Sentences with phrase «emotional force by»

«Grandma» is a modestly scaled character comedy - drama that winds up exerting an almost shockingly strong emotional force by the end.

Not exact matches

He wastes huge amounts of time on pointless activities, suffers emotional harm under a bizarre worldview that accuses him of being inherently evil, and feels forced to throw away significant amounts of money to fund the perpetuation of the belief system his is enslaved by.

Below the conscious stream there is a great mysterious area, now called the subconscious, where, at differing levels, there move emotional forces set in operation by past experiences.

Forcing people to give up their control of you by owning the right to think and speak and follow your own ideas and thoughts and questions — inspite all manner of emotional bullying — is a damned hard row to hoe.

«It would allow me to decide when I am ready to go, rather than be forced into a premature death by travelling to Dignitas at great emotional and financial cost, or to suffer a traumatic, drawn - out death at home.»

The same scenario has now played itself out in this case of Szczsney getting forced out of Arsenal by Le Prof, for emotional reason maybe?

Instead they blamed outside forces for causing both unhappiness and relationship stress: Spouses became ill, lost jobs, got depressed, children got into trouble or created marital stresses by their financial and emotional demands.

It has come about because of the other pervasive idea that a baby should be trained early to become independent, by forcing them to be alone, and that it is OK to provide for physical needs, but emotional needs somehow don't matter or are non-existent.

We can force external obedience temporarily, but only by constantly escalating the threats, emotional manipulations, and punishments which accomplish nothing in the long run and do far greater damage than they are worth.

I know that those who carelessly condemn him in public, clandestinely go back to heal wounds knowing what the man represents, his affability, readiness to listen and reluctance to get emotional easily no wonder after years of intense condemnation, Prof Martey openly praised him for his humility and assured him of his constant prayers to succeed.In our bid to get our parties to office, we must also consider the safety of our nation and the cohesion we've enjoyed so far.I don't think the Npp in its current state can manage its internal issues if elected into office let alone manage the nation.Our democracy shouldn't be toyed with in the name of political extremism and unworkable promises.We don't need a leader who will establish himself by intimidation and force, who will choose henchmen around himself, create secret police and abandoned all pretence of consulting the wishes of the masses but will only expect regimented YES from us on all national issues like we seeing in the Npp today.

But war is rarely so simple, and distance does nothing to numb the emotional impact of taking a life, said Slim (who is referred to here by his Air Force call sign in order to protect his identity).

It was mostly emotional weight, caused by stressful thoughts that led to cortisol production, which forces our bodies to hold on to weight.

While, individually, we have responsibility to improve our own wellness, most people are significantly influenced by social forces in the form of fitness trends, advertisements, food costs and availability and, of particular concern, physical, biochemical and mental - emotional stress brought on by life in modern society — life increasingly characterized by existence in Max Weber's steel shell.

In many cases, it also is caused by underlying emotional forces.

Those dance scenes have an expressive power, an emotional charge and a kinetic energy that's mostly absent elsewhere in Jose Padilha's superfluous retread of the daring 1976 raid by Israeli counterterrorist forces to rescue 102 hostages from a hijacked Air France flight out of Tel Aviv.

There are plenty of talented components to this cast, and most every one of them has his or her time to shine, even such much too briefly present forces as episodes 1's Martin Sheen - who nails both Irish - American accent and depth of the good - hearted slaver who comes to find flaws in the traditions he has had to follow - and episode 3's Richard Jenkin, who effectively despicable in his audacious portrayal of a despicable radical racist who is as willing to die as he is to kill to preserve his questionable sense of order - and plenty of other people in between, from the compelling Dennis Haysbert to the charming Danny Glover, so you know that it's saying something to proclaim that leading lady Halle Berry is this series» strongest performance, delivering on powerful layers and emotional range in her engrossing portrayal of a mulatto who is trapped in society by her mixed race, and will face many unbearable hardships that will test her innocence and humanity.

Humans are social beings - but what happens when the emotional bonds that bind us together are threatened by forces we can not see or touch, or worse, replaced entirely by the network?

Garfield's underplaying gives us just enough to fill in the emotional blanks, drawing us in deeper by forcing us to use our imaginations.

The story is about two sisters, played by Alison Brie and Lizzy Caplan, who «fumble through the bumpy emotional landscape of modern - day relationships, forced to relearn how to love and be loved.»

The impassioned lament of Fantine, a fired factory worker forced into prostitution to support her illegitimate daughter, «I Dreamed a Dream» is already emotional pornography of the first order, made more so by Hathaway's borderline hysterical interpretation, all bulging eyes and hyperventilation, as if Hooper were shouting «More!

Though forced by his condition to relive moments of extreme danger and emotional significance, Billy's not a hero, nor is he really a reflective sort: to be honest, he doesn't seem to have much interiority at all.

Jessie and Vincent have a tense, frosty rapport leavened by stray glimmers of romantic attraction, but nothing here is sustained long enough to accrue the desired emotional force.

The film's concerns are primarily emotional ones, focused on the toll that being targeted by these political forces takes on the victims.

Hutton's character is made a distraction for the most part by his function as catalyst and counterpoint for Babs's emotional growth (he's the egghead alternative to her philandering jock choice) and by his wardrobe and facial hair changes; in short, he's Jenny from Forrest Gump, the one genuinely involved force in the film, punished by a marriage to a brassy grad student (Patricia Clarkson)... and yet he's not the star.

You'll get caught up in laughing at the put - upon stork being bitten, bashed, and spiked by his well - meaning friend's creations, but when the dramatic tipping point comes, with its gale - force emotional kicker, you'll realise that Partly Cloudy was actually talking about something much more, all along.

Despite a few head - scratching choices by White House chief of staff David Wellington, it's ultimately a solid hour because of the great work of the cast, particularly Claire Danes, as Carrie is forced into a fragile, emotional place for almost its entire length.

The movie crackles with an emotional energy, and cackles with a rueful laughter, that have been missing from his recent films, but which return in full force now that Baumbach has again taken up his theme of children being twisted into odd shapes by a parent's monstrous self - regard.

By playing with the spectator's expectations of catharsis, it forces them to respond both emotionally and intellectually and to take a more ethical position in relation to the film by rationally contemplating their emotional responsBy playing with the spectator's expectations of catharsis, it forces them to respond both emotionally and intellectually and to take a more ethical position in relation to the film by rationally contemplating their emotional responsby rationally contemplating their emotional response.

Meanwhile, Todd McCarthy of the Hollywood Reporter wrote of the film, «Intense emotional currents and the jagged feelings of volatile actors are turned loose to raucous dramatic and darkly comedic effect in one of the most sustained examples of visually fluid tour de force cinema anyone's ever seen... An exemplary cast, led by Michael Keaton... fully meets the considerable demands placed upon it by director Alejandro G. Inarritu... The film's exhilarating originality, black comedy and tone that is at once empathetic and acidic will surely strike a strong chord with audiences looking for something fresh.»

When Daphna (Sarah Adler) and Michael (Lior Ashkenazi) Feldmann are informed of the death of their son Jonathan, she is immediately sedated by the soldiers and put to bed, as Michael is forced to deal with the funeral arrangements and a slew of other people's emotional needs, while still numb and unable to find out what exactly happened to his child.

April 10, 2015 Lady Gaga's Born This Way Foundation and SEL4MA member Yale's Center for Emotional Intelligence have joined forces to start the Emotion Revolution by asking high school students to fill out surveys about the way they feel and they way they'd like to feel.

The article, written by New America Foundation Senior Research Fellow, Sara Mead, urges education reformers and PK advocates to join forces to support a vision for children's learning ---- physical, social, and emotional development as well as academics ---- that extends from Prekindergarten through Third Grade in a seamless progression.

School leaders in these communities, forced by the storm to delay the start of classes or reboot just after students returned for the 2017 - 18 year, face huge academic, financial, and social / emotional costs of a months - long recovery effort.

Luminous, passionate, expansive, an emotional tour de force, Sunset Park follows the hopes and fears of a cast of unforgettable characters brought together by the mysterious Miles Heller during the dark months of the 2008 economic collapse.

April in Paris is one of those rare books in which the emotional force of the love story is matched by page - turning suspense.

The Coalition reminds us of the cruel existence of puppy - mill dogs and the emotional driving force generated by such candid and heart - wrenching admissions as that of a breeder (who asked not to be identified) in a 2006 interview with Channel 4 Action News regarding dogs placed on consignment at Ohio dog auctions:

Game Features; — Compelling Adventure: A narrative adventure through love, life, and loss, following the explorations of orphans Scarlett and Finn — Emotional Journey: A striking psychological adventure that is part coming of age story, part personification of the tightly - wound forces of sibling bonds, and part exploration of the deeply - rooted effects of sorrow and loss — Puzzle Exploration: Context - driven puzzles engage the intellect while the story captivates emotions — Gorgeous Visuals: Scarlett's journey comes alive in every scene with lush scenery, vivid effects, unique characters, and a lovingly hand - crafted feel — Strong Pedigree: Created by veterans of Disney Black Rock Studio & the writer of The Room — Game as Art: Mysterious & surreal elements emerge, with interpretation left to the player

While many other games had emotional content, those emotions were piped through the screen much in the same way as you experience with an action movie; force - fed by the director without the opportunity to build my own feelings, constructs and conclusions.

«Sometimes an exhibition, propelled by its clarity of purpose and emotional force, will lead you to a point that feels genuinely cathartic.

Pondering the emotional as an organizing force across political spectrums, emotions are understood not as individual mental states but as collective material and affective practices that are both shaped by and shape social life.

Thus while he painted individuals from photographs, Richter's replica images were often blurred and bore nothing distinctively identifiable about the subject, an effect that forced the viewer to consider the fundamental components of the painting itself, such as composition, color scheme, and so forth, rather than leaving the viewer to identify with, or be distracted by, a picture's implied content or its emotional element of «humanity.»

Key to her photography is the drama and intimacy of the close - up that highlights emotional content in specific moments, as well as capturing readymade objects «made» by forces of nature such as wind, sun, or the trampling of feet.

This exhibition, to be shown at Museo Picasso Málaga until 17 September 2017, brings together Francis Bacon's powerful solitude, Lucian Freud's carnal angst, Michael Andrews» encapsulated ego, Frank Auerbach's three - dimensional painting, David Bomberg's emotional force, William Coldstream's rigorous measure, Ronald B. Kitaj's multiplicity, Leon Kossoff's visceral quality, Paula Rego's subversion and Euan Uglow's proportion, all of them artists associated with what has come to be referred to as the School of London, a label that has not, however, been accepted by art historians or by the artists themselves.

In compelling and diverse images by 16 artists selected by curator Ralph Rugoff, we are invited to contemplate the strong emotional and psychological ties that connect these artists to their relatives and partners, as well as the powerful social and economic forces that shape the family.

Far, far better to initialize market forces than the fierce attempts by green groups and the Democrats to micromanage a patchwork of changes through lawsuits, fiats and emotional scare tactics.

«All this was inspired by the principle — which is quite true in itself — that in the big lie there is always a certain force of credibility; because the broad masses of a nation are always more easily corrupted in the deeper strata of their emotional nature than consciously or voluntarily...» ~ Adolf Hitler

Not only will you be forced to deal with the physical pain of an injury, but you will also be saddled with the financial burden of associated medical bills and the emotional distress influenced by a traumatic experience this nature.

Ian has represented individuals who have suffered traumatic brain injuries, horrific burns, debilitating bodily injuries, and severe emotional distress as a result of automotive accidents, bicycle accidents, dangerous conditions on public and private property, defective products, and excessive force by law enforcement.

For this to amount to undue influence, the coercion — whether by applying physical force or emotional pressure — must be sufficient to overpower the testator's own wishes.

These are mental and emotional abuse, physical control and restricting access to the outside world (confinement), financial abuse (where one partner's access to money is controlled by the other and used to force compliance), and sexual abuse or rape.