Sentences with phrase «elements of paintings here»

Not exact matches

«6 But there is nothing «antioptical» about Piper's careful attention to framing, visual balance, and hue here — rather, she cannily mobilizes the opticality of modernist painting to highlight the ocular elements of racialized recognition.7
All of the here shown works - mostly paintings but also an installation and a video - concentrate on architecture and spatial geometry: as main motiv, background, frame or as symbolic element.
Like the great Spanish masters Velázquez and Goya whose work he saw there, Vicente made a color of black, on view here in the painted and collaged elements of Black Susan.
In all his works here we see the back and forth between what the eye gleans from this world of light, shadow, color, form, people, trees, skies, water and all the elements of objective reality, and what the artist asserts of his feelings, as revealed by gestures, color and movements of paint through actions that depict the artist's inner world.
O.C.Y.: Writing is an important element in your work as it can be seen in some of the paintings here.
In contrast to his previous work, where contemporary elements act as incisions into conventional frameworks, here the planes of colour lie on the surface of the paintings as colder adaptations to the underlying image.
He made Still Life # 59, five panels that form a large, complex dimensional, freestanding painting: here too the elements are enlarged, and part of a telephone can be seen.
This painting is spectacular, it's small but really dynamite work, you can see the thick brush work, it has quite a bit of collage elements, you can see there is a New York Times newspaper here.
MUSEUM COLLECTIONS Cleveland Museum of Art, Cleveland, OH Museum of Fine Arts, St. Petersburg, FL Museum of the City of New York, NY Smithsonian Museum of American Art, Washington, DC Cahoon Museum of American Art, Cotuit, Cape Cod, MA Brooklyn Historical Society, Brooklyn, NY SELECT GROUP EXHIBITIONS Beach Elements IV (curated by Nancy Gesimondo), PLAXALL Gallery, Long Island City, Members» Exhibition, Edward Hopper House Art Center, Nyack, NY America: Here and Now, curated by Eric Fischl, Buchanan Center for the Arts, New York State of Mind, Flinn Gallery, Greenwich Library, Greenwich, CT Wide Open 3 (curated by Charlotta Kotik, Curator Emerita of Contemporary Art, Brooklyn Museum of Art), Kunstwerke Carlshutte, Budelsdorf, Germany Wide Open 2 (curated by Nathan Trotman, Curator, Guggenheim Museum, NYC), Brooklyn Artists National Midyear Exhibition, Butler Institute of American Art, Youngstown, OH Painting the Town: Cityscapes of New York, Museum of the City of New York, New York, 165th Juried Exhibition, National Academy of Design, New York, NY 31st New England Exhibition (juried by Henry Geldzahler), Silvermine Guild Recent Painting USA: The Figure, Museum of Modern Art, New York, NY
The weighty medium of painting is given a stage here, but so too the casual element of close bonds.
These elements, which exemplify his theory of spatial «push - pull,» are seen here in two charming all - red paintings (Mr. Silver rightly connects them to Matisse's «Red Studio,» painted in 1911).
These elements that interrupt the fluid qualities of the paintings are central to the excess at work here.
All of the artist's paintings - an inadequate term here, as sculptural elements aboundpossess, to varying extents, dry, cracked facades made from adobe sourced from the New Mexican desert.
A large amount of calculated precision and a substantial backlog of knowledge and experience enter into the making of these paintings -LSB-...] the poetic element here is as understated as the painting process, stirring the imagination with insinuated forms and situations but giving precedence to visual pleasure.
Here, the paintings and sculptural furniture, displayed in the form of abstracted period rooms, function as material with which to examine how elements of décor are used to contextualise particular artworks, and conversely, how fine art adds value to design.
Exchanging her style of fluid colors with the occasional use of brushstrokes, Van Lankveld here presents a series of paintings in a vivid array of painterly elements.
Here the collaged elements (again, remnants of her destroyed drawings) are woven into a work in which the paint itself resembles shards.
The imagery here incorporates elements of Asian landscape painting with the Angry Birds game and floating text bubbles.
The luscious greens mingling with vivid yellows, punctuated here and there by traces of blue, are vaguely suggestive of landscape elements, while the evidence of creation and destruction in the paint layers also invites parallels with organic or natural processes.
I think I find a similar dialogue taking place in Fiona Rae's paintings, only here the digital seems to be referenced more in the synthetic colours and the insertion of manufactured collaged elements from childish popular culture, girly stationery, stickers of cute cartoon pandas, her now familiar mixing of crass pop decor with the tropes of Abstract Expressionism, that continues to have the power to jar, entertain, and provoke.
During a walkthrough the show, he mentioned AbEx greats Franz Kline (brushy, hands - on) and Jackson Pollock (drizzly, hands - off) practically in the same breath — and elements of both recur here, like the wide - brush action on Date, and substitute dripped paint for spray - paint like in Autocorrect, two ways of recording the artist's «hand» and progress.
So once the round window is trimmed out and painted, we will have the new Dutch door installed and we will make sure that the rest of the elements out here will get finished, too.
From the antiqued glass mirror to the painted vanity unit and marble countertop, there are a lot of traditional elements at play here.
Here, a vintage shelving unit — repurposed for dining - room - smart storage — gets a fresh coat of bright paint, better to draw attention to the delightfully detailed elements.
Here, a collection of turquoise lighting elements stands out against the cream walls and plays off of the colors in the large painting.
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