Not exact matches
Modernity's emphasis on secularism involves three
elements - a) the desacralisation
of nature which produced a nature devoid
of spirits preparing the way for its scientific analysis and technological control and use; b) desacralisation
of society and state by liberating them from the control
of established authority and laws
of religion which
often gave spiritual sanction to social inequality and stifled freedom
of reason and conscience
of persons; it was necessary to affirm freedom and equality as fundamental rights
of all persons and to enable common action in politics and
society by adherents
of all religions and none in a religiously pluralistic
society; and c) an abandonment
of an eternally fixed sacred order
of human
society enabling ordering
of secular social affairs on the basis
of rational discussion.
In the process they hope to cleanse these groups
of the magical and superstitious
elements which
often take root in secret religious
societies deprived
of an educated leadership.
I tend to think that whilst, admittedly, it can in certain cases be counter-productive (it all too
often demonises the poorest, when it seems to me that some
of the most poisonous
elements of society are to be found at the top), nonetheless it does also focus the mind on the problem, and unite people behind the recognition
of it, and galvanise them into trying to seek solutions and remedies for it.
Parents — mothers in particular in Korean
society —
often do not have the confidence or time to dedicate to manage their children's extracurricular learning on their own, but they view doing so as a critical
element of being a responsible parent.
His works center around the relationship between form and content:
often using several layers
of paint, resin, glitter, collage
elements, and occasionally, elephant dung, Ofili enlists sexual, cultural, historical, and religious references to create uniquely aesthetic and physical works that expose the darker undercurrents
of society, while also celebrating contemporary black culture.
With drawing, sculpture and film that
often combine scenes
of violence with absurd or humorous
elements, Jake and Dinos Chapman deliver powerful statements on
society, politics and religion.
Hannah Hoch, Richard Huelsenbeck, John Heartfield, and others pioneered the technique
of photomontage, using preexisting photographs,
often drawn from mass - media sources, to create composite images that sharply critiqued German
society and culture in the aftermath
of World War I. Drawing on the foundations
of Dada, neo-avant-garde artists
of the 1950s like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found
elements drawn from the mass media and everyday life.
Often putting these
elements in present time, he is frequently questioning and commenting on the values and the base
of modern day
societies.
Often called «The Eight,» or the Ashcan School, the group (George Luks, William Glackens, John Sloan, Everett Shinn, Arthur B. Davies, Maurice Prendergast, Ernest Lawson, and George Bellows) painted with a journalistic approach, portraying the grit and seedy
elements of society.
Though the human
element is well - captured in the popular definition
of «sustainability,» a separation
of human
society and our environment still too
often dominates our minds and public frames.