Sentences with phrase «emotional story from»

In the last section I wrote about how there is a deep emotional story from the past underlying many of the frustrations that arise in the present day.

- Publishers Weekly «Kline draws a dramatic, emotional story from a neglected corner of American history.»

Trump responded to the series of emotional stories from the survivors and parents of victims from the shooting at Marjory Stoneman Douglas High School by pledging to get to work on school shootings «two minutes» after the listening session.

«It shows that this campaign is far more about the union worker than it is about the working poor or the people who are struggling in this state, and secondly, the fact that this issue two weeks from its deadline is paralyzed shows that it doesn't take money when you have real - life, emotional stories from the people who are actually impacted,» Durant said.

Not exact matches

[01:10] Introduction [02:45] James welcomes Tony to the podcast [03:35] Tony's leap year birthday [04:15] Unshakeable delivers the specific facts you need to know [04:45] What James learned from Unshakeable [05:25] Most people panic when the stock market drops [05:45] Getting rid of your fear of investing [06:15] Last January was the worst opening, but it was a correction [06:45] You are losing money when you sell on corrections [06:55] Bear markets come every 5 years on average [07:10] The greatest opportunity for a millennial [07:40] Waiting for corrections to invest [08:05] Warren Buffet's advice for investors [08:55] If you miss the top 10 trading days a year... [09:25] Three different investor scenarios over a 20 year period [10:40] The best trading days come after the worst [11:45] Investing in the current world [12:05] What Clinton and Bush think of the current situation [12:45] The office is far bigger than the occupant [13:35] Information helps reduce fear [14:25] James's story of the billionaire upset over another's wealth [14:45] What money really is [15:05] The story of Adolphe Merkle [16:05] The story of Chuck Feeney [16:55] The importance of the right mindset [17:15] What fuels Tony [19:15] Find something you care about more than yourself [20:25] Make your mission to surround yourself with the right people [21:25] Suffering made Tony hungry for more [23:25] By feeding his mind, Tony found strength [24:15] Great ideas don't interrupt you, you have to pursue them [25:05] Never - ending hunger is what matters [25:25] Richard Branson is the epitome of hunger and drive [25:40] Hunger is the common denominator [26:30] What you can do starting right now [26:55] Success leaves clues [28:10] What it means to take massive action [28:30] Taking action commits you to following through [29:40] If you do nothing you'll learn nothing [30:20] There must be an emotional purpose behind what you're doing [30:40] How does Tony ignite creativity in his own life [32:00] «How is not as important as «why» [32:40] What and why unleash the psyche [33:25] Breaking the habit of focusing on «how» [35:50] Deep Practice [35:10] Your desired outcome will determine your action [36:00] The difference between «what» and «why» [37:00] Learning how to chunk and group [37:40] Don't mistake movement for achievement [38:30] Tony doesn't negotiate with his mind [39:30] Change your thoughts and change your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom for you?

Washington (CNN) President Donald Trump, after listening to a series of emotional stories and pleas to enhance school safety at the White House Wednesday, floated the idea of arming teachers and school staff, an idea that was met with support from many of the attendees.

Letting those in emotional pain or suffering from traumatic stress able to «off load» their story is the biggest gift we can give anyone.

It wasn't the summer that brought an end to my doubt, but it was the summer I encountered a different Jesus, a Jesus who requires more from me than intellectual assent and emotional allegiance; a Jesus who associated with sinners and infuriated the religious; a Jesus who broke the rules and refused to cast the first stone; a Jesus who gravitated toward sick people and crazy people, homeless people and hopeless people; a Jesus who preferred story to exposition and metaphor to syllogism; a Jesus who answered questions with more questions, and demands for proof with demands for faith... a Jesus who healed each person differently and saved each person differently; a Jesus who had no list of beliefs to check off, no doctrinal statements to sign, no surefire way to tell who was «in» and who was «out»; a Jesus who loved after being betrayed, healed after being hurt, and forgave while being nailed to a tree; a Jesus who asked his disciples to do the same...

You tell only parts of the story you know will get an emotional response from the believing (meaning they will respond the way you want them to) but you don't tell the entire story.

Craddock, too, in Overhearing the Gospel (1978), endorsed «narrative» sermons — not that narrative should replace logic, or that sermons consist only of stories, but that the sermon has «the scope that ties it to the life of a larger community» and touches «intellectual or emotional or volitional» concerns while «conveying the sense of movement from one place to another» and «thinking alongside the hearers.»

Seriously, i think that there is a bigger grab for power than what is being relayed by the media in their emotional stories regarding women's rights, and poor families suffering from devastating illnesses.

It's a difficult and emotional story (LaBeouf revealed that as a child, he heard his mother being raped and now suffers from PTSD.)

It's time to take a look back at some of the wonderful memories, powerful stories, emotional songs and perfect times that we have all shared together growing up at what we call our home as after all, «We are Tottenham, We are Tottenham, Super Tottenham, from the Lane!»

From tips about caring for your body, to her own stories about the missteps she's made as a mother, to advice about how to handle the tough emotional challenges moms face, Brooke paints an honest picture of motherhood that all women can relate to, insisting that it's not about being right or wrong, it's about being your authentic, naked self.

Wow... I am so emotional and traumatized from reading this story.

The failings of New Labour: From a Blue Labour perspective, Jonathan Rutherford, Professor of Cultural Studies at Middlesex University and editor of Soundings, writes very well on the failings of New Labour (see page 88 of this Soundings e-book, which is based on a series of seminars on Blue Labour, from 2010 - 11): «The early years of New Labour — the pluralism, the ethical socialism, the stakeholding economy, the idea of a covenant of trust and reciprocity with the people, the emotional language that reignited popular hope — created a powerful and successful stFrom a Blue Labour perspective, Jonathan Rutherford, Professor of Cultural Studies at Middlesex University and editor of Soundings, writes very well on the failings of New Labour (see page 88 of this Soundings e-book, which is based on a series of seminars on Blue Labour, from 2010 - 11): «The early years of New Labour — the pluralism, the ethical socialism, the stakeholding economy, the idea of a covenant of trust and reciprocity with the people, the emotional language that reignited popular hope — created a powerful and successful stfrom 2010 - 11): «The early years of New Labour — the pluralism, the ethical socialism, the stakeholding economy, the idea of a covenant of trust and reciprocity with the people, the emotional language that reignited popular hope — created a powerful and successful story.

Cephalopod researchers love to share the latest stories about clever octopuses or emotional cuttlefish — stories that often involve daredevil escapes from aquarium tanks.

This year i am changing my perception of results from physical to emotional, how it makes me feel vs how i look I am all about having the best body that you can for what story your body has to tell.

We all know that yoga is far from purely physical, and this combination of movement, music, breath work and story telling activates the brain's emotional region.

Her story is all about transformation from the inside out and freedom from emotional eating.

Even if this were true (anecdotally I would dispute this from the stories I hear), two years is a very long time at a very vulnerable stage in an adolescent's emotional development.

We cry from good songs, beautiful prayers, absurd stories and jokes... we're just an emotional bunch, OK??? For spending time with the fam, I'm not about the full «beat» (is that what the kids say nowadays??)

What's more, you may feel that testosterone levels can't be responsible for the whole story - the biological reductionism that pervades this line of reasoning detracts from the fact that many men may cheat due to psychosocial and emotional pressures, while also ignoring the fact that many men do in fact believe in monogamy.

You'll be able to stream sets from Avicii, David Guetta, Steve Aoki and more right here... A collab that Marshmello had hinted at dating back to July 22, 2017, «Silence» tells the story of someone struggling with their emotional well - being

The film changes a few bits from the book, including making Jo - Jo the shirker into the Mayor's son, giving the film a deeper emotional center, serving as an additional relationship to go with the bond between Horton and the mayor, but most of the rest of the story is still in place, held together by Charles Osgood's narration, which has just the right effect.

Their fabricated stories occasionally dissolve into something much more honest; Jack, perhaps the most emotional of the brothers, is a short story writer, with suspiciously familiar plot points and characters he insists are fictitious (from the short, Hotel Chevalier, which accompanies the film at the festival, we know this is not true).

45 minutes of outrageous situation comedy with hilarious consequences, 45 minutes of gut wrenching and heart felt emotional drama, 45 minutes of impeccable acting from its two leads, who's on - screen chemistry (excuse the pun) has garnered them with a total of 4 Emmy's, and 45 minutes (im about to come back full circle here) of impossible to predict story lines that make the twists and turns in shows like Lost and Fringe genuinely feel like amateur hour.

Credit goes to the writers for ensuring that the constant wisecracks, digs at other superheroes or pop culture references, don't distract a viewer from the story's emotional core and it's protagonist's moral ambiguity.

The insistent crosscutting suggests there is something powerful between the two stories, but apart from vague connections of jealousy, emotional tension and conversations that constantly dance around the real issues, they don't resonate across the years.

And Naomie Harris» eventual sidekick Kate has an emotional back story that's designed to make her more accessible but really just falls flat — a scene between the two when they share their pasts, including when Davis found George and saved him from poachers, is embarrassingly mishandled.

But that's not entirely true: Although the story of a young veterinary student who undergoes a terrible transformation after being forced to eat meat in a hazing ritual doesn't shy away from showing the act of cannibalism itself, its intensity is as much emotional as it is visceral.

To fully immerse players in the center of the game's multi-dimensional story, Derivière created a visceral and emotional musical score — rendered in real - time within the game's engine — that infuses sound sources from the game's environments and reacts directly to the actions of the player.

The soundtrack is comprised of original tunes that really serve to capture the essence of Minecraft and complement the action unfolding on the screen perfectly, effectively striking the appropriate emotional response from the player on a consistent basis as the story becomes darker in tone after the light - hearted opening sequences.

The resulting temporal choppiness from not being clear from the start not only continuously takes us out of the story to try to catch up with it when we're finally given enough information for it to make sense, but it also reveals just how manipulative the device is in order to try to load up all of the emotional beats for whatever version of a climax the story can muster up.

«One War, Many Stories» (25:32) collects a mix of colorful and emotional remarks from veterans following a 2005 screening of the movie.

The Program (2015): A by - the - book story about Lance Armstrong's doping scandal that suffers from the problem that plagues many biopics: namely, it operates with the understanding that we already know the real story (or most of it), so it doesn't work that hard to make the characters seem real or to make the emotional beats land with any sense.

Bernard Herrmann, a longtime collaborator with Alfred Hitchcock, composed fabulous music that reflects the emotional heart of the entire story — the sultry jazz reluctantly giving way to a doomed, militaristic beat, reminiscent of the brilliant score from Stanley Kubrick's «The Killing» 1956.

Nichols» script draws inspiration from Nancy Buirski's celebrated 2011 documentary the Loving Story and invents some peripheral characters for the sake of dramatic expediency, without weakening the emotional wallop of the film's understated final act.

Its uplifting story arc may be formulaic but the strength and honesty of the performances give it surprising emotional heft — especially from Damon as a troubled math genius in the role that marked his arrival as a major, serious actor.

Because of this, he serves as a wonderful foil who helps takes this story to depths that I didn't think we'd see in a Marvel movie from a personal and emotional standpoint.

This acclaimed comedy / drama from former SNL head writer Chris Kelly tells the emotional story of a son (Jesse Plemons) returning home to take care of his dying mother (Molly Shannon).

Deploying a kind of gradual growth that amazes in its subtlety, Kirkley is able to transition his tale from historical account to on - the - run thrill ride before landing on emotional catharsis, without a single turn distracting from the greater story.

The film seems to live up to its «cultural phenomenon» praise as a visual masterpiece, with an emotional story arc, women empowerment, social and political issues, and Oscar - worthy performances especially from Michael B. Jordan's Erik Killmanger.

From 1975's Jaws, which started the summer blockbuster phenomenon, to 2017's Academy Award - nominated The Post, Spielberg has moved audiences with his rich, emotional stories, thrilled them with some incredible action sequences; made them think with his political dramas and inspired them to explore a world beyond our own.

Coogler positions the character's pain as an emotional center right from the jump, kicking off the film with his origin story, not the hero's.

Using the character's written confession (in a location far from his beloved farm) as a framing device robs the story of any real suspense and, worse, fails to enrich the events on screen with emotional or moral substance.

Trust's script, by Andy Bellin and Robert Festinger, pulls no punches and director Schwimmer elicits uniformly excellent performances from his cast, but even as we follow the emotional heart of the story — and realize that rape may not be the worst thing that's happened to Annie.

Adapted from Colm Toibin's novel of the same name, «Brooklyn» adds a layer of emotional complexity to its otherwise familiar love story by centering it on the notion of home, both the one we make and the one we leave behind.

Nonetheless he and Short Sighted Woman (Rachel Weisz) discover an emotional bond, which allows Lanthimos and Filippou to carve a parallel story from their angle.

Fortunately, the power of the story is such that these minor flaws do not detract from its emotional impact.