Sentences with phrase «emotional scene from»

Julia Roberts and Chiwetel Ejiofor were papped while shooting an emotional scene from The Secret In Their Eyes yesterday in LA.

In this clip Academy Awards winners Nicole Kidman and Dianne Wiest bring a warm sense of humor and levity to an emotional scene from the film.

Not exact matches

The emotional scene at the Capitol came on a day when more than 100 more students from the school were headed to Tallahassee by bus to meet with Gov. Rick Scott, Attorney General Pam Bondi and legislative leaders.

On Rosemary Avenue, the scene is similar; a school for kids with learning, social and emotional needs sits less than a mile from where the sex offenders now reside.

One of the most impactful scenes comes from Kate (Chrissy Metz) who, still having not processed her own father's death, is the most emotional at William's funeral.

Chances are, he's still an emotional wreck from the breakup and has no idea how to get back into the dating scene.

Those dance scenes have an expressive power, an emotional charge and a kinetic energy that's mostly absent elsewhere in Jose Padilha's superfluous retread of the daring 1976 raid by Israeli counterterrorist forces to rescue 102 hostages from a hijacked Air France flight out of Tel Aviv.

The fight scenes are impressive, the straight - acting scenes less so: though he was capable of delivering a good performance, Steele often as not ran the emotional gamut from A to B. Arizona Gunfighter was one of several Steele westerns produced by A.W. Hackel for Republic release.

And Naomie Harris» eventual sidekick Kate has an emotional back story that's designed to make her more accessible but really just falls flat — a scene between the two when they share their pasts, including when Davis found George and saved him from poachers, is embarrassingly mishandled.

The Sakaar scenes feel like a natural extension of Waititi's work thus far, from Flight of the Conchords to What We Do in the Shadows and Hunt for the Wilderpeople — whimsy, with a healthy dash of emotional resonance.

While the school - wreck scenario invites self - aware satire echoing scenes from Titanic to The Poseidon Adventure, the emotional trauma of adolescence receives more thoughtful treatment thanks in large part to the distinct timbre of vocal talents, including Jason Schwartzman, Lena Dunham, Reggie Watts and, as sage Lunch Lady Lorraine, Susan Sarandon.

Moretz ends up going on a rampage for the climax like the Dark Phoenix from X-Men: The Last Stand with arms held out and eyes in «looks could kill» mode, but lacks the emotional resonance of Spacek's trance - like turn, in which her powers unleashed came as a shock, but with an overriding sense of tragedy; Moretz is shown practicing her skills extensively during several scenes, which makes her revenge seem much more calculated and evil.

Crowe's journalistic eye shines through the scenes set in the sports world, which feel firmly drawn from life, but his emotional sensitivity shines through in the more personal scenes, which are far more perceptive and complex than the much - repeated catchphrases.

20th Century Fox released a new behind the scenes featurette for Céline Dion's «Ashes,» the emotional song and music video from the DEADPOOL 2 official soundtrack.

Now, a behind - the - scenes clip has emerged from the film's home release showing Hamill getting emotional seeing Frank Oz doing voice work with the Yoda puppet once more.

Cage reveals the same general desire to be taken seriously as an actor again here that was already on display in the recent «Joe» and «The Dying of the Light,» right from an early scene in which his Colin Pryce makes an emotional testimony before Congress about the impact of the BP spill on local fishermen and tourist business.

Dayton and Faris handle their burgeoning relationship, including a sex scene, free of exploitation or voyeurism, instead focusing on their growing emotional intimacy, an intimacy Jack — the odd man out who's treated with sensitivity and empathy — watches from a distance, acknowledging their relationship initially as «just a phase,» before painfully accepting that Billie's ultimate happiness means an end to their marriage.

While the battle scenes can only be viewed as impressive from a visual standpoint, where the film finally shows its fatal flaw is in the utter lack of emotional grip, as characters live, love and die, and yet no tears are shed among a viewing audience despite following these hearty heroes for over eight total hours of film time.

On paper, the jump from an emotional funeral scene to a frantic attempt at shower sex during a party might seem like a shock of humour, but on - screen, it's rather unbalanced.

The huge fuzzy focused landscapes that surround sharp extreme close ups detach the viewer from the emotional content, as if one we're to watch the scene through a pinhole camera.

The color pallet takes center stage as it categorizes emotional flexibility from one scene to another.

He is energetic and fun as you would expect from the role, but shows a lot of emotional depth during several powerful scenes between Lumpy and Ramsey.

We'd be foolish not to give some sort of shout out to other terrific scenes throughout the year, like the hilarious funeral sequence in Li» l Quinquin, which had us doubled over from laughter; both the border crossing and night vision sequences in Sicario; the ending of Carol, which should get an emotional response out of even the coldest souls; the opening long take in Buzzard, a painfully funny experience much like Entertainment; the bonkers final act of Jauja; a scorching scene from The Fool where the town mayor lays into her corrupt staff; everything that happens at Mamie Claire's house in Mistress America; the intense argument between Gerard Depardieu and Jacqueline Bissett in Welcome to New York; the tightrope sequence in The Walk, and much, much more.

For fans of the TV show Lost, the influence of Director J.J. Abrams is apparent right from the start, with an emotional opening scene depicting George Kirk (Chris Hemsworth in a career - launching cameo for the future Thor) fighting to save 800 passengers aboard the U.S.S. Kelvin from a vicious attack by a renegade Romulan Nero (Eric Bana, Hulk).

It's not so oppressively dark so as to render the comedic scenes in bad taste, and it's also not so outlandish that it detracts from the emotional weight of the more dramatic scenes.

One important moment late (sorry, major spoiler if I were to reveal it) in the film is handled very well by Yates from a cinematic point of view, but it curiously is not as emotional in punch as the scene would merit.

Their film features perhaps the first action scene we've ever seen where we cared more about what was happening in a character's relationship than how many kills he was about to rack up — and then, once it was done, felt simultaneously exhilarated by the visceral power of what was happening immediately, and the emotional stakes of what that set piece took him (and us) away from.

Their arcs are too blunt at times and wishy - washy at others, but both actors have the parts down so well that they manage to sell just about everything from the amusing banter to some particularly intense emotional scenes.

It is Bilbo that must awaken him from this stupor of sorts, and though it is done in a frustratingly superficial manner, both Martin Freeman and Richard Armitage bring enough emotional gravitas to their characters to create a truly heartwarming scene.

In a now iconic scene from Magnolia, the disparate cast are seen spontaneously singing along to Aimee Mann's Wise Up, while Punch - Drunk Love (still my favourite Anderson film) finds Adam Sandler picking his way through the wreckage of his emotional life with the aid of a mysterious harmonium.

Every single one of us should be praising the complexity with which Dee fights against and humanizes Scott's movin» - on - up reductivism (that slapping scene, a scorching evocation of a mother marking her territory and asserting her right to be heard, is of a volatile emotional tenor only Tilda Swinton comes close to achieving), but the almost racist rumblings echoing from certain circles suggest that Dee's miniscule screen time is not just a point of contention but a point of active resentment (must be all those size queens rallying behind Blanchett), and may work against her and the traction she picked up since her SAG victory.

From BB - 8's origins to Daisy Ridley's favorite «emotional» scenes, our takeaways from visiting a galaxy far, far From BB - 8's origins to Daisy Ridley's favorite «emotional» scenes, our takeaways from visiting a galaxy far, far from visiting a galaxy far, far away

Mistress America is a far more energetic ride, lurching from scene to disconnected scene without too much fear of coherence, and cramming in a year's worth of emotional development into a timeline that only spans a few weeks.

Though she appears in the fewest scenes, Isabelle Huppert provides the movie with its emotional foundation, playing acclaimed war photographer Isabelle Reed, who ironically dies in an upstate car accident after retiring from the frontlines before the movie begins.

In the haunting triptych of fragility and identity Moonlight, she is Teresa, the drug dealer's girlfriend with a consoling heart and keen emotional radar; in Hidden Figures, she's Mary, the youngest member of a trio of unsung female African - American mathematicians working behind the scenes at NASA to keep John Glenn's Mercury capsule from collapsing like a soda can on launch and re-entry.

We believe and empathize with Mary Elizabeth Winstead when she's upset often as she's a good actress that can sell a scene, but we don't always believe the situation or the sequence that got her from emotional point A to B. And this obviously hurts the movie and the viewer's engagement in it, and that's not all.

It the idea of taking short performance piece and gradually «Brechtifying» it by adding more elements designed to distance the audience from the emotional content of the scene.

This executive video for policymakers and district leaders includes scenes from THE PRINCIPAL STORY, an hour - long documentary that follows two school leaders — novice principal Tresa D. Dunbar of Henry H. Nash Elementary School in Chicago and veteran principal Kerry Purcell of Harvard Park Elementary School in Springfield, Illinois — through an intimate and emotional one - year journey.

I asked her about her characters, her writing process and the emotional repercussions of writing viscerally painful scenes... but what I was really interested in was when we'll be hearing from her again.

Whether it's physical (the protagonist is running from a barrage of bullets), mental (he's figuring out a mathematical problem that will bring him closer to resolution), or emotional (the journey or obstacle is causing emotional upheaval), every scene needs to let the reader think the protagonist is trying to answer the current question or overcome the current problem.

Truth be told the quality of both the writing and main narrative thread is all over the place, bouncing madly from genuinely beautifully written moments with emotional impact and outstanding twists sure to leave you with your jaw on the floor to scenes with clumsy dialogue and ideas that just didn't work out as well as I would have liked, though exactly how much of this inconsistency can be put down to translation issues is hard to judge.

Two important scenes strike me as just needing more time given over to them, and instead they came across as rushed, losing some of the emotional impact from an important reveal and damaging the aftermath of an otherwise shocking moment.

Danai Gurira who brought Michonne to life on the TV series did not reprise her role in the game, therefore Michonne is voiced by Samira Wiley who has starred in Orange is the New Black and The Handmaid's Tale delivers a stunning performance that can range from light - hearted dialogue with Pete to action and even emotional scenes when Michonne hallucinates about those who she has lost which provides a guaranteed emotional response from the player, while Malik Yoba voices Pete who made his debut as Yul Brenner in Cool Runnings followed by Detective Carson in Cop Land and TV series such as New York Undercover, Alphas and Empire.

Danai Gurira who brought Michonne to life on the television series has not reprised her role in the game, therefore Michonne is voiced by Samira Wiley who has starred in Orange is the New Black who delivers a stunning performance that can range from light - hearted dialogue with Pete to action and even emotional scenes when Michonne hallucinates about those who she has lost which provides a guaranteed emotional response from the player.

She bravely faces down and deflects the powerful evil spirit from the Bottom of the Well in a memorable (and kind of emotional) scene, but that pales in comparison to the moment she reveals herself as Princess Zelda in disguise.

The now - notorious «stroggification» cut - scene, in which you watch as your body falls under a gruesome butcher's knife, is one of the single most disturbing scenes I've ever seen in a game, and the mangled and tortured bodies attached to walls, hanging from hooks, and spewing out of machines as you make your way through the game give Quake 4 more of an emotional impact than anyone has a right to expect.

These artworks range from romantic depictions of the South's agricultural history to scenes of African - American life that address themes including social justice, emotional response to place, and rural decay and degradation.

Patricia Albers's new biography of Joan Mitchell, Lady Painter, follows the artist from her privileged, WASPy Chicago upbringing through her tempestuous years on the 10th Street scene to her time spent in France, where she would face a gradual physical and emotional decline but probably achieved her most lasting artistic triumphs.

By protracting the individual frames from the original scene, Arnold exposed the performative gestures and emotional cues that lay hidden in the actors» choreography.

Their work is super intimate and deals with domestic scenes where the figures are integrated into their environment, and that's where the emotional or psychological charge of the paintings come from.