Sentences with phrase «emotional depth come»

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There are plenty of talented components to this cast, and most every one of them has his or her time to shine, even such much too briefly present forces as episodes 1's Martin Sheen - who nails both Irish - American accent and depth of the good - hearted slaver who comes to find flaws in the traditions he has had to follow - and episode 3's Richard Jenkin, who effectively despicable in his audacious portrayal of a despicable radical racist who is as willing to die as he is to kill to preserve his questionable sense of order - and plenty of other people in between, from the compelling Dennis Haysbert to the charming Danny Glover, so you know that it's saying something to proclaim that leading lady Halle Berry is this series» strongest performance, delivering on powerful layers and emotional range in her engrossing portrayal of a mulatto who is trapped in society by her mixed race, and will face many unbearable hardships that will test her innocence and humanity.

Before the Storm tackles its themes with grace and provides an amazing exploration of female friendships and relationships with an emotional depth that is rare to come across.

Jennifer Lawrence, your emotional depth, luminous presence, and sheer power carry this story and I will always be grateful to you for opening the door and allowing it to come into your life,» Suzanne said while thanking the star of the movie.

Jennifer Lawrence, your emotional depth, luminous presence, and sheer power carry this story and I will always be grateful to you for opening the door and allowing it to come into your life.

Rife with thrilling moments and emotional depth, Arrival is the kind of film that only comes around once every few years.

What starts as a raunchy thrill ride takes sudden turns of emotional depth which will supplement the experience for the average moviegoers who can't grasp gags which come at other super hero films» expenses.

And since the story content can usually deliver a lot more emotional depth, the experience comes off as very «gamey».

Into the Breach isn't super heavy on the story — if you were hoping for something with emotional depth beyond the frustration and elation that comes from victory or defeat, this game isn't for you.

Being somewhat limited in my freedom to be entertained as a kid, for many years of my life, gaming served as a diverse means of escape for me away from the trappings of a mostly mundane, repetitive life, at the end of the school day I would often think to myself «alright... so what are some of the good things that I have to look forward to when I get home...», one of the first things that I would do as soon as I got home after school was play FINAL FANTASY on PlayStation, I would eagerly walk home as quickly as I could just so that I could continue playing from the part where I had last left off the day before, as pathetic as this may come across, I can confidently say that many of the happiest moments that I have had in my life have been while being utterly enthralled by the developments in the games, I think that reminiscing about aspects of a video game with great fondness is a hallmark of an impactful form of entertainment, I would often be so «in the zone» while playing that anything aside from what was taking place on the screen would become completely null and void in my mind to the point where I forget that I was playing a video game, even though I did not live the events of the game, I can emphatise with them as if I had, that is the sort of impact that the emotional depth of the story, the characters, the music, the design and the overall world of the series have had on me, what appeals the most to me is that FINAL FANTASY allows us the luxury of divorcing ourselves of our current reality to assume that of a world of fantasy for a precious moment in time, which is a sentiment that makes me wish that our world as whole had a little more «FINAL FANTASY» within it so as to make us all want to wake up as soon as possible to enjoy another day

The beauty of these abstract paintings — «Poe's Diary,» «Night - Life,» «Watermark,» «Primary Reason,» «Calle,» to name a few — is in their success as constructs of emotional specificity, in the feeling and depth that comes through, calibrated by a wise eye.

Upon initial review, the CIS found funds classified as climate ODA from Belgium going to a «Love movie festival», or ODA coming from Greece going to a «Green Parliament contribution to UNICEF telemarathon», or Switzerland allocating funds for «Earthquake safety», none of which seem to have anything to do with mitigation or adaptation, unless the «love movie festival» reduced the vulnerability of a country to the impacts of climate change by further expanding their emotional depth.