Sentences with phrase «elements of collage which»

Not exact matches

Tilman, NYC39 / 7 (detail), 2009 Mixed media December 12, 2009 — February 13, 2010 With Your Eyes Only is an experimental project, which analyses the elements of perception in a collage of artistic interventions and objects.
In these new paintings with collage that we are looking at in your studio for the show at Tolarno Galleries, you are imposing the same device, but with the paint: elements of the work are encircled, enveloped, the manner in which one might assert ownership over a collection of objects.
They were relatively small wood panels, no more than 18 × 15 inches, which had collage elements sort of like Kurt Schwitters.
Greet Billet, 1/256 — 256/256, 256 different kinds of black in a movie, 2009 Grey color on wall, video projection WITH YOUR EYES ONLY is an experimental project, which analyses the elements of perception in a collage of artistic interventions and objects.
Many of the featured artworks are from the1950's and 60's including an important densely layered collage from1955 by Lee Krasner which redeployed sections of discarded paintings and drawings by her husband Jackson Pollock in tandem with new design elements she added to her own studio scraps.
He later invented his Texturologies — abstract paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers of tiny droplets of paint, and combined it with materials including collaged elements and sand.
Photo - based collage elements are often intermixed with decorative or abstract patterns which create a simultaneous feeling of familiarity and other - worldliness to the works.
This concatenation of elements runs right through Ofili's work, and his use of materials: the elephant dung - balls and words spelled out in coloured map - pins, the collaged photos and layers of resin, the glitter and stars and glow - in - the - dark paints, all of which evidence a cargo of metaphoric as well as physical allusions.
Her collages are constructed using fragments from fashion and travel magazines, pornography, African art books, automotive schematics, and images drawn from science fiction as well as hand - drawn or painted elements which create a variety of new formations of the body.
Created as a synthesis of painting, drawing and collage, the works fuse formal concerns with the representational image, which can be seen in Phillips» inclusion of photographs of exterior spaces and architectural elements.
Tashkent (1993), a work on paper with collage elements, is a diptych named after the ancient capital of Uzbekistan, which Bolduc visited on numerous occasions.
Scuffs and tears bandaged with collage elements typify Tran's works on paper, but their most surprising moments take the form of apertures in which tiny ceramic vessels sit, as if on windowsills.
Martinez is known for his large - scale, energetic canvases in which densely built - up layers of oil and enamel paint are punctuated by elements of collage.
This leads visitors back to a large charcoal drawing, «Untitled No. 18» from 1958, where you can see him sketching out vague shapes; then to several of his collages placed around the room; and finally to his paintings, which suddenly register as paintings sprung from collages, with their juxtaposed elements functioning, as Ms. de Kooning puts it, like «action caught at an impasse» to create «an art of interruption.»
Brooklyn - based collage artist Clark Goolsby explores information overload with «a process which uses almost no found materials, creating all of the collage - based elements of his paintings from scratch.
Though he does not disclose the details of the context or narrative of his work, Krisanamis has described his method as spontaneous, which he parallels to musical improvisation — weaving together color, line, and collaged elements in a rhythmic manner to form his compositions.
Their built - up layers of paint and collage elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in which they are painted: on the floor, tacked to the wall, and on the back of the canvas, picking up studio detritus along the way.
According to Thomas P. Brockelman, art historian and author of The Frame and the Mirror: On Collage and the Postmodern, this double reading of each element creates a synaptic relationship between these two contexts, which «promises a new sense of truth and experience.»
There are several characteristics which lend art to being postmodern; these include bricolage, the use of words prominently as the central artistic element, collage, simplification, appropriation, performance art, the recycling of past styles and themes in a modern - day context, as well as the break - up of the barrier between fine and high arts and low art and popular culture.
Like other works in this series, which is currently one of the subjects of a show at New York's Pace Gallery, the work features a number of collaged elements that appear to be disintegrating.
Sometimes other materials and elements are added to a relief in order to create what is called a composite relief, which is like a combination of relief and collage.
She countermands permanence with raw clay, and with collages in which neon and small, often unspecifiable, elements are arranged in something approaching a multiple self - portrait, introducing a hint of narrative into the flow of the exhibition.
In 1950, Kelly began to make shaped - wood reliefs and collages in which elements were arranged according to the laws of chance.
Chagoya's codices, which are read from right to left, subvert familiar historical narratives by generating invented histories through a cross-pollination of drawn and painted images and collaged elements.
His works create a dialogue between various elements, bringing together film, drawing, text, collage, installation and performance to explore the performative potential of materials, amongst which the body becomes an applicable object.
This exhibition will reveal Moran's painterly development, from her early and more gestural paintings to her later works which, though more structured and detailed, often include added elements of collage and layering.
Teruya makes drawings of elements of urban design and architecture — bollards, wood planks, cement blocks — as well as actual structures, which he then cuts and arranges to create crisp, elegant collaged drawings.
For the first time, a work from his latest series of Garden pictures will be presented — a multipart work in which the painted aluminium elements look almost like weightless papier collé and have the effect of a structural variant of Henri Matisse's late collages.
Also included are a number of paintings with collaged figurative elements which can be seen as transitions between the earlier Door paintings and the figurative imagery he currently uses.
Here the collaged elements (again, remnants of her destroyed drawings) are woven into a work in which the paint itself resembles shards.
Even when I was designing textiles, I would often put in collage elements, which proved difficult to translate into the printing of the fabric.
Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and printing the resulting image in the darkroom as a gelatin silver photograph.
While his fluid forms appear to be created through incident, Chamberlains works are the outcome of a combination of intellect and intent and retain a sense of control which is evident in the thoughtfully welded elements that transform each work into a highly sophisticated collage - like composition.
Overlap refers to Ideal's process, in which she layers and pieces together paint and elements of collage.
These books (Diaries, 2018) feature small sculptures and collages — a medium broadly adopted by Surrealism and much loved by Eva Kot» átková by virtue of its intrinsic nature of joining together different fragments and elements to create new compositions — and represent a diary in which thoughts and notes around disfunctions and peculiarities of the todays world are collected.
In 1950, Kelly met Jean Arp and that same year began to make shaped - wood reliefs and collages in which elements were arranged according to the laws of chance.
Additionally, though Knight's structures have many embedded lines of reference — the metal assemblages of Anthony Caro, the intersecting geometries of David Smith, the collaged installations of Kurt Schwitters, the corporeal erections of Matthew Barney, the ambiguous furniture of Franz West, and the wrapped objects of Christo come to mind with these pieces — the vocabulary of forms, and the unexpected ways in which elements encounter one another, is Knight's own distinct signature.
River Mist is a cut - canvas collage work in which the painted elements are cut, then fitted together like the pieces of a jigsaw puzzle, and finally adhered to a painted board.
For the purposes of this publication, drawings are works on paper that do not contain a collage element and that are executed exclusively in one or more dry mediums (such as graphite, charcoal, or crayon), and / or in fluid mediums other than paint (such as ink, watercolor, or gouache, which is an opaque form of watercolor).
In a new take on his hallmark three - dimensional constructions, which compound painting and sculpture, Grooms incorporates an element of collage into the works in this exhibition, integrating pages from magazines with watercolor, acrylic, ink and other media, creating perceptive portraits of other artists and placing them within the enviornment of their own works.
This exhibition includes text - based works, graphic elements, woven fabrics and collages of newspaper photographs that collectively blur the systematic with the haphazard in which meaning is layered and elusive.
On display were four «dogleg» - shaped canvases (versions of which were exhibited at James Fuentes Gallery in New York in 2014) and a new series of five sculptural reliefs, as well as several hybrid paintings, composed of multiple canvases joined together and overlaid with various collage elements, such as rope and scraps of wood (all works, 2015).
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