Sentences with phrase «elements of painting within»

The current programme is centered around succinct solo exhibitions, recently this has included artists that have elements of painting within their main practice.

Not exact matches

I have long remembered the remark of a notable art critic — though I have forgotten which one — that many modernist paintings could be understood as fragments of classical painting blown up for their own sake, displaying the formal and technical elements by which painting is accomplished but eschewing the narrative depiction within which such patches of paint on canvas would earlier have had their place.
New to the G63 and G65 Exclusive Edition is a unique grey paint finish, a stainless running kick plate integrated within the lower edge of the front bumper, AMG racing stripes along the lower section of the doors, body protection elements in a dark aluminium look and a spare wheel cover painted in the vehicle colour.
thechineseroom promises experimentation within «dynamic, adaptive storytelling» and that they are «re-introducing more interactive elements to the experience», painting a much different picture of this spiritual successor to the more linearly driven Esther.
Imagine looking at a painting, of being moved by elements of its brush work or some other features within the strokes, of having feelings stir within you as a result of having looked upon it.
Scale of elements within the paintings and scale of the individual paintings.
I've chosen to report on these three artists as a group, because it is the constancy of elements in their work, as well as the range of expression within their self - imposed parameters, that bring greater depth to their painting, and certainly more profound pleasure in our perception of it.
Incorporating elements of painting, architecture, and installation within her sculpture, Sze investigates the value we place on objects and explores how objects ascribe meaning to the places and times we inhabit.
This signature paint application emerged within her representational work but became a technique that helped her explore fundamental elements of abstraction.
She writes, «Rather than organize our exhibition on a specific set of artists, the paintings were selected because they exhibited the following characteristics of Precisionism: carefully edited, hard - edged architectural elements within static, balanced, and smoothly painted compositions of interlocking designs.
As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»
His methods contain notable convergences with abstract painting, and increasingly abstract elements are evident within the tree paintings that have been a consistent focus of his practice in recent years.
But soon the spray paint became a part of her visual vernacular and it was no longer a defacement of the work but a vital addition to the elements at play within the environment of the canvas.
While you're up close, you'll see that the subtlest of grids is formed by the trail of brushmarks and intentionally grainy elements within the paint.
Kosuth has also coloured the gallery walls as part of his montage that yields meaning and visual effects not only within individual elements, but also from the collision of, say, a gashed Fontana canvas, the blown - up definition of the word «red», and a wall coloured in Benjamin Moore household paint, an industrial medium favoured by Frank Stella and Andy Warhol.
Another painting within the exhibition that embodies the elements of the Gulf Coast is The Sealy House, as Bates» representation shows the importance of how color, the play of light and the framing of surrounding landscape all contribute to the overall impression of the structure within its setting.
In this new body of work, Parrott incorporates sculptural elements within her paintings in order to explore the canvas as a type of barrier.
With our latest exhibition we have set out to exhibit a group of artists who work within the scope of analog painting referencing the analogical representational elements of work that could be seen as figurative or representational at times.
These collaged elements — along with images of pillows and a detail from a Baroque relief — are sealed within a clear Plexiglas casing that acts as a support for the surprising array of three - dimensional objects suspended from the work's surface, ranging from tin cans and a spent tube of paint to assorted empty plastic tubes and salvaged wooden chair rungs.
Formal elements within the work reference various art historical movements: from the gesture of Abstract Expressionism to the flatness of Minimalist paintings, to the spatial considerations of architectural theory.
Formal elements within the work reference various art and architectural movements: from the gesture of Abstract Expressionism to the austerity of Minimalist paintings, to the spatial considerations of architectural theory, specifically the work of Frank Gehry.
Initially executed on paper, Dubuffet's adventures in automatism resulted in drawings and paintings made up of multiple cells, where each space comes to life both as an individual element, and as a component within a larger structure.
Raw and passionate strokes of paint splashes and symbolism are the artist» key elements within his work's compositions.
Rather than experiencing transcendence from something hidden within the painting or from some interpretive element in the work, the only transcendent experience Stella intended for viewers of these paintings to have came from the psychological relief of being allowed to interact with an aesthetic object on its own terms.
Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.
Painting is a powerful means of expression, an important cultural element that must be encouraged within modern society in order that society may be made whole.
As New York painters were progressively rejecting illusionistic space and moving toward a more literal space and bigger formats — which would logically lead a few years later to Donald Judd's rejection of painting in favor of sculptural space — the concept of le tableau continued to provide a conceptual framework to painters within the French idiom that would allow painting to evolve without losing the basic elements of its identity.
However, it wouldn't be until Alex Katz attended the renowned Skowhegan School of Painting and Sculpture where he started to develop his true voice within the art community, especially with the usage of natural elements in his landscapes, portraits, and sculptures.
Descriptive elements visible in his earlier portraits from the 1950s are subsumed within paintings that have, over the course of more than fifty years, become more psychologically charged, but no l ess connected with evoking specific individuals in particular situations.
FORREST SELVIG: Alfonso, to get back to your painting, Congregations, I said that I felt there were some elements of the totem, there was a spirit within.
Trained as a painter, Leyla started working with three - dimensional elements and generated a very peculiar way of thinking about the conditions of painting within a sculptural and architectural context.
Although Piper's early and student work made use of traditional fine art media such as paint and canvas (such as The Body Politic, 1983), [3] from the late 1980s he became primarily associated with technically innovative work that explored multi-media elements such as computer software, websites, tape / slide, sound and video within an installation - based practice.
With his play between abstraction and figuration, and his combination of elements from high and everyday culture, Condo repudiates genre - defined hierarchies within painting.
Gottlieb first used this vast, horizontal format in 1960 allowing his minimal, graphic language to stretch across the picture plane; he explains, «I eliminated almost everything from my painting except a few colors and perhaps two or three shapes, I feel a necessity for making the particular colors that I use, or the particular shapes, carry the burden of everything that I want to express, and all has to be concentrated within these few elements
For example, in terms of light — one of the elements he most prized in painting — Ippolito explained that it came from not from observation but from within himself: «The light I paint is not found in the indoors or the outdoors,» he said.
The exhibition exemplifies the diversity of media within it; his trademark letterpress and silkscreen prints anchor the plot, and are aided by sculptural elements and objects such as hand carved foam and wood works, larger installations, and floral and collaged prop - like paintings.
The use of repeating motifs parallels life's patterns and these echoing images are made active when transposed within layers of hand - painted and collaged elements.
This exhibition of recent works by Martha Jones features oil paintings based on a consistent set of elements that call on the viewer to think about issues of color, scale, and abstraction within an artistic tradition.
While these paintings initially seem like a chaotic mass of neon, codified within the swirling lines are hidden figurative elements.
Employing a brightly colored palette dominated by yellows, pinks and blues, his fields and angular bands overlap one another, creating irregular geometric shapes within the paintings, with linear elements emerging from beneath earlier layers of paint.
She's chosen to report on these three artists as a group, because «the constancy of elements in their work, as well as the range of expression within their self - imposed parameters, bring greater depth to their painting, and certainly more profound pleasure in our perception of it.»
The exhibition will shed light on the breadth of Chu Teh - Chun's practice and suggest that, rather than adopting the ideals of Western painting, Chu's move to Europe encouraged him to discover and embrace these resonating elements already within the Chinese artistic tradition.
Moving from his previous body of work, Convergence, which saw an incredible balancing act of identifiably representational and abstract elements within the same composition, the new paintings function on the border between these two polarities.
The works play with elements of flat colour, depth and surface, revealing the process of painting as a series of strategies or components within the visual puzzle of the whole.
As a central figure in the 1970s punk rock and hallucinogenic counter culture, Tomaselli began making visually dynamic and conceptually loaded collages, photomontages, and paintings, eventually developing a reputation for his inclusion of pharmaceuticals, cannabis leaves, and other mind - altering substances suspended in resin as elements within collaged and painted images.
I always destroy the work if anyone looks passive» — L. YIADOM - BOAKYE «I want the work to be pulled out of the air somehow, to play God and exploit that power of creation in paint» — L. YIADOM - BOAKYE «It's not a person, it's not a portrait; it's a painting, and everything that goes on within it qualifies the other elements» — L. YIADOM - BOAKYE The centrepiece of Lynette Yiadom - Boakye's major 2012 exhibition Extracts and Verses at Chisenhale Gallery and subsequently of her Turner Prize show in 2013, Bound Over to Keep the Faith is a monumental and compelling vision.
The paintings from Elmer Bischoff's late abstraction period are characterized by the dualities of formal elements that exist in both harmony and opposition within his paintings.
The dualities in Hall's work are straightforward — color and line; geometry and nebulousness; graphite and paint — but, despite their often asymmetrical relationships, they interact within a network of correspondences where no one element dominates.
In a new take on his hallmark three - dimensional constructions, which compound painting and sculpture, Grooms incorporates an element of collage into the works in this exhibition, integrating pages from magazines with watercolor, acrylic, ink and other media, creating perceptive portraits of other artists and placing them within the enviornment of their own works.
Rail: And there is the formal element because within your paintings is the constant examination of the relationship of things to the picture plane.
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