Sentences with phrase «embraced radical art»

Not exact matches

These artists entered the canon under the heading of «institutional critique,» and many of their once - radical ideas have been thoroughly embraced by art organizations.

Often cited as the father of contemporary art in the United Arab Emirates, Sharif began making art in the 1970s, but soon departed from his region's dominant art form of calligraphic abstraction and embraced the radical approaches of avant - garde movements such as Fluxism and British Constructivism.

She possesses a broad outlook on the current state of the art, and embraces the young and the old, the radical and the conservative, and the figurative and the abstract.

ZERO was established in the aftermath of World War II; seeking new beginnings, with idealistic and utopian ambition, the group strove to produce a radical and optimistic global art that dissolved boundaries and embraced elemental forces of nature.

Inspired by the radical politics of the late 1960's and frustrated by the limitations of art taught by the academics, he decided to embrace different, modern sculptural practices.

But while Tuttle is embraced today, it's worth remembering that his art is deeply radical, even dangerous — in the most productive way.

While previous exhibitions and prevailing scholarship have primarily focused on the dominance of Pop activity in New York and London during this time, this exhibition examines work from artists across the globe who were confronting many of the same radical developments, laying the foundation for the emergence of an art form that embraced figuration, media strategies, and mechanical processes with a new spirit of urgency and / or exuberance.

However, within Radical Women's redefined conceptual axes their works exist outside a framework for approaching Latin American conceptualism made popular in recent decades: ``... heroic, political, and even militant, leaving little space for those forms of conceptualism and experimental art that embrace more subjective interjections and both broad and intimate personal and political struggles.»

Known for embracing risk and chance, Cunningham believed in the radical notion that movement, sound, and visual art could exist independently of each other, coming together only during the «common time» of a performance.

We talked about Kuo's early exposure to Fort Thunder as a student at RISD, how wild and elegant color is, My Chemical Romance making good on their promises as a band, the lineage of emo, the best time of day to paint, getting into self - publishing, the new Obama portrait, anxiety and jokes, literally biting your tongue, how Peter Halley has made the same painting for decades and why that's the one of the most audacious radical painting moves out there, Kuo's band HEX MESSAGE, why Bart Simpson is still on every single thing in the zine tent at the New York Art Book Fair, Jeremy Lin and bootleg merch beef, Kuo's two - person exhibition «It Gets Beta» with Scott Reeder in 2015, avoiding knuckleheads so you can enjoy watching sports, being the last generation who for some reason is still afraid of selling out, his own roundball podcast Cookies, and embracing the simulation.

At that time, I became particularly interested in artists like Nam June Paik, the Video Freex, and the magazine Radical Software — all artists and projects of the 1960s / early 70s that were embracing video and television as new media — considering how their potential for mass communication could change the shape and operation of art and culture.