Sentences with phrase «elements of the painting at»

I am an abstract artist and almost always put the «heavier» or more «active» elements of the painting at the «top».

Not exact matches

This work, with the assistance of soil scientists at the University of KwaZulu - Natal, has involved a suite of techniques, including x-ray fluorescence (to provide quantitative data on minor and trace element composition), x-ray diffraction (to reveal crystal structure and parent rock types of paint ingredients), and environmental scanning electron microscopy (to yield qualitative data on elements present).

Almost reminiscent of a Mondrian painting, the team at The Sugar Suite perfectly captured the elements of the glass house in this sweet cake.

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

And like the stratification of art imposed by some in varying orders to describe the proximity of each to the inexpressibility of their souls (prose to dance to painting to poesy to music, for me), when film aspires to combine the more abstract elements of human expression in its mélange, the results, always mixed, at least have the potential to be grand.

WEEKLY PLAN 1 — To look at the elements of Art and begin to do basic line exercises and learn about Cubism 2 - To learn about Colour theory and do do a colour - wheel painting and give a definition for colour.

wax painting The resource includes: Examples of architectural artists Examples of a student work collages of architecture Resource sheets of architectural photographs of churches to use for studies Resource sheets of different buildings ornamentations to use in collage Learning Objectives To develop a Classical Greek and Roman element in one's work of art at KS3, KS 4 - GCSE Art and A-level Art To study various examples of how artists have used these classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and pen work.

At 3,982 millimetres (MINI Cooper S 5 door and MINI Cooper SD 5 door are 4 005 millimetres), overall length extended by 161 millimetres compared with new MINI; equal vehicle width of 1,727 millimetres, height increased by 11 millimetres to 1,425 millimetres; characteristic brand styling with design features such as hexagonal radiator grille, headlamps and rear lights with wide chrome surround, side turn indicator element and black body bordering from the new MINI; additional exterior paint finishes: roof and exterior mirror caps in contrasting colour on request.

• Exterior design refined on an evolutionary basis with hallmark styling, proportions and body structure; characteristic design features such as hexagonal radiator grille, headlamps and rear light clusters with wide chrome surround, turn indicator element and peripheral body surround in black reinterpreted and given additional emphasis due to the surface design in each specific area; high - end details underscore the sophisticated nature of the new model; five exterior paint finishes, roof in contrasting colour available as an option at no extra charge.

The new version of the successful premium SAV (Sports Activity Vehicle) with modified exterior design symbolises the increase in agility and dynamics with the latest, even more powerful and, at the same time, more efficient drive systems; new headlight and rear light optics as well as generously - sized bumper units painted in the vehicle colour underline the striking, dynamic appearance and the premium character; high quality ambience in the interior; wide - ranging redesign of the instrument panel, steering wheel, centre console, seats, door upholstery, storage compartments and roof lining; wide variety of colours, upholstery materials and decorative elements facilitate a high degree of customisation.

- change the color of your monsters - you first need to get a special monster called Color Fondue - this is a variant of the monster Fondue who seems rather fond of painting - change the color of the main character's hair, his scarf, and various other elements - customize the main character at will - more characters revealed include:

These small but subtle details all come together to paint a really cool fully 3D picture, with different elements of the screen all being layered at varying depths.

This added an extra element of puzzle to a game that likes to challenge your mind, yet it never quite seems to push you with the task at hand as more often than not a few balls of paint thrown at anything remotely colourful will lead to you solving the mystery at hand.

So, to some extent, there are some hardcore shooting elements at play in Splatoon, but instead of over-the-top carnage, players see explosions of paint.

Everything from its setting (the decidedly non-Tolkienesque fantasy world of Glorantha) and visual style (which consists mostly of static, hand - painted pictures) to gameplay (largely text - based and menu driven, combining the elements of turn - based strategy and choose your own adventure) is very much unlike anything else on the market — now even moreso than at the time of the game's release.

Imagine looking at a painting, of being moved by elements of its brush work or some other features within the strokes, of having feelings stir within you as a result of having looked upon it.

Ironically, George Hoffman's paintings, recently on view at Show Room on the Lower East Side, possess the quality Benjamin so admired in film, a unique «distracting element... primarily tactile, being based on changes of place and focus which periodically assail the spectator.»

And that's the one thing that's always missing for me in abstract painting, that I don't have this kind of dialogue between something that can be, elements that can be wildly different and can be at war, in, or in extreme conflict.

In these new paintings with collage that we are looking at in your studio for the show at Tolarno Galleries, you are imposing the same device, but with the paint: elements of the work are encircled, enveloped, the manner in which one might assert ownership over a collection of objects.

MA: With the painting Conjestina Achieng, I wanted to have elements of the painting that suggested that Conjestina, the central figure of the painting, had been given the role of village idiot by the local media (under the guise of public interest, she was repeatedly filmed and interviewed in an institution and at home while going through episodes of paranoid schizophrenia).

It's waters contain new elements in his latest series of 12 paintings, debuting on Friday at the Honolulu Museum of Art's Contempo #ArtShop, curated by Giant Robot.

Stephan Groß drafted the fictional logo of the so - called System vorbestimmten Zeiten MTM — for universities — while a painting of a clock frozen at precisely four minutes past eight ironically exaggerated the naturalistic elements of painting, simultaneously reminding visitors that each moment of perception is always already about to dissolve into another.

At ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (whyAt ABMB, Pace showed (and sold, at prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (whyat prices ranging from $ 75,000 to $ 1m) 16 signature black Louise Nevelsons; Mitchell - Innes & Nash gave a wall to Jessica Stockholder's 14 - element assemblage; Rosalyn Drexler's canvas collages of magazine strips took over Garth Greenan's Survey booth; a Kiki Smith white car - painted bronze anchored Timothy Taylor's space; Noga, the sole Israeli gallery (why?)

Instead, Knight was asked to paint Loftus at the factory where she worked, introducing a new element to Knight's work in the form of industrial machinery.

For those unfamiliar with their work, the exhibition at Maureen Paley's is typical of their mode of presentation in being more of an environment or a set — vividly coloured wall paintings with strong formal and graphic elements unite and frame the various sculptural and pictorial components into an integrated whole.

At one point as I tried to get more information about a floor sculpture that resampled broken glass, and a set of blue paintings with some subtle white abstract elements on them, the gallery director couldn't even tell me about the work.

Deeply aware of the historical precedents of abstract painting, he sometimes evokes images and memories, while at other times uses the elements of painting to their own ends.

Painted patches of canvas and linen are applied to the painting surfaces to add a specific element of interest and spontaneity, maintaining energy at peak level with unexpected shifts in process.

Opening: «Sarah Braman: You Are Everything» at Mitchell - Innes & Nash New York - based artist Sarah Braman makes quirky sculptures by marrying found objects, constructed elements of colored glass and Plexi and oddly shaped pieces of plywood bearing brightly colored acrylics and spray paints.

Other early sales at the fair included Elements V (1984) by Brice Marden, which had an asking price of $ 5 million, and a painting by Wayne Thiebaud (asking price # 1.5 million), both at Acquavella Galleries (New York).

Adrien crafts the stretcher for his paintings, that now include elements of carpentry, such as the hinges of a window or a door; there is a bench from where to look at the painting.

Before long, he began to incorporate them as relief elements on his IKB paintings, and in 1959 he displayed a multitude of Sculptures éponges at the Galerie Iris Clert in Paris.

As a student in 1949 at the Art Students League of New York, for example, he laid paper on the floor of the building's entrance to capture the footprints of those entering and exiting.10 The creation of receptive surfaces on which to record, collect, or index the direct imprint of elements from the real world is especially central to the artist's pre-1955 works.11 Leo Steinberg's celebrated 1972 article «Reflections on the State of Criticism» isolated this particular approach to surface as collection point as the singular contribution of Rauschenberg's works of the early 1950s, one which galvanized a new position within postwar art. 12 Steinberg coined the term «flatbed picture plane» to account for this radical shift, through which «the painted surface is no longer the analogue of a visual experience of nature but of operational processes.»

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

In 1968, he created the «V» series of lithographs, which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall - mounted sculptures.

When you look at miniature painting, a Persian carpet, or architecture from the east, you will see that every inch of the work is covered with design elements.

But soon the spray paint became a part of her visual vernacular and it was no longer a defacement of the work but a vital addition to the elements at play within the environment of the canvas.

At the beginning of the arc are white paintings with, as Kabakov describes, «small elements of reality.»

The exhibition is composed of three elements: a suite of six monotypes, two large paintings on canvas, and the third (and most exciting) is the wall drawing Mr. Row will produce at the museum April 17 - 20, 2001.

With 12 Turner oils and 21 watercolours, it is the largest collection of paintings by JMW Turner at Turner Contemporary since Turner and the Elements in 2012.

An early 20th - century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictorial elements largely by use of intersecting often transparent cubes and cones.

At first, I juxtaposed traditional elements of miniatures into a new format, then I started painting modern figures using the miniature technique.

This leads visitors back to a large charcoal drawing, «Untitled No. 18» from 1958, where you can see him sketching out vague shapes; then to several of his collages placed around the room; and finally to his paintings, which suddenly register as paintings sprung from collages, with their juxtaposed elements functioning, as Ms. de Kooning puts it, like «action caught at an impasse» to create «an art of interruption.»

Untitled [black painting with portal form], seen at far left, incorporates elements found in both of the earlier works to its right.

With our latest exhibition we have set out to exhibit a group of artists who work within the scope of analog painting referencing the analogical representational elements of work that could be seen as figurative or representational at times.

Known for his distinguished use of color and form in his paintings, Sean Scully defies the limits of abstraction at extents that his surfaces — often times composed of various panels — gain sculptural elements.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

In this exhibition at Sandra Gering Inc., the artist presents a body of work that borrows elements from the traditional Chinese literati landscape painting trope of Eight Views of Xiaoxiang.

Building on the performance at Performa 15 in New York, at ICA Miami Artist Theater Program will fuse elements of each participating artist's practice — including painting, sculpture, text, sound, and light — to create a new, unified, and site - specific work bridging visual and performing art.

Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.