18th ANNUAL PIAGET PRODUCERS AWARD (Honors
emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality, independent films) Chris Ohlson
Not exact matches
The first is that
emerging economies are expanding rapidly, creating unprecedented growth in a global middle class
who are both
producers and eager consumers of manufactured goods.
When conflicts have
emerged between the
producers of programs and the requirements of these industrial goals, it has most frequently been the advertisers
who have.
After a moment's thought, Ulman instructed her nurses to contact a man she had met only once: Stefan Simchowitz, the controversial 44 - year - old movie
producer, Internet entrepreneur and industrial scion
who over the last seven years has pursued a manic quest to assemble the world's most lucrative collection of
emerging contemporary art.
The focus of the Jerome Foundation is to support
emerging professional artists
who are the principal creators of new work, and:
who take risks and embrace challenges whose developing voices reveal significant potential
who are rigorous in their approach to creation and production
who have some evidence of professional achievement but not a substantial record of accomplishment
who are not recognized as established artists by other artists, curators,
producers, critics, and arts administrators
Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither,
who invited a group of curators, programmers, artists, and
producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and
emerging platforms.
Given that three of the four largest U.S. coal
producers have or will soon
emerge from bankruptcy, we hope that the people
who have chosen to invest in, lend to, or manage this industry are thinking realistically about what they might face under a Clinton Administration.