Not exact matches
Tilman, NYC39 / 7 (detail), 2009 Mixed media December 12, 2009 — February 13, 2010 With Your Eyes Only is an experimental project,
which analyses the
elements of perception in a
collage of artistic interventions and objects.
In these new paintings with
collage that we are looking at in your studio for the show at Tolarno Galleries, you are imposing the same device, but with the paint:
elements of the work are encircled, enveloped, the manner in
which one might assert ownership over a collection
of objects.
They were relatively small wood panels, no more than 18 × 15 inches,
which had
collage elements sort
of like Kurt Schwitters.
Greet Billet, 1/256 — 256/256, 256 different kinds
of black in a movie, 2009 Grey color on wall, video projection WITH YOUR EYES ONLY is an experimental project,
which analyses the
elements of perception in a
collage of artistic interventions and objects.
Many
of the featured artworks are from the1950's and 60's including an important densely layered
collage from1955 by Lee Krasner
which redeployed sections
of discarded paintings and drawings by her husband Jackson Pollock in tandem with new design
elements she added to her own studio scraps.
He later invented his Texturologies — abstract paintings
which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers
of tiny droplets
of paint, and combined it with materials including
collaged elements and sand.
Photo - based
collage elements are often intermixed with decorative or abstract patterns
which create a simultaneous feeling
of familiarity and other - worldliness to the works.
This concatenation
of elements runs right through Ofili's work, and his use
of materials: the elephant dung - balls and words spelled out in coloured map - pins, the
collaged photos and layers
of resin, the glitter and stars and glow - in - the - dark paints, all
of which evidence a cargo
of metaphoric as well as physical allusions.
Her
collages are constructed using fragments from fashion and travel magazines, pornography, African art books, automotive schematics, and images drawn from science fiction as well as hand - drawn or painted
elements which create a variety
of new formations
of the body.
Created as a synthesis
of painting, drawing and
collage, the works fuse formal concerns with the representational image,
which can be seen in Phillips» inclusion
of photographs
of exterior spaces and architectural
elements.
Tashkent (1993), a work on paper with
collage elements, is a diptych named after the ancient capital
of Uzbekistan,
which Bolduc visited on numerous occasions.
Scuffs and tears bandaged with
collage elements typify Tran's works on paper, but their most surprising moments take the form
of apertures in
which tiny ceramic vessels sit, as if on windowsills.
Martinez is known for his large - scale, energetic canvases in
which densely built - up layers
of oil and enamel paint are punctuated by
elements of collage.
This leads visitors back to a large charcoal drawing, «Untitled No. 18» from 1958, where you can see him sketching out vague shapes; then to several
of his
collages placed around the room; and finally to his paintings,
which suddenly register as paintings sprung from
collages, with their juxtaposed
elements functioning, as Ms. de Kooning puts it, like «action caught at an impasse» to create «an art
of interruption.»
Brooklyn - based
collage artist Clark Goolsby explores information overload with «a process
which uses almost no found materials, creating all
of the
collage - based
elements of his paintings from scratch.
Though he does not disclose the details
of the context or narrative
of his work, Krisanamis has described his method as spontaneous,
which he parallels to musical improvisation — weaving together color, line, and
collaged elements in a rhythmic manner to form his compositions.
Their built - up layers
of paint and
collage elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in
which they are painted: on the floor, tacked to the wall, and on the back
of the canvas, picking up studio detritus along the way.
According to Thomas P. Brockelman, art historian and author
of The Frame and the Mirror: On
Collage and the Postmodern, this double reading
of each
element creates a synaptic relationship between these two contexts,
which «promises a new sense
of truth and experience.»
There are several characteristics
which lend art to being postmodern; these include bricolage, the use
of words prominently as the central artistic
element,
collage, simplification, appropriation, performance art, the recycling
of past styles and themes in a modern - day context, as well as the break - up
of the barrier between fine and high arts and low art and popular culture.
Like other works in this series,
which is currently one
of the subjects
of a show at New York's Pace Gallery, the work features a number
of collaged elements that appear to be disintegrating.
Sometimes other materials and
elements are added to a relief in order to create what is called a composite relief,
which is like a combination
of relief and
collage.
She countermands permanence with raw clay, and with
collages in
which neon and small, often unspecifiable,
elements are arranged in something approaching a multiple self - portrait, introducing a hint
of narrative into the flow
of the exhibition.
In 1950, Kelly began to make shaped - wood reliefs and
collages in
which elements were arranged according to the laws
of chance.
Chagoya's codices,
which are read from right to left, subvert familiar historical narratives by generating invented histories through a cross-pollination
of drawn and painted images and
collaged elements.
His works create a dialogue between various
elements, bringing together film, drawing, text,
collage, installation and performance to explore the performative potential
of materials, amongst
which the body becomes an applicable object.
This exhibition will reveal Moran's painterly development, from her early and more gestural paintings to her later works
which, though more structured and detailed, often include added
elements of collage and layering.
Teruya makes drawings
of elements of urban design and architecture — bollards, wood planks, cement blocks — as well as actual structures,
which he then cuts and arranges to create crisp, elegant
collaged drawings.
For the first time, a work from his latest series
of Garden pictures will be presented — a multipart work in
which the painted aluminium
elements look almost like weightless papier collé and have the effect
of a structural variant
of Henri Matisse's late
collages.
Also included are a number
of paintings with
collaged figurative
elements which can be seen as transitions between the earlier Door paintings and the figurative imagery he currently uses.
Here the
collaged elements (again, remnants
of her destroyed drawings) are woven into a work in
which the paint itself resembles shards.
Even when I was designing textiles, I would often put in
collage elements,
which proved difficult to translate into the printing
of the fabric.
Hammond also produces black - and - white photomontages that draw on
elements of Russian Constructivism and Dada,
which she reworks digitally,
collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.
While his fluid forms appear to be created through incident, Chamberlains works are the outcome
of a combination
of intellect and intent and retain a sense
of control
which is evident in the thoughtfully welded
elements that transform each work into a highly sophisticated
collage - like composition.
Overlap refers to Ideal's process, in
which she layers and pieces together paint and
elements of collage.
These books (Diaries, 2018) feature small sculptures and
collages — a medium broadly adopted by Surrealism and much loved by Eva Kot» átková by virtue
of its intrinsic nature
of joining together different fragments and
elements to create new compositions — and represent a diary in
which thoughts and notes around disfunctions and peculiarities
of the todays world are collected.
In 1950, Kelly met Jean Arp and that same year began to make shaped - wood reliefs and
collages in
which elements were arranged according to the laws
of chance.
Additionally, though Knight's structures have many embedded lines
of reference — the metal assemblages
of Anthony Caro, the intersecting geometries
of David Smith, the
collaged installations
of Kurt Schwitters, the corporeal erections
of Matthew Barney, the ambiguous furniture
of Franz West, and the wrapped objects
of Christo come to mind with these pieces — the vocabulary
of forms, and the unexpected ways in
which elements encounter one another, is Knight's own distinct signature.
River Mist is a cut - canvas
collage work in
which the painted
elements are cut, then fitted together like the pieces
of a jigsaw puzzle, and finally adhered to a painted board.
For the purposes
of this publication, drawings are works on paper that do not contain a
collage element and that are executed exclusively in one or more dry mediums (such as graphite, charcoal, or crayon), and / or in fluid mediums other than paint (such as ink, watercolor, or gouache,
which is an opaque form
of watercolor).
In a new take on his hallmark three - dimensional constructions,
which compound painting and sculpture, Grooms incorporates an
element of collage into the works in this exhibition, integrating pages from magazines with watercolor, acrylic, ink and other media, creating perceptive portraits
of other artists and placing them within the enviornment
of their own works.
This exhibition includes text - based works, graphic
elements, woven fabrics and
collages of newspaper photographs that collectively blur the systematic with the haphazard in
which meaning is layered and elusive.
On display were four «dogleg» - shaped canvases (versions
of which were exhibited at James Fuentes Gallery in New York in 2014) and a new series
of five sculptural reliefs, as well as several hybrid paintings, composed
of multiple canvases joined together and overlaid with various
collage elements, such as rope and scraps
of wood (all works, 2015).