Not exact matches
The third section section is the most nakedly
emotional of the trio, centring on a Native American horse rancher (the wonderfully expressive Lily Gladstone), who
seems to have no human
interaction in her life while caring for her horses on a remote ranch.
Together, we think that our results again
seem to advocate that problematic
emotional interaction patterns of mothers and children are best captured by examining dyadic
emotional flexibility in real - time (Butler 2011; Moore et al. 2013; Van der Giessen et al. 2015).
It also suggests that parent - child dyads that only express positive emotions and suppress negative emotions during conflict
interactions,
seem unable to flexibly adapt their
emotional responses according to the
emotional demands of such contexts.