Not exact matches
I have long remembered the remark
of a notable art critic — though I have forgotten which one — that many modernist
paintings could be understood as fragments
of classical
painting blown up for their own sake, displaying the formal and technical
elements by which
painting is accomplished but eschewing the narrative depiction within which such patches
of paint on
canvas would earlier have had their place.
I took off my large
canvas from the mantel, and I added some awesome neutral
elements, a large skull and
of course my watercolor
painting to my fall mantel decor.
Marshall's subdued, slightly melancholy, slightly hopeful
canvases are often allegories — they rethink various art - historical genres, such as history
paintings and self - portraiture, by applying
elements of African American culture to them.
Part
of a series
of 102 silkscreened
canvas panels conceived as one
painting with multiple components, in this piece there are
elements that call to mind Franz Kline's investigations into calligraphic compulsions.
Wilson removes the color from each nation's flag and replaces all
of the graphic design
elements — stars, stripes and symbols — with black acrylic
paint on raw
canvas.
Over the past twenty years, she has employed a diverse array
of techniques and vocabularies, ranging from the cheerily clumsy figuration
of folk
painting to imitations
of digital image editing (an interest that has also extended to the incorporation
of digitally printed wallpaper and conversational text
elements into her
canvases).
Perhaps it was the vast
canvas expanse
of «Rebus» in my peripheral vision that brought to mind Butler's use
of fabric as an independent
element, or perhaps it was something deeper; like Rauschenberg's Combines, there is something simultaneously serene and mad about these
paintings.
The division
of many
of his
canvases into areas
of slightly shifted perspective add an
element of cubism to
paintings that also provoke thought.
At ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 -
element assemblage; Rosalyn Drexler's
canvas collages
of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car -
painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (why?)
He later invented his Texturologies — abstract
paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his
canvas in layers
of tiny droplets
of paint, and combined it with materials including collaged
elements and sand.
Lerma uses layers
of figurative as well as abstract
elements, charcoal and colours, text, the blank
canvas and smudges
of paint to create vibrant, erratic compositions in which you recognize cartoonish figures, mysterious calligraphic signs, and vegetal varieties.
Dana Miller, curator
of the upcoming Whitney show, says, «She was right there dealing with the same issues that Stella and Kelly played with, using the structure
of the
painting and the
canvas edge as a formal
element to riff off.
Painted patches
of canvas and linen are applied to the
painting surfaces to add a specific
element of interest and spontaneity, maintaining energy at peak level with unexpected shifts in process.
Some
of his most well - known works consider passing time, utilizing dried
paint «skins» from the tops
of paint cans or
paint trays as collage
elements or subjects on
canvas.
Aldrich pursues an open - ended exploration
of painting and uses its fundamental
elements —
canvas, stretcher bars,
paint — to interrogate and celebrate the intellectual and sensual conundrums
of the art form.
She often cited natural
elements as inspiration, and her signature style reflects the influences
of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely
painted yet meticulously constructed
canvases, filled with latticework
of bright color creating patterns from negative space.
Decidedly literary and personal, Aldrich's
paintings are deeply interconnected, as he draws together
elements of the studio, the cosmos
of canvas scraps and books that fill it.
Some
of the works feature kinetic
elements, and the sculptures interact so beautifully with Whitney's lyrical, energetic
paintings that the dialogue reminds me
of that between David Smith's
canvases and 3 - D works.
Murray's most recent
paintings, in which individual curvilinear
canvas panels slide behind or in front
of each other, are not only balanced between abstractions and representation, but contain
elements of both
painting and sculpture.
But soon the spray
paint became a part
of her visual vernacular and it was no longer a defacement
of the work but a vital addition to the
elements at play within the environment
of the
canvas.
The exhibition is composed
of three
elements: a suite
of six monotypes, two large
paintings on
canvas, and the third (and most exciting) is the wall drawing Mr. Row will produce at the museum April 17 - 20, 2001.
Martinez is known for his large - scale, energetic
canvases in which densely built - up layers
of oil and enamel
paint are punctuated by
elements of collage.
Kosuth has also coloured the gallery walls as part
of his montage that yields meaning and visual effects not only within individual
elements, but also from the collision
of, say, a gashed Fontana
canvas, the blown - up definition
of the word «red», and a wall coloured in Benjamin Moore household
paint, an industrial medium favoured by Frank Stella and Andy Warhol.
Stephan uses the humble
elements of painting — the stretched
canvas, the brushstroke, color, the illusion
of three - dimensional space — in straightforward ways, no
painting tricks.
Watercolors on paper related to sculpture; tabletop sculptures; a series
of mixed media
paintings that incorporate collaged
elements and his newest work: abstract acrylic
paintings on
canvas or watercolor paper.
In Meyer Vaisman's
paintings the volumetric stacking
of canvases or layering
of compositional
elements, and the ersatz texturing
of surfaces - a photomechanical imprinting
of a magnified reproduction
of canvas weave borrowed from a commercial Letratone ¨ pattern sheet - parody the modernist ethos about flatness and truth to materials.
In these works, Stella recalls several
of his most marked and insurgent artistic
elements; the shaped
canvas, the absence
of color, the use
of household
paints, mysterious geometry and highly ambiguous titles.
In this new body
of work, Parrott incorporates sculptural
elements within her
paintings in order to explore the
canvas as a type
of barrier.
For Fonda, the formal qualities
of painting — the emphasis on color, line, shape and texture — are equally as important as the conceptual
elements being interpreted on the
canvas.
Their built - up layers
of paint and collage
elements make them the most time - consuming works Bradley produces, as does the sculptural, three - dimensional way in which they are
painted: on the floor, tacked to the wall, and on the back
of the
canvas, picking up studio detritus along the way.
A combination
of acrylic and spray
paint canvases, dyed interactive soft sculptures, and a concrete block plant installation, the show's multi-medium
elements serve as a whimsical juxtaposition to the modernist architecture
of the space.
In other works, by contrast, Gaman introduces
elements of geometric influences that echo Ad Reinhardt's black
paintings from the 1950s in pieces such as Untitled 2014 (pigment print on
canvas).
Although they are made
of stretched
canvas and assembled by hand from smaller
elements, they are not quite
paintings and not quite sculptures.
Various materials — embroidery, acrylic
paint, fabric and
canvas — are sewn together to become continuous, integral
elements of the work.
Challenging the confinement
of the rectangular plane, Smith expanded the three - dimensional
elements of his
canvases, warping them outwards, adding various shapes to their edges, and dispensing
of stretchers all together, hanging sheets
of painted canvas like giant kites.
These
elements in the drawings offer clues on how to read the
painting, which also bears the words «in» to the left and «out» to the right, inviting the viewer to walk along the
canvas from left to right and perceive it over time, as one would a piece
of music.
Inspired by pop culture and cartoons, Jamie Powell's
paintings incorporate
elements of chance and improvisation as she manipulates the
canvas by dyeing, cutting, and tying pieces to create sculptural forms, revealing the underlying frame.
From experimentation, accidents, and even repairing the fragile, sculptural
elements of his
paintings, Hollingsworth has recently come across a new technique in which he
paints directly onto the plastic wrap
of store - bought
canvases.
Physical space is dispensed with as an
element in
painting — even the dimensions
of the
canvas do not represent measurements inside which relationships are set up, but rather only determine the ends
of the image.
With Nelson's work, there has long been a preoccupation with the basic material
elements of painting:
canvas, stretcher, and
paint, which comes out
of a Minimalist idea
of specificity.
For her first solo exhibition in Italy, La Kermesse Héroïque, the Brussels - based Lucy McKenzie has made a group
of new works, including mural
paintings on
canvas,
painted objects, sculptures and figures - combined with
elements of decor (such as lighting and furniture) to explore the relationship between style, ideology and value.
Klosterman has been developing her own process
of contrasting
elements, on one side the hard materials
of the sculptural series and on the other side the soft delicate silks and fabrics
of her
canvases, meticulously hand
painted, drawing from imagery she creates inspired by the Fibonacci Sequence.
He would also smear sand, broken glass, and other textural
elements on the
canvas, while
painting in a fluid motion from all sides
of the
canvas.
Of this new approach, she says, «I had to be really in tune with the materials — how
paint was going to react with the
canvas, how formal
elements such as color and form were going to behave as more
paint was added.»
Among these are several small
paintings with
elements that look as though they were drawn by squeezing tubes
of acrylic
paint directly onto the
canvas.
Energetic and raw, his
paintings employ an aggressive use
of color and texture with various combinations
of oil, enamel, spray
paint and collage
elements on
canvas.
Because Kline sketched and
painted this photograph so many times, he acquired such a familiarity with it that he could apparently sketch it blindfolded in less than thirty seconds.39 This skill necessarily involved what Kline had described in 1956 as the process that had led to his breakthrough to abstraction: «breaking down the structure into essential
elements».40 In the photograph, the posture
of Nijinsky in absolute terms and relative to the frame has a striking structure
of a kind that persists in Kline's abstract work, in which there is a tension between the composition internal to the
painting and the limits
of the
canvas.
He also explores the works» sculptural presence, both in the boxes
of the System
of Display series, each a few inches deep, and the Black Dada
paintings, which are literally printed with sculptures and text
elements that activate the edges
of the
canvas.
Although Piper's early and student work made use
of traditional fine art media such as
paint and
canvas (such as The Body Politic, 1983), [3] from the late 1980s he became primarily associated with technically innovative work that explored multi-media
elements such as computer software, websites, tape / slide, sound and video within an installation - based practice.
When he started to
paint again in the mid-1940s, Newman sought a new style
of mystical abstraction, and it was at this time that he made his first works using his signature vertical
elements, or «zips,» to punctuate the single - hued fields
of his
canvases.