Sentences with phrase «emotional beats from»

Again, maybe not what was expected but Marquez makes sure to deliver some visually stunning work to move Bendis» script and deliver the necessary emotional beats from beginning to end.

The novel itself is rather slim, so it can't have been the hardest thing for screenwriter David Magee to adapt, but I'm happy to report that all of the most important emotional beats from the novel are included here.

Not exact matches

Players for No. 5 LSU drew on the emotional strength they developed in dealing with the aftermath of hurricanes Katrina and Rita to recover from a poor first half and beat the fourth - ranked Crimson Tide.

In an emotional game coming a year after the Paris attacks, France beat Sweden 2 - 1 thanks to goals from Paul Pogba and Dimitri Payet.

How To Stop Beating Yourself Up In Your Parenting * Why Mamas Have A Hard Time Giving Up Guilt * The Shadow Side Of Conscious Parenting * How Feeling Like A «Good» Mom Can Lead To Acting Like A «Bad» Mom * Why Controlling Behavior Is a Bad Idea * How Emotional Baggage From Childhood Keeps Moms From Staying Present With Their Child Leslie Potter is the founder of Pure Joy Parenting, a joy based parenting model based on her experience raising her daughter as a single mom as well as working with families.

We cry from good songs, beautiful prayers, absurd stories and jokes... we're just an emotional bunch, OK??? For spending time with the fam, I'm not about the full «beat» (is that what the kids say nowadays??)

The resulting temporal choppiness from not being clear from the start not only continuously takes us out of the story to try to catch up with it when we're finally given enough information for it to make sense, but it also reveals just how manipulative the device is in order to try to load up all of the emotional beats for whatever version of a climax the story can muster up.

As the second half unfolds, the absence of an emotional core becomes ever more glaring, hopping from one action beat to the next without ever asking us to care — or, at times, understand — what's going on.

The Program (2015): A by - the - book story about Lance Armstrong's doping scandal that suffers from the problem that plagues many biopics: namely, it operates with the understanding that we already know the real story (or most of it), so it doesn't work that hard to make the characters seem real or to make the emotional beats land with any sense.

Bernard Herrmann, a longtime collaborator with Alfred Hitchcock, composed fabulous music that reflects the emotional heart of the entire story — the sultry jazz reluctantly giving way to a doomed, militaristic beat, reminiscent of the brilliant score from Stanley Kubrick's «The Killing» 1956.

With magnificent turns by Miles Teller and J.K. Simmons (the latter especially, who should be considered for Best Supporting Actor once we fast - forward seven months from now), and a well maintained adrenaline rush by focused directing and excellent editing, the only reason Whiplash isn't in the Top 10 is because of it's noticeably poor depiction of women and predictable emotional beats.

Emotional beats and life lessons test De Niro's abilities at coaxing drama from the dick jokes.

Not everyone agreed that Hawke also deserved an Academy Award nomination for his role, but considering the emotional beating he takes from Washington throughout the film, he probably deserved some recognition simply for remaining visible.

In the same way that Deadpool 2 retreads the supposedly subversive ground of its predecessor, it suffers from the same key problem: it's hard to invest in any sort of emotional beats in the story when the film itself is a mockery of the very notion of emotions full stop.

In particular, violence is meted out with little to no repercussion — Cooverman is beaten repeatedly, falls from a roof, is hit by a car and keeps a-going — creating a cartoonish atmosphere that obstructs any genuine emotional momentum the filmmakers might want.

There are quips, there are training sessions with the Ancient One (Tilda Swinton) and Karl Mordo (Chiwetel Ejiofor), two stoic reality - benders from Kathmandu, and there are emotional beats where an underwritten romantic interest — in this case, Strange's fellow surgeon Christine Palmer (Rachel McAdams)-- tells the hero he needs to be his true self.

Still, he does have strong competition from Claes Bang, the talented Danish discovery who stars in «The Square,» and Nahuel Pérez Biscayart, the terrific Argentinian actor who gives «120 Beats Per Minute» its emotional pulse — and perhaps even from Phoenix and Renier, if the jury is in a playful or adventurous mood.

Wreck - It Ralph hits all the emotional and narrative beats from Screenwriting 101, but it does it so skilfully that the film never feels predictable.

There are some really powerful emotional beats littered throughout, and the rich cast of characters (both new and returning) help keep things from getting too boring, but it often feels like Lawrence is just twiddling his thumbs in fear of getting too far ahead, with most of the film spent setting up the next installment.

Cumberbatch himself, however, gives a formidable performance, effortlessly conveying each beat of Strange's emotional journey — from defeated man of science to triumphant sorcerer supreme — while remaining consistently human throughout.

Critically, women are more often appreciated for beautiful language and emotional resonance, not for their Big Ideas or for having a balls - to - the - wall sort of style... and I'll be honest and say that some of my motivation stems from determination to beat the boys at this game.

More importantly, because many actively managed funds fail to beat index funds, when individual investors put their money in active funds they often get the double whammy of poor performance from both the fund and their own emotional investor behavior.

Certainly it's not Final Fantasy IV, which begins with the moral and emotional dilemma of a man forced to choose between the commands of his king and what he believes to be right, but it remains a step up from «go get Erdrick's armour and beat up the Dragon Lord.»

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans