Sentences with phrase «emotional landscape at»

Developing an understanding of one's emotional landscape at a young age allows for greater maturity and authentic decision making.

Recent group exhibitions include ECAL: A Success Story in Art and Design organized by John Armleder at L'Elax in Rennes and Emotional Landscapes at Kunsthalle Fri - Art in Fribourg.

Not exact matches

almost as a side - scrolling video game moving at a wagon's pace, Loktev forces us to slow down and pay heed to subtle shifts both in the landscape the couple traverses and in the emotional distances between Nica, Alex, and their eventual guide Dato (Bidzina Gujabidze) at any given point.

For me, at an early stage of a behaviour incident, then redirection is generally the best technique, where you just redirect the child away from their emotional landscape, you redirect the child away from the triggers and just put them onto something else.

At once nostalgic and refreshingly original, The Family Tree is a sophisticated story of one woman and the generations of women who came before her and whose legacy shaped her life and its emotional landscape.

In The Lowland, she again mines the complex emotional landscape of her characters, chiseling away at stone with a fine scalpel.

Navigating a cultural and emotional landscape foreign to us in the United States, these artists are all looking at the divide between present and past, of country and individual, of what could be, what is and what was.

His seemingly innocent paintings of boats, airplanes, beach scenes, landscapes,... are formally quite complex but hide at the same time an autobiographic, emotional content.

I liked the Swedish artist Herman Lohe at Fiumano Clase and his large canvas of evanescent but emotional landscape.

A thousand years ago scholars from China used landscape to describe their inner emotional and intellectual life, when it is at odds with the external world at large.

Like the intensely emotional colour fields of Newman or Rothko, the canvas is invested with sublime, almost mystic power; as Barbara Haskell has written, «One feels looking at an Avery landscape or seascape that the highest human experience is being alone and at peace with the land and the sea» (B. Haskell, Milton Avery, exh.

All the artists share similar productive tensions within their practices: direct or hinted at autobiographical references synthesise with a distant, controlled aesthetic and emotional restraint; the obsolescence of the image is contrasted with the image as a source of hope, and even personal salvation; the apparent stability and naturalness of landscape is set against the urban environment and modern architectural practice and its accelerated entropy.