Sentences with phrase «emotional scenes in»

* wink wink * And what you have found on the other side is absolutely amazing and totally usable for your fiction and you are raring to jump to the BIG emotional scenes in your novel and write write write!

She was then able to get the word «shite» past the censors but they then decided to bleep out her joke about throwing a Molotov cocktail, a reference to one of the most emotional scenes in the film which also won Best Picture — Drama.

In an instant, all the moaning about their contribution, place in the team, lack of end product, taking squad places, hindering the rebuild, etc., disappeared, and was replaced with an enormous outpouring of good will that manifested in incredibly emotional scenes in their final three games.

Rachel McAdams is convinced Benedict Cumberbatch is her lucky charm after she was able to cry on cue for an emotional scene in Doctor Strange.

Consider a headline (that identifies the reader's problem in non-fiction, for example), or sets the emotional scene in fiction.

In my whole gaming life, however, the most emotional scene in any video game was Celes» suicide attempt in Final Fantasy VI.

Not exact matches

She has also helped me evade detection by grabbing me and kissing me, in public, in a fashion that causes passerby's to feel embarrassment at the thought of staring and by creating emotional scenes that cause the curious to momentarily forget what they were looking for.

Effective preaching reflects the minister's open receptivity to those life scenes which are noticeably emotional in flavor but which constitute memorable and important stations along the way most people travel.

The performers cried in each others arms backstage following each emotional burial scene bringing the sequence to a close.

Tom Watson made an emotional farewell, starting with a standing ovation on the first tee and finishing in the darkness of a poignant scene around the 18th green.

Amid emotional scenes at the makeshift courtroom in Warrington, northern England, when the conclusion of unlawful killing was revealed — almost 27 years to the day since the disaster struck — families who always suspected wrongdoing by the authorities hugged each other in the public gallery while outside a spontaneous chorus of «You'll Never Walk Alone», the Liverpool anthem, was sung.

A fairy - tale first winner at Leopardstown Christmas Festival brought jubilant and emotional scenes by the track and in the winner's enclosure afterwar -LRB-...)

Gilberto Nunez sits expressionless in Ulster County Court this week as a emergency medical responder on the scene when Thomas Kolman's body was found in his car describes Nunez's emotional reaction at the scene.

[On the other hand] we see more amygdala involvement when you say, «Yeah, I really remember it in a lot of detail» if it's an emotional scene.

We see a difference in brain regions for emotional versus neutral scenes.

Some patients in the study felt that police were acting in their best interest by offering security at the scene of an injury, providing emotional support, and expediting hospital transport.

In the opening scene of the 1982 film Blade Runner, an interrogator asks an android named Leon questions «designed to provoke an emotional response.»

In both age groups, a nap soon after encoding scenes that contained a negative or neutral object on a neutral background led to superior retention of memory for emotional objects at the expense of memory for the neutral backgrounds.

One thing that I noticed is when I do my work and look at my lines and kind of dissect and find the emotional parts in the scene, I go through it a couple of times in the night before and in the morning and when I get to work often times over the last year I found that it just there, it's there and it's at my beck and call.

To the people saying the story sucks, it doesn't at all and even gets strongly emotional when you are forced to do something terribly heart breaking late in the game, now that is a gripping and sad emotional moment granted it doesn't last long enough but it is better story and more emotional than anything in halo or gears and that is one scene on a handheld!

It is just as indispensible as the other Metal Gear games and the final scenes leading up to, and including, the final boss battle are some of the most well - designed, emotional and memorable scenes in a videogame.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

At only 84 minutes, it never bogs down with needless seriousness or scenes of emotional schmaltz, always seeking to keep audiences smiling with sight gags, allusions that are actually clever, and choice bits of music that accentuates the action instead of just being shoehorned in to hock soundtracks.

Bell carries her weight in the emotional scenes and the battles, and Wilson proves (as he occasionally has) that he can do more than be a laid - back comic foil.

And when the film slows down to take an emotional beat, those are perfectly handled too, with one scene in particular that should have the entire audience wiping away a tear.

By the the last scene fades, you are immersed in the inside emotional world of the characters.

This delight leads to tragedy (see: the predictable holiday on the beach scene, where Annie cavorts without properly warm clothing, apparently leading to her illness, a scene that is collapsed into parents» feelings of overwhelming guilt), a logic that is profoundly emotional, and hard to reconcile with religious faith (Innes offers up the explanation that «God works in mysterious ways»).

''... it results in an emotional, well - acted scene between Liev Schreiber and Jon Voight (which are always the best scenes in the show).»

Those dance scenes have an expressive power, an emotional charge and a kinetic energy that's mostly absent elsewhere in Jose Padilha's superfluous retread of the daring 1976 raid by Israeli counterterrorist forces to rescue 102 hostages from a hijacked Air France flight out of Tel Aviv.

Portman's big scene and the most emotional moment in the movie comes during that shock - reunion.

But Basinger, who worked with Hanson previously on L. A. Confidential, acquits herself perfectly well, consciously and deliberately downplaying even her most emotional scene so that Rabbit's story and experience is always in the foreground.

Despite a warmly interacting cast that includes Jennifer Ehle as Emily's sister and Keith Carradine as her lion - maned, lionized father, and a valiant effort on the part of Nixon and Davies to externalize the poet's inner demons in emotional, high - tension scenes, the film can't escape an underlying static quality that extinguishes the flame before it can get burning.

Broken Age tries to end on a heartwarming final scene, but its an ending that it doesn't feel like the game earned, with Act 2's stagnant characters never maturing or developing in any way that would give the scene the emotional weight it seems to think it evokes.

That scene is so brazenly powerful that in retrospect it made me wish the main character had gone on a journey with more emotional gradations.

The scene is as mammoth as it is legendary, and in terms of sheer emotional potency and cinematic prowess nothing else in Saving Private Ryan can touch it.

This scene could have been an emotional window into Lebowski's soul, but all such connotations are ruined by the Dude in all his stonerdom.

She's alternately kickass and vulnerable, doing as well with fight scenes as she does with ones that have her whimpering in physical and emotional pain.

The Sakaar scenes feel like a natural extension of Waititi's work thus far, from Flight of the Conchords to What We Do in the Shadows and Hunt for the Wilderpeople — whimsy, with a healthy dash of emotional resonance.

The emotional beats are right on cue - although this can be called into question slightly in the closing minutes of the movie - and the action scenes are visceral, real and are actually incredibly scary for a PG - 13 movie.

You don't need to be involved in the jazz scene or have an understanding of drumming for the movie's core theme to connect; music is simply the vessel to drive home one of the most emotional and awe - inspiring films of the past decade.

However, that emotional intensity is completely erased in the film's final half hour, which is devoted to typical courtroom scenes that provide none of the power of what we just endured.

«Robin Campillo did an amazing job balancing the emotional romance and the tactical behind the scenes of how Act Up communicated to Paris in the «90s.

Murray, Goodman, Dujardin and Balaban are wasted in roles that could have been played by anyone, and while Bonneville gets a decent little arc, even his big emotional scene is undercut by Clooney's questionable direction.

Composer Howard Shore, who won an Oscar for the first film, again provides an elegant score befitting an epic, with haunting soulfulness in emotional scenes.

By merely being the anchor in a handful of scenes, Dern gives this teen romance a larger emotional context because she shows us the other face of love — the one that is not romantic, but crushingly tender and endlessly selfless.

It's never a good sign when fright scenes and emotional high points prompt sniggers in the theatre.

While the school - wreck scenario invites self - aware satire echoing scenes from Titanic to The Poseidon Adventure, the emotional trauma of adolescence receives more thoughtful treatment thanks in large part to the distinct timbre of vocal talents, including Jason Schwartzman, Lena Dunham, Reggie Watts and, as sage Lunch Lady Lorraine, Susan Sarandon.

There's a genuine emotional heft to these scenes, and the final confrontation between them sees Kore - eda overlay their heads in a shot that highlights just how important their relationship has become to them.

She's an emotional train - wreck, in one genuinely affecting scene sobbing and pleading: «I want to find a love... one true love.»

Highlighted by uncompromising scenes of sexual intimacy and emotional intensity, BLUE VALENTINE captivated audiences and critics alike, with the Los Angeles Times pronouncing it «something extraordinary, a valentine that actually says something true about being in love.»