Such videos have also inspired law enforcement agencies to
embrace body cameras to document those interactions.
Not exact matches
Anderson fashions one of his subtlest, most astonishing set pieces out of Reynolds's measuring of Alma for a dress: The
camera glides along the measuring tape, enjoying her
body less than his ability to seize control of the moment by
embracing his art.
In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its
embrace of photography and the video
camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the
body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.
By turning their
camera to women, including themselves, these artists
embrace the female
body as a vital medium for expressing identity, reflecting individual and collective experience, and forming narratives.
In turning their
cameras to women — including themselves — they
embrace the female
body as a practical and vital medium for expressing identity, reflecting individual and collective experiences, and forming narratives.