Not exact matches
«6 But there is nothing «antioptical» about Piper's careful attention to framing, visual balance, and hue
here — rather, she cannily mobilizes the opticality
of modernist
painting to highlight the ocular
elements of racialized recognition.7
All
of the
here shown works - mostly
paintings but also an installation and a video - concentrate on architecture and spatial geometry: as main motiv, background, frame or as symbolic
element.
Like the great Spanish masters Velázquez and Goya whose work he saw there, Vicente made a color
of black, on view
here in the
painted and collaged
elements of Black Susan.
In all his works
here we see the back and forth between what the eye gleans from this world
of light, shadow, color, form, people, trees, skies, water and all the
elements of objective reality, and what the artist asserts
of his feelings, as revealed by gestures, color and movements
of paint through actions that depict the artist's inner world.
O.C.Y.: Writing is an important
element in your work as it can be seen in some
of the
paintings here.
In contrast to his previous work, where contemporary
elements act as incisions into conventional frameworks,
here the planes
of colour lie on the surface
of the
paintings as colder adaptations to the underlying image.
He made Still Life # 59, five panels that form a large, complex dimensional, freestanding
painting:
here too the
elements are enlarged, and part
of a telephone can be seen.
This
painting is spectacular, it's small but really dynamite work, you can see the thick brush work, it has quite a bit
of collage
elements, you can see there is a New York Times newspaper
here.
MUSEUM COLLECTIONS Cleveland Museum
of Art, Cleveland, OH Museum
of Fine Arts, St. Petersburg, FL Museum
of the City
of New York, NY Smithsonian Museum
of American Art, Washington, DC Cahoon Museum
of American Art, Cotuit, Cape Cod, MA Brooklyn Historical Society, Brooklyn, NY SELECT GROUP EXHIBITIONS Beach
Elements IV (curated by Nancy Gesimondo), PLAXALL Gallery, Long Island City, Members» Exhibition, Edward Hopper House Art Center, Nyack, NY America:
Here and Now, curated by Eric Fischl, Buchanan Center for the Arts, New York State
of Mind, Flinn Gallery, Greenwich Library, Greenwich, CT Wide Open 3 (curated by Charlotta Kotik, Curator Emerita
of Contemporary Art, Brooklyn Museum
of Art), Kunstwerke Carlshutte, Budelsdorf, Germany Wide Open 2 (curated by Nathan Trotman, Curator, Guggenheim Museum, NYC), Brooklyn Artists National Midyear Exhibition, Butler Institute
of American Art, Youngstown, OH
Painting the Town: Cityscapes
of New York, Museum
of the City
of New York, New York, 165th Juried Exhibition, National Academy
of Design, New York, NY 31st New England Exhibition (juried by Henry Geldzahler), Silvermine Guild Recent
Painting USA: The Figure, Museum
of Modern Art, New York, NY
The weighty medium
of painting is given a stage
here, but so too the casual
element of close bonds.
These
elements, which exemplify his theory
of spatial «push - pull,» are seen
here in two charming all - red
paintings (Mr. Silver rightly connects them to Matisse's «Red Studio,»
painted in 1911).
These
elements that interrupt the fluid qualities
of the
paintings are central to the excess at work
here.
All
of the artist's
paintings - an inadequate term
here, as sculptural
elements aboundpossess, to varying extents, dry, cracked facades made from adobe sourced from the New Mexican desert.
A large amount
of calculated precision and a substantial backlog
of knowledge and experience enter into the making
of these
paintings -LSB-...] the poetic
element here is as understated as the
painting process, stirring the imagination with insinuated forms and situations but giving precedence to visual pleasure.
Here, the
paintings and sculptural furniture, displayed in the form
of abstracted period rooms, function as material with which to examine how
elements of décor are used to contextualise particular artworks, and conversely, how fine art adds value to design.
Exchanging her style
of fluid colors with the occasional use
of brushstrokes, Van Lankveld
here presents a series
of paintings in a vivid array
of painterly
elements.
Here the collaged
elements (again, remnants
of her destroyed drawings) are woven into a work in which the
paint itself resembles shards.
The imagery
here incorporates
elements of Asian landscape
painting with the Angry Birds game and floating text bubbles.
The luscious greens mingling with vivid yellows, punctuated
here and there by traces
of blue, are vaguely suggestive
of landscape
elements, while the evidence
of creation and destruction in the
paint layers also invites parallels with organic or natural processes.
I think I find a similar dialogue taking place in Fiona Rae's
paintings, only
here the digital seems to be referenced more in the synthetic colours and the insertion
of manufactured collaged
elements from childish popular culture, girly stationery, stickers
of cute cartoon pandas, her now familiar mixing
of crass pop decor with the tropes
of Abstract Expressionism, that continues to have the power to jar, entertain, and provoke.
During a walkthrough the show, he mentioned AbEx greats Franz Kline (brushy, hands - on) and Jackson Pollock (drizzly, hands - off) practically in the same breath — and
elements of both recur
here, like the wide - brush action on Date, and substitute dripped
paint for spray -
paint like in Autocorrect, two ways
of recording the artist's «hand» and progress.
So once the round window is trimmed out and
painted, we will have the new Dutch door installed and we will make sure that the rest
of the
elements out
here will get finished, too.
From the antiqued glass mirror to the
painted vanity unit and marble countertop, there are a lot
of traditional
elements at play
here.
Here, a vintage shelving unit — repurposed for dining - room - smart storage — gets a fresh coat
of bright
paint, better to draw attention to the delightfully detailed
elements.
Here, a collection
of turquoise lighting
elements stands out against the cream walls and plays off
of the colors in the large
painting.