Ironically, those earlier works were theorized as
embodying pure painting, supposedly stripped of extraneous worldly concerns.
Cat., New York, Whitney Museum of American Art and the Solomon R. Guggenheim Museum, Adolph Gottlieb, 1968, p. 21) The immediate intensity of the inky red and black orb is mirrored by the saturated blue explosion that
embodies the title of Red and Blue, resulting in an enduring
painting of
pure optical brilliance.