Sentences with phrase «emotional performance from»

The first trailer for Netflix original film Tallulah is here, and it promises a stellar and emotional performance from Ellen Page, Allison Janney, and Tammy Blanchard.

The first trailer for Netflix original film Tallulah is here, and it promises a stellar and emotional performance from Ellen Page, Allison Janney, and Tammy Blanchard about different kinds of motherhood.

Reason: Director Doremus showed what he can express about the power of a relationship with Like Crazy, which garnered emotional performances from his young leads working on a very intimate canvas.

Not exact matches

BlackBerry has traditionally scored high on product performance and innovation but low of emotional connection with consumers, which has hurt its ability to rebound from its iBeating.

Piles of research over the last two decades has shown that emotional intelligence is likely the single most powerful success factor yet discovered, affecting everything from your performance at work, to your mood and the quality of your personal life.

As my Inc. colleague Justin Bariso has shown in a series of excellent articles, higher emotional intelligence (also referred to as EI or EQ) can lead to better performance, better pay, and greater overall success, can improve your relationships, and even help prevent you from being manipulated.

A recent study by University of Toronto Scarborough and Rotman School of Management professors Julie McCarthy and John Trougakos, along with Bonnie Cheng from Hong Kong Polytechnic University, found that high levels of emotional exhaustion that come from workplace anxiety can directly lead to lower job performance.

The FA Cup semi-final in 1964 at Hillsborough, the FA Cup victory at Old Trafford when Di Canio was not put off by Barthez, the Tevez goal in the final game that staved off relegation, a 4 - 2 victory in 1977 which also kept us up, the great performance from Miklosko which denied them a league title, and of course, perhaps the greatest of all, and certainly the most emotional, the last game at Upton Park, are all examples of superb memories of matches against them.

The 2004 University of California, Berkeley, Graduate Student Mental Health Survey, from the Berkeley Graduate and Professional Schools Mental Health Task Force, concluded: «Almost half of all graduate students participating in this survey reported an emotional or stress - related problem that significantly affected their well - being and / or academic performance in the last twelve months.»

They found the high levels of emotional exhaustion that come from workplace anxiety can directly lead to lower job performance.

And, she kept the elegance going strong for her second look of the night during her emotional performance of «Mighty River» from «Mudbound.»

The film's indie vibe and quirkiness prevent it from being a truly immersive experience, but the superb performances from Plummer and McGregor provide an emotional kick nevertheless.

Only Williams makes any real emotional connection: I'm not sure I'd call his performance good, but there's something fascinating about seeing the man once heralded as «the black Clark Gable» three decades removed from heartthrob status, heavy and sullen - looking, weighed down by the burdens of time and age.

His performance is marvellous, shifting effortlessly from one emotion to another as he conveys the depths of his despair and emotional suffering.

Strong entertaining performances from the cast (including the dogs) and an emotional touch turn it's typical comedic premise into a touching memorable drama.

There are plenty of talented components to this cast, and most every one of them has his or her time to shine, even such much too briefly present forces as episodes 1's Martin Sheen - who nails both Irish - American accent and depth of the good - hearted slaver who comes to find flaws in the traditions he has had to follow - and episode 3's Richard Jenkin, who effectively despicable in his audacious portrayal of a despicable radical racist who is as willing to die as he is to kill to preserve his questionable sense of order - and plenty of other people in between, from the compelling Dennis Haysbert to the charming Danny Glover, so you know that it's saying something to proclaim that leading lady Halle Berry is this series» strongest performance, delivering on powerful layers and emotional range in her engrossing portrayal of a mulatto who is trapped in society by her mixed race, and will face many unbearable hardships that will test her innocence and humanity.

The fight scenes are impressive, the straight - acting scenes less so: though he was capable of delivering a good performance, Steele often as not ran the emotional gamut from A to B. Arizona Gunfighter was one of several Steele westerns produced by A.W. Hackel for Republic release.

** out of **** «The Tree» is a perfect example of a movie that has all the necessary materials - an appealing set - up that promises emotional resonance and overwhelming warmth, a strong starring performance from a well - respected actor / actress, and an almost outlandish sense of care for the setting of choice.

That kind of emotional centre is key to the success of Crowe's films, and it works beautifully here, aided immeasurably by a wonderful performance by then - newcomer Renee Zellweger, as well as a spot - on effort from Cruise and a deliciously over-the-top innings from Cuba Gooding Jr..

It's no surprise that the versatile Vallee, who recently directed two Oscar - winning performances in «Dallas Buyers Club,» has elicited from Witherspoon an intensely committed turn that, in its blend of grit, vulnerability, physical bravery and emotional immediacy, represents easily her most affecting and substantial work in the nine years since «Walk the Line.»

Directed by Academy Award ® nominee Stephen Frears (The Queen, Philomena), this emotional film features stunning and witty performances from Academy Award ® winner Judi Dench (Shakespeare In Love, Philomena), Ali Fazal (Furious 7), Eddie Izzard (Ocean's Twelve, Ocean's Thirteen), Addel Akhtar (The Dictator, The Big Sick) and Michael Gambon (Harry Potter franchise).

It has incredible performances from Martin, Bernadette Peters and Christopher Walken, features some impressive song and dance sequences, and really hits the emotional core of broken dreams.

Willem Dafoe's kind - hearted performance in The Florida Project joins more menacing turns from Barry Keoghan (The Killing of a Sacred Deer), Sam Rockwell (Three Billboards...), Michael Shannon (The Shape of Water), and an emotional turn from Patrick Stewart (Logan) in the Best Supporting Actor category.

Tony Kaye's film about America's failing school system isn't subtle, but it has a fierce emotional punch and he draws knockout performances from his eclectic cast.

There's something electric about watching go - for - broke performances such as these, a sort of contact high emanating from the emotional extremes onscreen.

Instead he manages to distract from Elizabeth Olsen's stellar performance and detach the viewer from the emotional content or a genuine understanding of a well developed character.

The final piece of the puzzle is arguably Aaron Eckhart's finest screen performance in many years; quite apart from the attention - courting bald spot and weight gain, his depiction of trainer Kevin Rooney (also the man who trained Mike Tyson) is a consummately believable and sympathetic one, enjoying salty and bromantic chemistry with Teller that adds frequent laughs to the movie's more emotional moments.

Its uplifting story arc may be formulaic but the strength and honesty of the performances give it surprising emotional heft — especially from Damon as a troubled math genius in the role that marked his arrival as a major, serious actor.

The film seems to live up to its «cultural phenomenon» praise as a visual masterpiece, with an emotional story arc, women empowerment, social and political issues, and Oscar - worthy performances especially from Michael B. Jordan's Erik Killmanger.

This type of music can be described as sentimental ballads, blending an almost lounge - like vocal performance with emotional themes, stemming from love, loss, death, and other hardships.

But the film's greatest strength lies in its emphasis on women and their relationships, with a sublime performance from Winslet that invests immense emotional grit into Sabine, a woman struggling with her own personal demons.

Emily Blunt, whose central performance provided the emotional core of Sicario, is likewise missing from the line - up.

But for all the heartbreak that pumps through it, Kenneth Lonergan's ambitious third feature isn't some miserable slog: Anchored by a career - best performance from Affleck, who achieves the herculean feat of making emotional unavailability compelling, Manchester By The Sea is often as flat - out funny as it is wrenching.

From Lady Gaga's emotional performance to Chris Rock's tone - deaf Asian joke, ABC's live broadcast of the 88th Academy Awards ran the gamut

Though the narrative requires much more from the viewer than one would like, I can applaud the artistic and emotional value beset by the writer / director along with outstanding performances from newcomer Hunter McCracken, Brad Pitt, and Jessica Chastain.

Overall, Battle of the Sexes is a wishy - washy emotional drama injected with some quality humor, stale sports tropes and unconvincing performances, not only from Stone but the ensemble as well.

Trust's script, by Andy Bellin and Robert Festinger, pulls no punches and director Schwimmer elicits uniformly excellent performances from his cast, but even as we follow the emotional heart of the story — and realize that rape may not be the worst thing that's happened to Annie.

While this relentless pacing keeps things enjoyable on a narrative level, it limits our emotional connection to James and Rose despite committed performances from Nathan and Angourie.

The ceremony reached its emotional peak with Common and John Legend's performance of the night's winning song, «Glory,» from Ava DuVernay's criminally snubbed «Selma» (the shot of a tearful David Oyelowo, who played Martin Luther King, Jr., applauding the performers, was unforgettable).

In particular, Lawrence takes conscious steps away from the pared - down intensity she brought to her excellent troubled - teen performances in The Hunger Games and Winter's Bone, and transitions toward playing a grown woman in conflict, even though her emotional problems sometimes make her act like a teenager.

We've got much more piss your pants one liners and forth wall breaking tomfoolery from Wade, it's sweet sensitive and extremely emotional in parts (not since the finale of T2 have I sobbed so much), the OTT action and gore makes a hatchet fight in a Butcher shop look clean in comparison with moments to make hardcore Gore - Geeks give a huge hooray, the cringe worthy «oh no he didn't» moments are rife, there's a touching subplot about what it really means to be Family and also we are treated to an array of colorful supporting characters including an excellent turn from Josh Brolin as futuristic super soldier «Cable», a wonderful performance from upcoming young talented star Julian Dennison (hunt for the wilder people), the obligatory Hugh Jackman cameo and a mega hard Super Villain who makes his previous onscreen incarnation seem like Vinny Jones in a giant penis suit... Oh wait!

The contrast between the incredibly physical presence of Ali and the emotional struggles that Stephanie faces when her physicality is taken away from her is poignant, and both actors deliver phenomenal performances.

Bolstered by Emma Stone's gracefully layered performance, the film's emotional connection comes from King's dueling inner conflicts: the responsibility of carrying the women's game forward and her growing attraction to the tour hairdresser (an excellent Andrea Riseborough).

A beautiful homage to cinema, its moral is far from subtle, but Sally Hawkins's wonderful performance raises it from cute oddity to emotional journey.

The Italian filmmaker relied on borrowed works from modern classical composer John Adams to determine the ebbing dramatic tension of 2009's I Am Love, while 2015's A Bigger Splash, which centers on the relationship between a fictional rock singer and her mercurial former lover and record producer, climaxes with an electric, lip - syncing performance of the Rolling Stones's «Emotional Rescue.»

Between the outstanding performances from Teller and Simmons, a winning script, and an inbred set of emotional stakes, Whiplash drums up a jaw dropping finale that'll have the musically indifferent just as cheerfully mystified as lifelong aficionados.

It's a perfect comedy with biting dialogue and pitch - perfect performances from the likes of Josh Hamilton, Chris Eigeman, and Parker Posey, and a hilarious take on the stunted emotional growth of a group of friends who can't quite move on from college.

That tidy psychological construct is reinforced by fine performances from the Swedish - born Icelandic actor Sverrir Gudnason, whose brooding affect captures the machine - like precision and emotional containment that defined Borg's behavior on (and mostly off) the court, and from Stellan Skarsgard as Borg's long - suffering coach, Lennart Bergelin.

Researchers found friendships do improve workers» job performance reviews but they also detract from performance — leading to emotional exhaustion.

Michael B. Jordan and Sylvester Stallone are both excellent in their roles, especially the latter, who delivers his finest work in years with a subtler, more emotional performance than we're used to seeing from the actor.