say are the main factors or elements that differentiate your most recent body of work from your previous ones?

Moving from his previous body of work, Convergence, which saw an incredible balancing act of identifiably representational and abstract elements within the same composition, the new paintings function on the border between these two polarities.

Look at work from previous chronicles and all of these elements are there.

When states agreed to hold a third CCW meeting on lethal autonomous weapons systems they added one new element to the mandate language from previous years, namely that countries participating in the April 2016 meeting «may agree by consensus on recommendations for further work for consideration by the CCW's 2016 Fifth Review Conference.»