Sentences with phrase «emotional drama of»

Narrative: The exhibition also explores the narrative possibilities of photography found in the interplay of image and text in the work of Robert Frank, Larry Sultan, and Jim Goldberg; the emotional drama of personal crisis in Nan Goldin's image grids; or the expansion of photographic description into experimental video and film by Victor Burgin and Judy Fiskin.

Michael was known for his gifted research in Canada, and his memory will be maintained through his writings, including Acceleration: Strategies and Benefits and Perfectionism and Giftedness: Examining the Connection, and with his friend Dr. Sal Mendaglio The Emotional Drama of Giftedness: Self Concept, Perfectionism, and Sensitivity.

The emotional drama of the final battle is rooted between Luke and Kylo, not our main heroes.

Even beyond an intriguing story and an appealingly oddball visual style, though, I Kill Giants would stand out on the big screen because it has the taut emotional drama of a great cinematic story.

Avid followers consider FWB the best kind of relationship as it eliminates the emotional drama of a long - term partnership, meaning there is no need to settle the question of which direction the partners are heading?

Not exact matches

There's some inherent drama to buying a house: big sums of money, high emotional stakes, tense negotiations, simply tragic interior decor.

Those sorts of deeply emotional themes have shown up in Selma and DuVernay's acclaimed television series Queen Sugar, a stirring family drama that unflinchingly tackles topics like race, activism and greed.

Every one of us has our own emotional dramas playing out.

Like anything else in our emotional drama arsenal, we often use our eyes to grasp for what we want, or avoid things we don't like, instead of simply resting with what is.

I don't smoke and I'm lots of fun; but I don't have time for petty drama or emotional hysterics; cause I'm intelligent and well educated about life, and don't care what anybody...

Anyone who is a very social, fun, not of psycho, who loves to be spontaneous, and someone called is not into all those emotional drama..

On the contrary, men like less drama, less of emotional splurge and more of stability, sailing in tranquility of a rock - steady relationship.What is the result of this misma...

But Apatow is so grounded in the comedy circuit that he can't quite capture the emotional wavelength of the life - and - death drama.

A raft of fine actors — including Amy Adams, Richard Jenkins, and Downton Abbey's Jessica Brown Findlay — are wasted in a sour, callow family drama that mistakes constant yelling for emotional tension and fortune - cookie aphorisms for wisdom.

There are essentially two moments of drama to the film, followed by some weighty emotional repercussions, and that's it!

A handful of New Yorkers with little in common cross one another's paths as they try to sort out their romantic and emotional troubles in this comedy drama from writer and director Eric Schaeffer.

Joachim Lafosse captures with great magnitude, the painfully intimate, harrowingly fascinating drama about the emotional and financial complexities of a separation and the complexity of the end of a long love story.

45 minutes of outrageous situation comedy with hilarious consequences, 45 minutes of gut wrenching and heart felt emotional drama, 45 minutes of impeccable acting from its two leads, who's on - screen chemistry (excuse the pun) has garnered them with a total of 4 Emmy's, and 45 minutes (im about to come back full circle here) of impossible to predict story lines that make the twists and turns in shows like Lost and Fringe genuinely feel like amateur hour.

Whether a twisted film impresses you on an emotional level due to the uniqueness of it, or a drama doesn't work for you based on the acting, everyone is entitled to their opinion.

The two also became acquainted with novelist Ruth Prawer Jhabvala around this time; Jhabvala would become irrevocably associated with the two, acting as the screenwriter for all but a handful of their films.The trio's first films were set in India, dramas concerned with questions of cultural interplay, personal identity, and physical and emotional isolation.

Julian Mitchell's script freely doles out all kinds of pithy, self - conscious bon mots among its cast, but doesn't bother to flesh out convincingly the emotional conflicts and dramas in which the characters find themselves.

Real - life recovering anorexic Tracey Gold stars in this emotional drama, which is more than your average disease - of - the - week fare.

But it failed to leave a lasting impact on me; and while I openly accept the fact that not all dramas are made equal - and therefore, not all of them really need to reach me on some complex emotional level - this one underachieves rather grossly.

A man struggles to get a grip on a life that's spinning out of control in this emotional comedy drama.

Angelina Jolie's second feature as a director, following her under - the - radar 2011 Bosnian drama In the Land of Blood and Honey, is a beautifully shot, well - acted, and worthy - to - a-fault Second World War survivor story that only intermittently achieves the kind of emotional impact for which it aims.

This explicit look at the ins and outs of modern - day polyamory follows characters grappling with the emotional and sexual drama of sharing their hearts, as well as their beds.

Although the ratio of comedy to drama becomes increasingly weighted toward tearjerking, few of the emotional moments are realistic or effective.

Fortunately, the movie still makes time for serious emotional drama and resonant arcs for all three of its main characters, Scott Lang / Ant - Man (Paul Rudd), his mentor Hank Pym (Michael Douglas), and Hank's daughter Hope (Evangeline Lilly).

Director Marc Webb does a really good job of juggling the action, comedy and drama, but his most important contribution to the movie is providing more emotional depth to the characters, which makes Peter's various relationships a lot more interesting.

The Way Way Back does generate a fair amount of laughs throughout the film, but misses on the emotional level because of the underplayed drama between mother and son — a shame because Collette's character had real potential to be more than just a naïve mother who is content with looking the other way for everything in life.

The opening stretch of the film plays - out like an emotional family drama — completely laugh-less.

The Real Monster in Stranger Things 2 — Sophie Gilbert explains how in the second series of the Netflix drama, the show goes deeper in exploring the after - effects of physical and emotional trauma.

From Danny Strong, this emotional new drama follows one woman's fight in the name of the innocence.

It finds drama in philosophical difference and emotional damage transformed into human conflict, and ends with revelations that will redefines the stakes of the show's upcoming fourth and (sadly) final season.

Beach Rats Eliza Hittman's moving and moodily evocative coming - of - age drama follows the emotional and sexual confusion of a Brooklyn teenager (brilliantly played by Harris Dickinson) over the course of a long, hot summer.

Of course, a documentary shouldn't manufacture drama or manipulate feelings, but Unlocking the Cage is a bit rudderless, without a real emotional centre.

Like Ex Machina, there is something almost clinical about the film, which keeps us at a slight emotional remove (the underlying drama of Lena trying to «save» Kane doesn't have quite the emotional punch that it should, especially since it drives her willingness to put herself in immense danger).

The mechanics of the plot are untenable, but the emotional drama is relatable, and to some degree, believable.

Matthews was fascinated by the softer side of espionage, and as a result, Red Sparrow is a film that uses emotional drama instead of violence to move the plot forward.

Larry Fessenden) There is a cutaway to a cooing baby late in the myth - laced horror drama Wendigo that shatters any hope we have of escaping the film's emotional grip.

Final Verdict: Season One of Doctor Foster is surprisingly emotional drama that will have you questioning your own moral spectrum.

The first of three tremendous directorial debuts on this list, Jennifer Kent «s The Babadook is the best horror film of the year, and a solid emotional drama even beyond it's terrifying nature.

The film's opening, with Ruth wandering around the moody twilight of the Howards End garden and looking inside the house at a bright and lively dinner party, is a succinct and expressive way to begin a drama that emphasizes both the need for and the difficulty of emotional connection across barriers.

It doesn't demand a 100 % emotional investment, nor does it provide the excitement of other sports dramas, such as «Secretariat», but it's solid, serious and satisfying family drama that paces itself nicely and gets to the finish line with its head held high.

Hall brings a worried, intelligent gravity to the central role, and if the drama doesn't stretch the actor's range in its opening hours, we know he's capable of much more, should later installments of «Safe» require a wider variety of emotional colors from him.

Despite the melodramatic set - up, director Edmands «resists all levels of melodrama in sentimentality, and yet the picture is just as arresting and emotional as any drama I've seen this year, albeit in a quiet manner.»

A slow - burning emotional drama exploring the ideas of forgiveness and redemption via terrible characters that are nearly beyond salvation.

Gordon - Levitt impresses in his writing most of all, which pushes forward some good moments of incisive wit, subtle emotional content, and fun characterizations that, while they don't avoid falling into stereotypes, set up the mix of comedy and drama well without losing the overall punchy tone.

This acclaimed comedy / drama from former SNL head writer Chris Kelly tells the emotional story of a son (Jesse Plemons) returning home to take care of his dying mother (Molly Shannon).

He has rapidly emerged as simply one of the most exciting filmmakers working today, over the space of a mere three harrowing, excoriating but unquestionably brilliant films that tackle adult subjects with unflinching humanism, even as they utterly refuse to compromise in their depictions of emotional and physical brutality — qualities that make him peculiarly suited to tackling something as potentially explosive as a slavery drama.