Sentences with phrase «emotional scene feels»

He has more than enough charisma to hold it together, even if his one big emotional scene feels a bit, well, stony.

Not exact matches

She has also helped me evade detection by grabbing me and kissing me, in public, in a fashion that causes passerby's to feel embarrassment at the thought of staring and by creating emotional scenes that cause the curious to momentarily forget what they were looking for.

Some patients in the study felt that police were acting in their best interest by offering security at the scene of an injury, providing emotional support, and expediting hospital transport.

Just because we feel no pain does not mean we do not suffer emotional distress while sorting out the arms and legs after a scene of carnage.

This delight leads to tragedy (see: the predictable holiday on the beach scene, where Annie cavorts without properly warm clothing, apparently leading to her illness, a scene that is collapsed into parents» feelings of overwhelming guilt), a logic that is profoundly emotional, and hard to reconcile with religious faith (Innes offers up the explanation that «God works in mysterious ways»).

Broken Age tries to end on a heartwarming final scene, but its an ending that it doesn't feel like the game earned, with Act 2's stagnant characters never maturing or developing in any way that would give the scene the emotional weight it seems to think it evokes.

The Sakaar scenes feel like a natural extension of Waititi's work thus far, from Flight of the Conchords to What We Do in the Shadows and Hunt for the Wilderpeople — whimsy, with a healthy dash of emotional resonance.

Everything else, including a big brunt of the scenes that were meant to give the film emotional gravitas, feel trite and sometimes forced.

It's all on the page in terms of dialogue, but the deer scene, for instance, or the scene on the phone near the end, were the moments where I felt she's allowed to be more emotional than anywhere else in the film.

Sometimes you can cut one scene and the scene plays out great, when you see that scene on its own, but when you see the scene strung together with the whole movie suddenly the scene feels ultra long or feels incomplete or you feel like you don't want that emotional payoff at that point of the film.

Crowe's journalistic eye shines through the scenes set in the sports world, which feel firmly drawn from life, but his emotional sensitivity shines through in the more personal scenes, which are far more perceptive and complex than the much - repeated catchphrases.

«Emotional detachment is valued above all else in the Jedi Order,» Pop Culture Detective points out, showing scene after scene in which Jedis push the suppression of feelings as the way to be stable and successful, while fear of loss / love / pain / anger are the paths that lead directly to the Dark Side.

But what helps every emotional scene stay afloat is the score by Son Lux; reflective, longing with sad guitar drones that feel like cherished memories scattered like autumnal leaves in the wind — we'd argue the score is the movie's unsung MVP.

And yet... I felt little emotional connection with John throughout this rather overlong film until the final scene.

He is a master conductor who plays scenes like symphonies of feelings, continuing long past the narrative point has been established to express the emotional intensity of the characters and situations, and to add moments of pure grace to the mighty drama.

There is plenty of nudity and scenes of sexuality but it is less explicit than many pay cable shows and it is all in service of the exploration of human sexuality: the boundaries of what we consider «normal» and acceptable, feelings of shame and fear, and the emotional complications that sex brings to a relationship.

Laura Linney is the only actor who feels like she doesn't belong, stuck in a thankless role as Sully's wife Lorraine, whose few scenes with Hanks over the phone lack the emotional oomph that was intended.

I wanted at least one or two scenes where I felt an emotional punch in the gut but never got it.

Shaky handheld camerawork during raucous party scenes and an overwrought emotional score feel too prescriptive, and although there are a number of pithy one - liners that might raise a titter, it lacks the wit which made Wilde the toast of London in his prime.

There are a few scenes that feel quite abrupt, namely the Hunger Games opening ceremony which isn't allotted enough time to show all the tributes» outfits, but overall, the film is wildly successful in terms of presenting the material in an understandable and emotional fashion.

Dayton and Faris honor the feel of 1973 by shooting on anamorphic 35 mm film, even if handheld lensing during emotional scenes gives things a more contemporary edge.

Blanchett is also strong, though she's given a boatload of showy scenes, and especially towards the end as we watch Mapes become an emotional mess, I felt like I was watching an encore «Blue Jasmine» performance.

Their film features perhaps the first action scene we've ever seen where we cared more about what was happening in a character's relationship than how many kills he was about to rack up — and then, once it was done, felt simultaneously exhilarated by the visceral power of what was happening immediately, and the emotional stakes of what that set piece took him (and us) away from.

It's not only in performances that the film feels stuck between genres; discounting a handful of choice scenes, by the film's end we're left with many unexplored emotional avenues that serve only to reinforce the film's stuntedness in that regard.3

Bates lights up her scenes, feisty yet down - to - earth, and has one emotional crescendo that feels like it belongs in another movie.

Highly emotional scenes are subdued, sometimes agonizingly, as the players do what they can to keep their composure, not wanting to expose themselves to letting others see just how wrought they are over what they are feeling.

The ending contains an intended feel - good scene with one of the above women that I will not spoil, except the execution is flat with no emotional resonance.

Sutter goes for the emotional gut punch one time too many in a scene the feels a little too manipulative in trying to make the audience grab for their Kleenex yet again.

Setting descriptions and prose must be simplified — Getting straight to the bare emotional elements of a scene or a story will stick with readers and provide them with a solid reading experience, without making them feel that the writing is too sparse.

These scenes feel special because it's in these moments that we get to see the emotional side of the characters.

on The Other Side of the Story with Janice Hardy Helpful Books for the Writing Process by Michelle Ule on Books & Such Literary Agency blog 3 Tips for Writing Heavy Emotional Scenes by Jami Gold Don't Cheat the Reader by Sally Apokedak on Novel Rocket How to Infuse Your Writing with Nostalgia by Frank Angelone on Copyblogger The Secrets Behind Buried Dialogue: Part One and Part Two by Lynette Labelle Crafting Multi-Layered Characters by Marissa Graff on Adventures in YA & Children's Publishing Writing Futuristic Fiction in (What Feels Like) a Science Fiction World by Imogen Howson on Pub (lishing) Crawl How to Spot Mary Sue in Your Writing by Ava Jae Taking the Road Less Taken (With Your Characters), guest post by Kristen Callihan on The Other Side of the Story with Janice Hardy The Ending Debate: Make Mine Hopeful by Marcy Kennedy Unusual Inspiration: Character Arcs Made Easy by Fae Rowen on The Writers In the Storm Blog 25 Things You Should Know About Writing Sex by Chuck Wendig Writing Craft: Action vs. Active Openings to Grab Attention by Kristin Nelson Writing Craft: Mechanics vs. Spark by Kristin Nelson on Pub Rants Writing Craft: Breaking the Rule: Show Don't Tell by Kristin Nelson on Pub Rants Give Characters Interesting Anecdotes by Mooderino on Moody Writing

There are certainly other notes that we're trying to hit as well, and the reason we did this is always to allow the player to experience that emotion — to give them a chance to hook into the emotional tone of this scene and react to it and feel like they want to accomplish something in the game as a result.»

It could even be said that this scene may be responsible for many teens realising they have emotional feelings, and that Kleenex can also be used to wipe away tears.

Game Features; — Compelling Adventure: A narrative adventure through love, life, and loss, following the explorations of orphans Scarlett and Finn — Emotional Journey: A striking psychological adventure that is part coming of age story, part personification of the tightly - wound forces of sibling bonds, and part exploration of the deeply - rooted effects of sorrow and loss — Puzzle Exploration: Context - driven puzzles engage the intellect while the story captivates emotions — Gorgeous Visuals: Scarlett's journey comes alive in every scene with lush scenery, vivid effects, unique characters, and a lovingly hand - crafted feel — Strong Pedigree: Created by veterans of Disney Black Rock Studio & the writer of The Room — Game as Art: Mysterious & surreal elements emerge, with interpretation left to the player

I'm struggling to think of a previous time when a game has genuinely affected me on an emotional level, but The Walking Dead's final scene was so masterfully crafted that I couldn't help but feel a little moved by it.

That's not to say that Uncles don't love their nieces and nephews dearly, but the way Ubi's writing team setup many of the emotional scenes it always felt like Aiden was more than just an Uncle or a Brother to his Sister Nikki and her kids.

Remaining defiantly figurative despite an art scene that swung increasingly toward abstraction, and choosing as his subjects those places and homes to which he felt most deeply connected, Porter produced a body of work of tremendous personal significance and emotional power.