Sentences with phrase «emotional life of the artist»

A narrative around the emotional life of the artist is enacted through fictional characters, producing an in - between world filled with both humour and pathos.

These striking forms are deeply personal works which reflect the complex emotional life of the artist.

Not exact matches

If our emotional life begins with «vague totality,» then the artist faces the challenge of developing emotional clarity out of a background experience which does not favor any easy clarity.

Any clear connection between point A in the artist's emotional life and point B on the canvas is largely avoided, and in this way Mike Leigh's film shifts the sublime aspects of Turner's paintings on to the artist himself.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

A look at the last 25 years of the life of artist JMW Turner, his screenplay highlights the master as man, detailing both his prodigious artistic talent and the emotional vulnerability that defined his character.

My Life is an unflicnhing look at a director's emotional struggles, the effect such an endeavor has on his home life, and is ultimately a beautiful examination of the life of artist that will linger with you long after the credits rLife is an unflicnhing look at a director's emotional struggles, the effect such an endeavor has on his home life, and is ultimately a beautiful examination of the life of artist that will linger with you long after the credits rlife, and is ultimately a beautiful examination of the life of artist that will linger with you long after the credits rlife of artist that will linger with you long after the credits roll.

In the case of Inside Llewyn Davis, this consistent pull toward bad luck gives the film a rare sort of melancholy, one that avoids sentimentality and pity, as well as outright cynicism, to find a strange, unmistakable truth about the emotional bruises and physical suffering of life as a human or, even worse, an artist.

From formalized propaganda shots and portraits of Party leaders to the candid recordings of daily life in cities and rural regions, China offers readers incredible insight into the country's physical, emotional and spiritual infrastructures, an intimate perspective ably enhanced by cogent, well - researched captions and quotes from Chinese intellectuals and artists, as well as international historians, diplomats and academicians.

The mission of «Writing and Wellness» is to share information about physical, mental, emotional, and spiritual health, pulling from scientific study, alternative medicine, expert opinion, and the personal experience of artists from all walks of life.

Ch 3.7 Emotional Judo: Lack of Support for Your Writing Many creative workers (writers, artists, musicians) are blessed with people who enthusiastically support them in their creative life.

As I read this article it reminded me of how we artists can be quite an emotional lot.Sometimes we have trouble being practical.I certainly have mixed emotions about this subject.On the one hand it is always great to sell a piece of art but on the other five dollars doesn't seem worth the hassle.But the point I think many may have missed is that a five dollar work of art would definately be something you only spend a small amount of time on, like a half hour or less.That's $ 10 an hour to do what you love and isn't that what we're all looking for?My husband who's a bussiness man is always making me look at it that way, in terms of an hourly wage.I know that's not very artistic thinking but it sure does make sence in this materialistic world that we live in.

The Sick Child (1896), the hellishly erotic Madonna (1894 - 95), The Dance of Life (1899 - 1900), Vampire (1893), Red Virginia Creeper (1900) and, if you believe the curators at MoMA, Self - Portrait: Between the Clock and the Bed (1940 - 42)-- each painting encapsulates the artist's preoccupations with physical vulnerability, sexual avarice, emotional alienation and the futility of faith.

From Gorky's turbulent childhood fleeing the Armenian genocide in Turkey, to his adulthood in the United States, to his suicide in his forties after a traumatic series of physical and emotional setbacks, this biography offers an intimate window into the artist's life, telling his story through many voices: his letters, sent and received; the correspondence of family and friends; pivotal reviews and criticism; newspaper articles and other essential documents.

The living matter of the artist's everyday reality, unsightly for someone, somehow harsh, somehow personal, sentimental or emotional, has become the subject of the young artists» statements.

Dealing with themes of life and death, human consciousness and emotional expression, the artist's...

For Martin, the austere visual language of horizontal stripes of alternating value was not an end in itself but was the most direct way for the artist to convey her emotional and spiritual response to life.

Featuring illuminating details about Rothko's life, influences, and legacy, and brimming with the emotional power and expressive color of his groundbreaking canvases, this essential volume brings the renowned artist's luminous work to light for both longtime Rothko fans and those discovering his work for the very first time.

2016 Light, Form, and Symbol, Williamsburg Art & Historical Center, ブルックリンー ／ NY 2016 Synaesthesia Playground, Spectrum NYC, New York, NY 2016 * New York Electroacoustic Music Festival 2016, Abrons Arts Center ／ NY 2014 * Long Island Biennial 2014, The Heckscher Museum of Art, ハンティングトン ／ NY 2012 * Made in New York 2012, Schweinfurth Memorial Art Center, オーバーン ／ NY 2012 * BIG QUEENS DRAWING SHOW, W.P.M.Jr.Gallery, ジャマイカアートセンター, クィーンズ ／ NY 2011 個展 «Takafumi Ide» The Gallery （ オノンダガ ・ コミュニティ大学 ） シラキュース ／ NY 2010 個展» Life is fleeting; therefore, life is beautiful» AC Institute チェルシー ／ NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー ／ NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス ／ NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル ／ VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery （ ニューロッシェル大学 ） ／ NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン ／ NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 ／ 東京 2009 個展 «propagate» Hartnett Gallery （ ローチェスター大学 ） ／ NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts ／ NY 2007 Projects «07, The Carriage House アイスリップ美術館 Life is fleeting; therefore, life is beautiful» AC Institute チェルシー ／ NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー ／ NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス ／ NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル ／ VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery （ ニューロッシェル大学 ） ／ NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン ／ NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 ／ 東京 2009 個展 «propagate» Hartnett Gallery （ ローチェスター大学 ） ／ NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts ／ NY 2007 Projects «07, The Carriage House アイスリップ美術館 life is beautiful» AC Institute チェルシー ／ NY 2010 個展» Emotional Echo: Separation» イセ文化基金ギャラリー ソーホー ／ NY 2010 個展 «observe» Sunroom Project Space, Glyndor Gallery, Wave Hill ブロンクス ／ NY 2010 個展 «decipher» Second Street Gallery シャーロッツビル ／ VA 2009 Mapping Memories: Beili Liu and Takafumi Ide, Castle Gallery （ ニューロッシェル大学 ） ／ NY 2009 * Alpan International 2009, アルパンギャラリー ハンティングトン ／ NY 2009 Young Artists Exhibition, タマダプロジェクト 、 イセ文化財団 ／ 東京 2009 個展 «propagate» Hartnett Gallery （ ローチェスター大学 ） ／ NY 2008 In Residence, EFA Project Space Elizabeth Foundation of the Arts ／ NY 2007 Projects «07, The Carriage House アイスリップ美術館 ／ NY

Gallery, Jamaica Center for Arts & Learning, Queens, NY 2011 Solo show: Takafumi Ide solo exhibition, The Gallery, Onondaga Community College, Syracuse, NY 2010 Solo show: Takafumi Ide / Life is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East IslipLife is fleeting; therefore, life is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East Isliplife is beautiful, AC Institute, New York, NY 2010 Solo show: Emotional Echo: Separation, ISE Art Gallery, ISE Cultural Foundation, New York, NY 2010 Solo show: Sunroom Project, observe, Glyndor Gallery, Wave Hill, Bronx, NY 2010 Solo show: decipher, Second Street Gallery, Charlottesville, VA 2009 Mapping Memories, Beili Liu and Takafumi Ide, Castle Gallery, The College of New Rochelle, NY 2009 * Alpan International 2009, Alpan Gallery, Huntington, NY 2009 Young Artists Exhibition, Tamada Projects Temporary Contemporary, ISE Cultural Foundation Tokyo, Japan 2009 Solo show: propagate: a light / sound installation, Hartnett Gallery, University of Rochester, NY 2008 In Residence: Recent Projects From Sculpture Space, Elizabeth Foundation of the Arts, New York, NY 2007 * Projects «07, The Carriage House at Islip Art Museum, East Islip, NY

Whether through painting, drawing, sculpture, video, or other media, contemporary artists have drawn on the centuries - old tradition to create works of conceptual vivacity, beauty, and emotional poignancy in the present time.Structured according to the classical categories of the still - life tradition — Flora, Food, House and Home, Fauna, and Death, each chapter in Michael Petry's book explores how the timeless symbolic resonance of the memento mori, has been rediscovered for a new millennium.

The title of their new series of works — Self - Portraits — signals a personal layer in which each title of the other artist's work represents a special experience or emotional development in Elmgreen & Dragset's own lives.

Seeker of stillness, shunner of the self - righteous, one of Australia's greatest living artists hails the emotional power of photography

Surveying the extensive career of multi-talented artist Maren Hassinger, this exhibition presents sculpture, performance documentation, and videos that explore the emotional dynamics of relationships amongst different communities of people, and between them and the environments in which they live.

This exhibition curated by Leah Turner brings together painting, drawing and video by artists that share an interest in autobiography and emotional expression, representing a vision of the artist's life in all its rough and romantic realities.

The repeating scene of external force and life's resistance to it also seems to reference a more deeply concealed emotional thread in the artist's heart.

The works lays bare the emotional contours of the life of an artist, lived in between the public and the private.

Made at a time of public and financial success, the image connects the artist's desire for money and success and her sexual desire (her role as consumer) with her use of her body and her emotional life to produce her art (the object of consumption).

Emin has used large - scale photographs of herself to record and express moments of emotional significance in her life, frequently making reference to her career as an artist.

The fame of the movement was short lived, as these new artists started to eliminate the original emotional and philosophical content from the paintings, moving towards more decorative and austere compositions.

Jack Pierson makes photographs, word sculptures, installations, drawings and artist's books that excavate the emotional undercurrents of everyday life, from the intimacy of romantic attachment to the remote idolizing of the famous.

Rather, it is revealed dialectically as the artists psychically work through the ugliness and insanity of contemporary life; their psychical mastery and emotional restoration of the self are evidenced in their mastery of technique and the aesthetic transcendence it elicits.8 At the same time, it is important to underscore just how alien both the figuration and content of this new wave of history painting would appear through the humanist gaze of traditional history painters and the Old Masters.

For more than two decades, New York — based artist Jack Pierson (born 1960) has been using the visual languages of photography, painting, sculpture and drawing to examine intimate and emotional aspects of everyday life.

The New York - based artist will install images, all printed the same scale of scans of Ibiza flyers, tracksuits and magazines, default Photoshop image effects, commercial and cell phone photography and low - res screen captures that would, if cropping up on a social media feed, be hashtag - ged with the words «currentmood»; a way of illustrating your specific emotional state via an image that is not specific or related to you and your life at all.