File one: Full story File two: Main
elements of the story which...
File one: Full story File two: Main
elements of the story which can be cut up to be ordered either with just the main picture or with adjoining text.
I think there is
another element of this story which has not been covered and is likely to be relevant.
Not exact matches
«There are lots
of elements of the
story that cast doubt on the efficacy
of this law, the way in
which it was adopted, whether it would advance any counterterror objectives — it just all looks bad.»
While I'll leave it to the pundits to unpack the ramifications
of the current drama, there is one largely overlooked
element of the
story that I'd like to flag for your watercooler conversations: Comey learned
of his dismissal while visiting with FBI agents in Los Angeles, the purpose
of which was to prepare for a diversity recruiting event later that evening.
As with all the other core
elements of the Brand Mapping Process ©, the Signature
Story applies equally to your personal, team or business brand — and there will be times when the primary means through
which you share about your brand will be your Signature
Story.
«The basic
elements of this
story are repeated in the lives
of all
of the great Masters in history: a youthful passion or predilection, a chance encounter that allows them to discover how to apply it, an apprenticeship in
which they come alive with energy and focus.
A slogan is one
of those brand
elements, like a jingle or a spokesperson, through
which one could tell the
story of a company.
There is hardly a crime you read or hear about today that doesn't involve some
element of technology, whether it is a part
of the
story or the means by
which the
story was captured.
There are still
elements of the secular stagnation
story which are fundamentally true; that is, that population growth in the world is slowing.
A key
element of the activity is a full - length music video
which will run on YouTube and, for the first time, be used by the brand on Instagram
Stories.
Many other
elements of this particular
story were added much later, including the identification
of Attis as a savior,
which began in the 6th century.
Finally, a tradition inevitably develops that tells the
story of how these rules were first received, a
story which roots them not in the common life
of the people, but in the
element of the divine.
Unlike some works
of true - crime literature,
which play up plot
elements to build the
story's tension, Serial isn't just simply recounting the events surrounding a murder.
If the resurrection is the true dénouement
of the whole
story and not a «happy ending» tacked on to a tragedy, then there is an
element in the
story itself
which brings us to the frontiers
of normal human experience, where experience runs out into mystery.
The use
of the women as the characters and the mention
of the anointing
of the body may be
elements suggested to the author
of this legend by the
story in Mark 14:3 - 9, in
which an unknown woman, and the only woman «disciple» mentioned elsewhere in Mark's Gospel, anointed the feet
of Jesus with costly perfume.
It is altogether consistent with John's emphasis on exaltation that «resurrection» is referred to only once in Chapter 20, and that in an
element which marks a further development
of the tomb
story.34
Indeed, it is striking that the same critical tests
which, when applied to the birth
stories, reveal so large an
element of legend, have the effect, rather,
of establishing the validity
of the Gospel record when they are applied to the main body
of the tradition, the Synoptic account
of Jesus» public career.
But if there is a hard core
of authenticity, and if the process
of transmission has been largely an expansion
of this tradition by, and its accommodation to, the influence
of parallel
stories in other traditions, then the unique
element in the tradition in comparison with its parallels is that
which has the highest claim to authenticity.
Second, because the anthropological account has a moral - political intention, the
stories introduce us to human life in all its moral ambiguity; we are meant to learn
which human
elements cause what sorts
of moral or political trouble and why.
Now it is clear that while this
story embodies historical
elements — the life and death
of Jesus, his resurrection, and the continuing life
of the community
of faith — it also contains
elements which are not historical.
By «mythological» I refer to the suprahistorical
elements in the
story which came into being within the Christian community as the only possible way to express this transcendent and redemptive meaning
of the event.
And again, through the work
of other scholars like Bultmann and Buri, with their frank recognition
of the mythological
element in the biblical
story, we have come to see that the affirmations
of Scripture have their abiding significance, not in spite
of, but precisely because
of their being stated in language
which can only be described as highly metaphorical.
You all know the end
of the
story: finally argon was discovered, a new chemical
element which had lurked undetected, mixed with the nitrogen.
but also in
story elements and images
which in some way express confirmation or approval
of the present structures
of society.
My contention that the propositional
element in religious assertions consists
of stories interpreted as straightforwardly empirical propositions
which are not, generally speaking, believed to be true has the great advantage
of imposing no restriction whatever upon the empirical interpretation
which can be put upon the
stories.
But if it is because
of a real conflict with the way in
which any decent modern man is bound to think, then indeed it is time to talk about removing the offensive
elements from the Biblical
story by radical translation into harmless terms.
The technology involved in KDS separators,
which have been proven in thousands
of applications worldwide and recently specified in Australasia for use as a major
element of a CST Wastewater Solutions installation on the World Heritage listed Lord Howe Island (see full
story here)
The skaters are judged on five program component scores: Skating skills, their ability to skate with ease; transitions, what the skater is doing between technical
elements (basically, don't skate without a purpose); performance,
which is the art
of it; composition,
which is how the skater tells the
story of their performance on the surface; and interpretation, another abstract concept that can be best explained as the skater skating with their soul.
Set in the modern seminar rooms
of Oxford's Manor Road Building, the meeting was divided into a series
of panels
which traced a progression
of elements in the
story of neoliberal law.
(The general fund surplus for 2013 - 14 was $ 625 million, the underlying
elements of which are an another
story.)
He sees the vital ingredient
of SF as otherness: «A true science fiction
story has as its keystone an imaginative
element which can not be properly expounded in any other literary form.»
It plays like a response to the age
of fan theories and puzzle box fiction, in
which stories are set up to be pieced together, with every
element eventually snapping into place.
Cheesy superficialities plague much
of this film, whether it be the comic relief that is frequently flat, or at least dated, or the dramatics
which succumb to glaringly unsubtle histrionics,
which take ostensibly accurate
story elements and corrupt their believability through scripted contrivances, the sting
of which goes exacerbated by sentimental directorial atmospherics
which range from simply unsubtle to pretty cornball.
Dunwall is an amazing place in terms
of the way it incorporates
elements of steampunk with a victorian feel and setting a pace that wouldn't normally suit a 1st person action game but it just flows so well and the artwork on the characters is stunning but sadly let down by a bit
of collision detection
which is hard to ignore, combine all this with a satisfying
story you get a really decent game with plenty to get stuck into.
«Mission: Impossible,»
which opens today, replaces those
elements with a
story about a comparatively virtuous secret agent trying to survive in a world
of shifting loyalties and greed.
He is involved with some dangerous characters who at first seem like important plot factors; later, we suspect Wenders was just throwing in some film noir
elements to keep up the interest before getting to his real
story,
which comes toward the end
of this very long film.
While the subject matter is the stuff that good films are made
of, and the quality
of the direction and acting are worthy
of admiration, where The East fails is in the contrivances involved in the farfetched plotline and the unevenness in the thriller
elements (such as a scene in
which the cell dresses up to the nines to infiltrate a party for pharmaceutical bigwigs that would feel more at home in a Mission Impossible movie) that undermine what could have been a chilling and realistic
story of corporations run amok.
The
story,
which could easily have been too convoluted to follow for someone who doesn't understand British laws and government agencies, is relatively easy to follow, and features a nicely developed script by acclaimed screenwriter Steven Knight (Redemption, Dirty Pretty Things), though some all - too - convenient narrative shortcuts are taken to keep the
story moving briskly,
which may annoy some who prefer courtroom dramas without all
of the contrived thriller
elements.
Bilbo is hiding his ring smack compulsion from Gandalf The Grey (Ian McKellen), but like far too many
of the film's
story elements, it's just a set up
which will pay off in another episode and therefore holds no weight.
But while Avengers: Infinity War is definitely pulling from the «Thanos tries to get all those gems on a glove» aspect
of The Infinity Gauntlet, there's another, more recent Avengers
story from
which the film has borrowed
elements.
In fact, it so desperately wants to capture that beatnik - y place and tone where crime films and swinging London met that it just seems to try too hard, slathering the movie with music, trippy visuals and other
elements that just can't make up for the deficit
of a weak and blandly told
story about a ex-con (Colin Farrell) hired to look after a reclusive young actress (Keira Knightley) who finds himself falling in love,
which of course puts himself in direct confrontation with one
of London's most vicious gangsters.
If read as an ideological tract, The Living Dead at Manchester Morgue could refer to the expanding gyre that separates distinct concepts
of «authenticity» — hence the detective
story in this ersatz Night
of the Living Dead (commissioned to do a straight ripper
of the Romero classic —
which was completely without a detective figure — Grau inserts an
element of Tiresian knowledge) that underscores the futility
of investigation into areas that, by their nature, resist clarification.
Producer Nate Moore shared explained that the concubine
element was ``... part
of the original Christopher Priest run where they were all betrothed
which we felt wasn't necessary to tell the
story of the Dora and in a way we all kind
of rejected as being a little creepy.»
Then you have the time travel
element of the
story as you head back in time in order to save the present
which has this Sliders feel to it.
There's a terrific sense
of menace in this gothic dramatic thriller,
which plays on the
story's fantasy
elements to take us into a teen girl's troubled imagination.
Many
elements of this
story ring true, from the way the men in the Hollar family are all a bit lost without their women to the unexpected decency
of the banker who rejects Don's request for a loan,
which turns what might have been a standard rant against rapacious bankers into a more resonant
story of a good neighbor reluctantly doing a tough job.
First, it's got some pretty heavy
story elements, not the least
of which is the human son being vaporized in a weapon's test.
When it focuses on the nuts and bolts
element of the
story (
which also features Vincent D'Onofrio as Jimmy's long - time NYPD adversary), it has a firm footing, and despite being overstretched at 114 minutes, it manages to maintain its momentum ahead
of the blood - splattered final act.
Based on Vera Brittain's 1933 memoir
of the same name, the
story encompasses
elements of social struggle in addition to the effects
of the carnage
which obliterated a generation
of European youth.