Sentences with phrase «emotional images as»

Women self - reported being more reactive to the emotional images as a whole, and the other data collected concurred.

Women rate emotional images as more emotionally stimulating than men do and are more likely to remember them.

Not exact matches

Under this law, it is illegal to distribute sexual images or videos of someone without his or her consent, so long as it is intended to cause serious emotional distress and so long as the person depicted experiences distress.

In order to get a large number of people whom they regard as undereducated, easily led sheep to vote against their own best interests, they push emotional buttons, invoking images of Jesus and helpless babies, to make voters think this is what they stand for and want to protect.

Subliminal suggestion images are not realized as focused images but the eyes pick up the images and transmit them to the brain for emotional impact.

Just as theological reflection is today dominated by the fact that the entire mental, emotional and image context of the past is eroded, so a way of preaching proper to that fact must be wrought out.

Rudolf Steiner described the healing effects of Raphael's Madonnas in August 1908, and between 1908 and 1911 he directed Dr. Felix Peipers to arrange fifteen images as a therapeutic meditation for patients suffering from emotional disturbances.

These memories are stored as emotions, sensations (sounds, images, smells) and body memories (muscular tensions that can trigger emotional reactions).

Image: Sharron Goodyear / FreeDigitalPhotos.net The definition of bonding is: a close personal relationship that forms between people (as between husband and wife or parent and child)(WorldNetWeb.Princeton); an intense emotional attachment Bonding with your baby is one of the most important things a -LSB-...]

Gordon Brown's supporters are divided over his emotional interview with Piers Morgan, but as an election looms will other politicians be cultivating a more family - friendly image to appeal to voters?

Sometimes, one also has to deal with emotional issues, as when examining child pornography images, for example.

As well as the increase in emotional arousal, part of the reason why gruesome images have such an impact can be traced to what psychologists refer to as «mortality salience»As well as the increase in emotional arousal, part of the reason why gruesome images have such an impact can be traced to what psychologists refer to as «mortality salience»as the increase in emotional arousal, part of the reason why gruesome images have such an impact can be traced to what psychologists refer to as «mortality salience»as «mortality salience».

During the MRI scan, the participants were shown images of faces portraying different emotional states such as anger, joy or fear.

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You'll learn fascinating insights that can help you take a big leap forward with weight, body image, overeating, binge eating, emotional eating, endless dieting and nutrition - related health concerns that have an emotional component such as digestion, immunity, fatigue, mood and more.

The Mind Body Eating Coach Certification Training is a powerful, information rich, 250 hour program that certifies you as a Mind Body Eating Coach and provides an unprecedented professional training that'll leave you with a strong skill - set and the confidence to work with the most common and compelling eating concerns of our times: weight, body image, overeating, binge eating, emotional eating, endless dieting, digestion, fatigue, immunity, mood and much more.

We train coaches in the field of Dynamic Eating Psychology and Mind Body Nutrition — both cutting edge fields that provide effective tools and protocols to successfully address the eating challenges of our day: weight loss, body image, overeating, binge eating, emotional eating, unwanted eating habits, and the most common nutrition - related health challenges, such as digestion, immunity, fatigue, mood, and more.

Our Mind Body Eating Coach Certification Training is a powerful, information - rich, 250 hour program that certifies you as an Mind Body Eating Coach and provides an unprecedented 8 month professional training that'll leave you with a strong skill - set and the confidence to work with the most common and compelling eating concerns of our times — weight, body image, overeating, binge eating, emotional eating, endless dieting, digestion, fatigue, immunity, mood and much more.

Online personals however, and due to displaying your personality or a unique image of yourself then at first there is no emotional price to pay and you can generally move on to another potential of online personals as you are in a unique group, not a real one.

Upstream Color uses striking images and sounds to unmoor you from reality, even as it tells a powerful, emotional journey.

Using cinematographer Hossein Jafarian's crisp images, Farhadi develops the mode of camerawork that would characterize his subsequent films, a technique that involves constant movement and reframing (especially in the apartment's beautifully designed interiors) in order to follow the shifting of perspectives among characters as well as the story's emotional twists.

The elemental nature of the fable and the film's quietly radical yet complementary merging of sound and image go hand in hand to summon a world that's as ephemeral as its protagonist's states of being, yet contains an emotional richness that remains ineffable.

His last two major scores, for Obsession and Taxi Driver, give the films so much formal, emotional, and thematic shape that the usual rule of music serving as accompaniment often seems reversed, and the images, dialogue, and sound effects seem to accompany the scores.

As in his previous offering, the US - Mexican border chronicle Cartel Land, director Heineman clearly gains the trust of his subjects, and shows the emotional toll behind the sadly too - familiar images of carnage.

That confusion, coupled with parents» high expectations for success in school and careers, the frustration of having white peers constantly question their «American - ness,» as well as body image and other concerns that are common to all teens are among the factors that put Korean American students at risk for a growing list of emotional and psychological issues.

The representational associations of verbal stimuli take the form of words, facts, concepts, ideas, and the like, while the representational associations of nonverbal stimuli are such things as visual and auditory images, emotional sensations, and the «feeling» of touching objects.

For shoppers looking at Spectra sedans and Sedona minivans, pragmatic factors such as value and functionality rule over emotional variables such as image and perceived performance.

Most weak business owners, no matter what industry they are in, fail to have both a visual image as well as an emotional image.

Of the 12 new paintings exhibited, the strongest, such as Far Out, evoke an emotional specificity and certainty, as though the image is about a particular feeling or place in time.

In alignment with this chance - driven approach, Steinmetz is committed to presenting the viewer with images that are open to multiple interpretations, as opposed to creating specific narratives or singular emotional effects.

These still - lives are an allegory that sheds light on the «practical» process of photography so that additional factors, such as moral, cultural, artistic, emotional, etc. are referred to in the image.

As a moving - image memoir and deeply disturbing confessional, First Person Plural covers the years 1984 to 1996 when Hershman Leeson was grappling with her emotional scars and the psychological blowback from a childhood of physical and sexual abuse, followed by a period in her life as a battered wife who, with her daughter, eventually found the courage to walk away from that situatioAs a moving - image memoir and deeply disturbing confessional, First Person Plural covers the years 1984 to 1996 when Hershman Leeson was grappling with her emotional scars and the psychological blowback from a childhood of physical and sexual abuse, followed by a period in her life as a battered wife who, with her daughter, eventually found the courage to walk away from that situatioas a battered wife who, with her daughter, eventually found the courage to walk away from that situation.

Sherman helped to craft the show's title, which is a reference to director Douglas Sirk's 1959 melodrama dealing with highly emotional struggles of identity, as a reflection of the role of cinema in her image making.

Thus while he painted individuals from photographs, Richter's replica images were often blurred and bore nothing distinctively identifiable about the subject, an effect that forced the viewer to consider the fundamental components of the painting itself, such as composition, color scheme, and so forth, rather than leaving the viewer to identify with, or be distracted by, a picture's implied content or its emotional element of «humanity.»

Sourced from imagery that appeared on record covers from the 1960s - 1980s the photographs in Collier's ongoing series «Women Crying» depict tightly - cropped and dramatically enlarged images of women — actresses or models — acting out as if crying or in heightened emotional states.

Senior Academician Beattie describes the image as having «psychological and emotional weight», citing the landmark Abstract Expressionism exhibitions of the late 1950s as having profoundly influenced him at the time.

What is most surprising about Sean Scully's abstract images composed of stripes and squares of colour is not their considerable emotional power, but the fact that the most delicate watercolours or tiniest etchings can evoke a mood just as well as the large - scale oil paintings.

Leveille: I speak in a language of pictures.In a similar way that contemporary figurative painters such as Currin, Kerry James Marshall, and Robin Francis Williams use a sense narrative, I also use it as an artistic tool.This is very inspiring in its own right to me, the exploration of an image, not in service TO narrative but that employs these things as tools to make an emotional connection with the viewer.

Incorporating political images and discomforting cartoon figures, she pre-figured «reality» and celebrity culture's impact on representation as a potential form of critical and emotional dissent.

Our Found Images are specially selected snapshots screened with the same criteria as a fine art photograph: artistic appeal, engaging or emotional subject matter, and print quality.

Akin to a sculptor, the artist invests each facial pore and hair with microscopic detail so the image resonates as a complete emotional picture; an internal and external illumination.

For example, the displayed Art News cover image of Tony Smith's «Die» (1966), one of minimalism's foundation stones, has more impact if you know enough of McCarthy's work to see it as devoted to the de-repression of everything visceral, cultural and emotional that minimal art excluded.

In a fashion similar to Richard Prince and Jack Goldstein, he appropriated tropes of popular culture as a means of celebrating the emotional dynamics of images from mass media.

The emotional intimacy of the images affords the subject a dignity that divorces her from her material function: the presence of an inner life creates a sense of personhood which contrasts with the innate objectification of Love Dolls as well as human sex workers.

Hood is interested in how image forms are used for that purpose in contemporary culture and how they can act as archetypal activators of pictoral and emotional content.

Here, she nods stylistically to a black cinematic genealogy that includes Arthur Jafa, the LA Rebellion generation, and media - artist peers interested in an emotional and empathic confrontation with the black experience as images of violence on black bodies proliferate.

Some — like Carrie Mae Weems and Gary Simmons — mount powerful explorations of racism, employing such deeply charged images as archival photographs of slaves and the recreated nooses and hoods of the Ku Klux Klan to tap into an emotional well of past injustice and persecution.

The emotional intensity of the images keeps viewers close, as the artist unfolds and enacts an analysis of how photographs operate.

His use of blown glass is an effort to explore materials that allow for both an aesthetic and emotional experience to create a piece that's sinister and somehow active while remaining functionally inert; he cites seeking out images of parasites and viruses as part of his research process for this piece, inspired by their ability to alter the space and living bodies around them without ever fully revealing themselves.

Often using images as a form of language, his works attempt to trigger an emotional response in the mind of the viewer.