Sentences with phrase «emotional scene so»

But Basinger, who worked with Hanson previously on L. A. Confidential, acquits herself perfectly well, consciously and deliberately downplaying even her most emotional scene so that Rabbit's story and experience is always in the foreground.

Not exact matches

So there are plot twists and several good scenes (I particularly love how Sartet and Samuel break into the police station to get an incriminating video on a USB), but it is all on one emotional level.

The fight scenes are impressive, the straight - acting scenes less so: though he was capable of delivering a good performance, Steele often as not ran the emotional gamut from A to B. Arizona Gunfighter was one of several Steele westerns produced by A.W. Hackel for Republic release.

That scene is so brazenly powerful that in retrospect it made me wish the main character had gone on a journey with more emotional gradations.

Powell gives the scene terrible beauty — the wind whips the cabin, the fire flickers around his face, the clouds have a texture so palpable they look like you could step out into the sky and walk to heaven on them — and an emotional power to match.

Suffice to say that there's a thrilling large - scale battle scene, and a lot of slightly less - large - scale ones, and that the film's final 15 minutes or so have a genuine, unexpected emotional resonance.

The movie's utter watchability despite its linearity — and its subjects» dialogue being so inscrutable to Yankee ears — attests to Nolan's ability to make his audience elicit the same extreme emotional reactions to, say, a scene of a few hundred anonymous soldiers slowly responding to the impending barrage of German bombers as they did to Astronaut McConaughey outliving his family on Earth.

Silver Lining Playbook highlighted his ability to find greatness in depth as there are so many wide shots that capture amazingly emotional scenes.

The scene later, when Michelle is trying to articulate her dissatisfaction to Tina, is the episode's key moment however and it works so well — despite the sexually dissatisfied spouse being almost a cliché — because of its emotional nuance.

Other directors may have attempted to go for sticky emotional scenes, a la Wedding Crashers, to make their point, but Showalter, here in his feature - length directorial debut, has a maturity to suggest he could become a solid comedy director, if he so chooses to take that path in the future.

-- Nora was better this week, her scenes had some emotional weight and depth that she so sorely lacked in previous weeks.

By the time the characters and audience have arrived at this scene, so much emotional turmoil has been quietly digested.

It's not so oppressively dark so as to render the comedic scenes in bad taste, and it's also not so outlandish that it detracts from the emotional weight of the more dramatic scenes.

Another frustration within the film is constantly missed opportunities to pack emotional punches and the film miscues moments far too often with only a scene between Bale and Saldana at a bridge encounter showcasing the emotional heft needed to do so.

Their arcs are too blunt at times and wishy - washy at others, but both actors have the parts down so well that they manage to sell just about everything from the amusing banter to some particularly intense emotional scenes.

What is surprising about her direction is the emotional power she is able to pack into some scenes, especially the climax and the surprisingly moving final shot — in the hands of a less assured director, it could have been a simple, routine embrace, but in Bigelow's hands, it is so much more.

wait, a spider man film with a gwen stacy scene so emotional that you had to walk out.

There's one scene in particular, after Randy officially retires to take a job behind the deli counter at the supermarket, that is so telling of his emotional journey that it doesn't even matter that you already know how it's going to end.

To create a powerful emotional experience and also give the player a lot of freedom is kind of challenging and so what we wanted to do was not try to recreate the film scene for scene, but try to recreate the life that these guys are living.

On the one hand it's nice to get back to a simpler time when things could be as easy as just blasting monsters to bits without having to worry about whether it was morally correct do so or having to witness an emotional scene with the dead monsters family crying over its grave.

I'm struggling to think of a previous time when a game has genuinely affected me on an emotional level, but The Walking Dead's final scene was so masterfully crafted that I couldn't help but feel a little moved by it.

So for the cutscenes, if the scenes signaled an emotional turn for Aloy, her voice and permutations of Aloy's Theme (as heard on the main menu) seemed like a good choice.

Every so often, you're treated to a scene of her striking one of her signature poses as the visor on her helmet flashes to life automatically, as if in response to her heightened emotional state.