Entitled «Matchy Unmatchy,» their third offering was prefaced
by a provocative work
of fiction à la Clockwork Orange written
by the
artist Ed Atkins, alongside the sole tagline
of «
Elitist Propaganda, Draggy Gestures, and Tribal Simulacra.»
Curators and critics, however, sometimes prefer not to engage with these invigorating rival claims, perhaps because any attempt to characterize or evaluate can be dismissed as judgmental or
elitist, an effort to draw distinctions at a time when what can look like the gray zone
of mixed media or multimedia is embraced
by an increasing number
of artists.
«
By the mid - and late - 1970s,» wrote the curator Richard Marshall in his essay for the exhibition «American Art Since 1970» at the Whitney Museum, «painting had moved further away from the confines
of the Minimalist approach — even from a negative reaction to it — and the
artists [Jennifer Bartlett, Vija Celmins, Lois Lane, Neil Jenney, Bill Jensen and Elizabeth Murray] inaugurated new ways to treat subject matter and meaning -LSB-...] there emerged a move against an insular,
elitist attitude towards art and what it is, should be, or must be -LSB-...]
artists began to look at more diverse visual repertory: commercial art, advertising, fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.»