Not exact matches
Because of this, a venture capitalist maintains a more surface level and less
emotional connection to the business,
which can sometimes bring a more grounded point of view at critical
moments.»
Emotional advertising is here, or it's back, depending on how you look at it (about
which, more in a
moment).
If there is one area in
which the children as a group do seem to differ somewhat, in
emotional reactions, from the children that I meet in wealthier communities — and even here I would be very cautious not to overstate this — it is in their sensitivity to other children's
moments of anxiety and their acute awareness of
emotional fragility and of the tipping point between exhilaration and depression.
At any
moment this has a focus, but one
which shifts continually, now on perception of the outside world, now on a memory
which has somehow been stored out of mind (perhaps for many decades), now on an
emotional state, now on a toothache, now on construction of an abstract pattern of thought, now on communication with others, but again and again on the often painful process of choosing among courses of action, and then of acting.
Like many other activities of ministry — rendering a theological judgment, structuring a sermon, being present to persons in acute crisis, discerning the plan of action and strategy to
which a congregation is called at a particular
moment in its life — choosing a myth requires the complex interworking of rational judgment, adequate information,
emotional openness and self - awareness, intuition, sensitivity, prayerful reflection, and more.
Our
emotional state in a given
moment may influence what we see, according to a study
which shows that humans are active perceivers.
A cycle is created as the foods I choose affect my mood, current physical health,
emotional state and spiritual connection,
which in turn, affect my food choices in the next
moment.
That
moment marked the beginning of the couple's long struggle to conceive
which, in addition to exacting an enormous
emotional toll, has drained their finances.
I'll say more NO to: doing things
which I don't want to but usually say yes to so I wouldn't disappoint others, feeling down or beat myself up over every little thing
which didn't go right or as planned, being a perfectionist every single
moment of every single day, going places or meeting people just because of FOMO, eating foods that physically don't make me feel good, no matter how big the cravings might be, buying new stuff unless I really, really need them or can't stop thinking about them,
emotional vampires who suck the life out of me and never bring anything good or positive along with them...
His use of perspective throughout is done to perfection and during its Iraq sequences,
which are constantly referred to and visible right up until the
emotional ending, the higher frame rate only enhances the realism — almost to the point of you looking away from the screen as one of the film's most pivotal
moments plays out.
But where Superbad improves upon the recipe of those relatively - superficial offerings is in the attention it devotes to character development
which, in turn, allows for the cultivation of an
emotional arc, some warm and fuzzy
moments mixed in with the mirth, and ultimately a satisfying denouement.
But that film had
moments which were truly shocking and allowed the violence to have an
emotional impact on the characters and audience.
Some of the film's most
emotional moments are unintentionally funny, but these are far outweighed by the sense of mystery (and dread)
which hangs over the entire narrative.
Gordon - Levitt impresses in his writing most of all,
which pushes forward some good
moments of incisive wit, subtle
emotional content, and fun characterizations that, while they don't avoid falling into stereotypes, set up the mix of comedy and drama well without losing the overall punchy tone.
Like Starlet, in
which a 21 - year - old woman begins to search for and later depend upon the friendship of an octogenarian widow, the gifts offered by Drinking Buddies are found in its small
moments, in the secret looks between friends and its resistance to the melodrama of in its
emotional story.
Throughout La Vie de bohème, the novel's romanticism is undercut by the ridiculousness of the characters waxing intellectual in their impoverished circumstances,
which then makes the few
moments of seriousness (such as the final scene, in
which Rodolfo's lover dies) refreshing and surprisingly
emotional in contrast.
Because of her, and with her, I am able — by
moments — to move out of my own natural larval state and experience movies not just as deliverers of entertainment, conveyors of meaning, or objects of aesthetic contemplation, but as pure fields of
emotional and sensory intensity, almost like rooms to
which one can return.»
Even in the speed in
which the «camera» flies through the WB logo in the beginning, indicates how calm things are in this
moment compared to the
emotional storm of Harry Potter and the Deathly Hallows: Part 1.
Like Jandreau, Scott is re-enacting his own story, and the
moments of them together at Lane's rehabilitation center — particularly a devastating scene in
which Brady helps Lane ride a makeshift «horse» during a therapy session — have a staggering
emotional authenticity.
Mr. Vigolando, whom indie fans will remember from films like Timecrimes, Extraterrestrial, and Open Windows, seems to derive confidence from strangeness,
which allows even the wackier
moments in Colossal to generate some unexpected
emotional responses.
This makes all the difference and it shows, especially when it comes down to the wealth of
emotional moments,
which never feel forced and are skillfully balanced with the more light - hearted, albeit always inspirational ones.
Some of that zip does begin to erode during the film's draggy second half,
which contains
moments of seriousness between the two friends when the
emotional pain of their mutual agreement begins to bubble up to the surface.
Anderson's films have long had an off - kilter balance between arcs and individual
moments, and this movie is largely tilted towards the latter: to name just one of the most piercing examples, the first flashback (of many),
which shows Spots and Atari's first meeting, has enough
emotional heft to sustain a full half of a lesser film.
Thankfully, there's a recurrent streak of black humour
which stops Green Room from getting too bogged down in the misery and
emotional (plus very physical) torture, not the least one recurrent gag
which earns the film a deep belly laugh, right at the best possible
moment.
The biggest weakness for me were the villains of the piece; Kylo Ren felt a little too Anakin for my liking and seemed more like a spoilt child prone to tantrums than an intimidating presence cut from the same cloth as Vader; this also compromises THAT
moment which should've had a lot more
emotional impact than it did.
It's a love letter to Los Angeles and while the film creates an alluring beauty to the city
which would otherwise go unnoticed, «La La Land» is grounded in an
emotional reality that lends itself to even the film's most surreal
moments.
Remaining largely faithful to Highsmith's ending,
which thrilled and shocked readers at the time with its suggestion that forbidden desires need not be forever sublimated to the status quo, «Carol» ends on a triumphant note of
emotional clarity that, for all its frozen - in - time period restraint, speaks stirringly and unmistakably to the present
moment.
In «A Company of Werewolves» (16:09), the interviews cover main casting choices, and Dee Wallace Stone explains her rather emotionally draining approach to portraying her repressed character — «living in the
moment» —
which sometimes posed challenges for the director when the next scene was an
emotional antithesis.
These
moments carry an
emotional charge,
which imprinted them firmly in my brain.
When she won the silver medal in 1952, the gold medallist, Henri Saint Cyr of Sweden, carried her from her horse, Jubilee, onto the podium,
which is considered one of the most
emotional moments in Olympic history.
And Narcisse says BioShock Infinite has one of the most important elements of a tragedy: catharsis — that
moment at the end
which Aristotle says evokes pity and fear and brings about an
emotional transformation and release.
Without wanting to spoil it, all I can say is that
emotional moments will be witnesed not long after the game starts,
which will make you care about the characters and the lore faster than most RPGs out there.
There's a blossoming romance with Meryl,
which can end in tragedy if you fail the interrogation sequence, and attempts at profound
emotional moments are valiant, even though they perhaps don't hold as much effect as they may have done before.
Being somewhat limited in my freedom to be entertained as a kid, for many years of my life, gaming served as a diverse means of escape for me away from the trappings of a mostly mundane, repetitive life, at the end of the school day I would often think to myself «alright... so what are some of the good things that I have to look forward to when I get home...», one of the first things that I would do as soon as I got home after school was play FINAL FANTASY on PlayStation, I would eagerly walk home as quickly as I could just so that I could continue playing from the part where I had last left off the day before, as pathetic as this may come across, I can confidently say that many of the happiest
moments that I have had in my life have been while being utterly enthralled by the developments in the games, I think that reminiscing about aspects of a video game with great fondness is a hallmark of an impactful form of entertainment, I would often be so «in the zone» while playing that anything aside from what was taking place on the screen would become completely null and void in my mind to the point where I forget that I was playing a video game, even though I did not live the events of the game, I can emphatise with them as if I had, that is the sort of impact that the
emotional depth of the story, the characters, the music, the design and the overall world of the series have had on me, what appeals the most to me is that FINAL FANTASY allows us the luxury of divorcing ourselves of our current reality to assume that of a world of fantasy for a precious
moment in time,
which is a sentiment that makes me wish that our world as whole had a little more «FINAL FANTASY» within it so as to make us all want to wake up as soon as possible to enjoy another day
Not only does one need a travelogue writer's skills just to describe the scene, the sense of amazement at experiencing a well - crafted virtual reality can be a very
emotional moment for
which words ought to fail.
Barrie writes: «Hockney's new work is a playful critique of the limitations of photography, that captures fascinating things a fixed perspective can never capture — multiple vanishing points, altered perspectives, different
moments of time,
emotional resonances —
which keep the eye alive.
McGinley's work vividly captures the
moments in
which the joys of freedom and youth overflow from his subjects with their certain sense of insecurity, as well as the
emotional depth of languor and sensitivity.
Whereas, Duane Michals, on the other hand, trained his philosophical interests toward more liminal in - between spaces of what he called «indecisive
moments,»
which generate ambiguous
emotional narratives that he heightened through photo sequences accompanied by his poetically personalized texts.
To Pan, the building of the canvas represents a captured
moment - a reflection of her personal,
emotional landscape -
which is reinforced with titles such as Perpetual Bliss, High & Low, and On A Quest.
Locke describes seeing the decay of these beautiful houses,
which he once dreamed of living in, as seeing his childhood fall apart — an
emotional and symbolic
moment.
«In the past, I've always tried to represent what I call the» Field»,
which for me, is the myriad of networks — whether physical, conceptual or
emotional — that make the present
moment.
Harun Farocki «s 1998 film, Worte und Spiele (Words and Games),
which has not been shown in the U.S. to date, explores the cynical machinery of reality TV
which emerged in Europe in the 1990s, and exposes the ways in
which intimate
emotional moments are turned into thrilling entertainment.
After a couple of days spent digging in their heels on the legal form of a potential deal, and then making headlines again yesterday with the release of the AOSIS (Alliance of Small Island States) draft text, Tuvalu open this morning's plenary meeting of the resumed COP with an impassioned plea,
which many observers immediately called the signature
moment of the talks thus far.In an earnest,
emotional address, lead negotiator Ian Fry called out the United States Senate and President Obama directly.
On Oct. 15 from 9 — 10:30 a.m., Kopping - Pavars, principal of NKP Law, will present «Mindfulness: Finding Clarity and Calm Amidst the Chaos,»
which will explore how understanding the impact of
emotional intelligence and mindfulness can save you from yourself, and why how you think and feel at any given
moment affects your
emotional and physical well - being.
John Gottman and his research team noted that small
moments in
which one partner turns towards (rather than away from) their partner amount to deposits into an
emotional bank account.
You may find yourself immediately thinking of certain
moments to examine — exchanges you recently had with others
which provoked an intense
emotional reaction or were particularly confusing to you.
«The current data provide preliminary support for the theory that couples build intimacy through hundreds of very ordinary, mundane
moments in
which they attempt to make
emotional connections.
Our experiential modality focuses on the here - and - now
moments in therapy sessions in
which your true relationship and
emotional patterns emerge.
She is a founder of Socio -
Emotional Relationship Therapy, an approach that attends to the micro-processes through
which couple interaction, emotion, and socio - cultural context come together in the
moment by
moment of clinical process.
Alan Fruzetti in «The High Conflict Couple» has researched high - conflict couples extensively and makes the point that when a partner's attention is reoriented to escape, that may be considered the
moment at
which what is called «
emotional dysregulation» begins.