Sentences with phrase «emotional story where»

Developed and published by Nintendo, Pikmin 3 combines adventure, combat, and resource management mix into an emotional story where three stranded space explorers make new friends and take on new challenges.

Not exact matches

For the Share the Love giveaway, participants didn't know where their book would go — no emotional story or even a way to gauge whether the recipient merited a free copy — but they paid their $ 15 anyway.

The most successful viral crowdfunding campaigns often have specific emotional pulls: dramatic stories presented by video, the ability to track the progress of where your donation is going, or a sense of familiarity with the person in need (think sites like GoFundMe).

Semety... I wasn't using the story to illustrate whether he was a «good person»... he may not have been, but if Jesus approved of his response, then it was obviously the «right» response and therefore good.Jesus appears to be giving credit where credit is due.Likewise, we call a familiar story «The Parable of the Good Samaratin», not The Parable of the Not - That - Good Samaritan.The gospel narrative wdn't have the same emotional effect if we cdn't recognize and «identify with the goodness of the hero.»

We can fall deep into their stories and characters to the point of where we can have emotional connections to them to the point of excitement, joy, and even sadness.

The art of visual story - telling — where images and action indicate the emotional state of characters, rather than have the actor tell you how angry or sad or excited they are — has almost been lost.

But the emotional underpinnings of the story are absolutely sincere, examining the conflict of a man trying hard to lead a devout life in a community where judgment is omnipresent and class distinctions matter, yet at the same time remain true to himself.

But the more Molly's Game tries to decide what its story is about rather than just telling it, the more the film feels like it's trying to «solve» Molly rather than portray her, to the point where its two big emotional moments involve Molly being sat down and informed about her own daddy issues by one male character, and getting passionately defended by another, her lawyer (Idris Elba), while she stays silent.

This new version of «The Jungle Book» is a remarkable visual experience, where the wonders of computer - generated imagery coalesce with an emotional coming - of - age story.

I also felt that the musical score was somewhat forced for the purpose of provoking on the emotional level and was only there to make up for the lack of it in the film, it did seem quite unnecessary in parts where I thought silence could have worked better, but thats not to say of course that it was brilliant to listen too, and the changes were spot on to suit the changes determined in the film but for a simplistic kind of story it seemed excessive.

Indeed, without giving away where the movie heads after that, it's safe to say that it starts to reveal itself less as a story about righting a wrong and more about reconciliation — one that still blends McDonagh's signature dark humor and sudden swerves into laughs into gasps, yet also taps into an emotional depth that closer to his theater projects than his film work.

Where Avatar falls a little short is in the romance between Jake and Neytiri, which while compelling doesn't resonate as strongly as the emotional cores of many of his previous films, whether the traditional romantic love stories of a Titanic, The Abyss, or The Terminator (or even True Lies); or his dual epic sequel tributes to maternal love, Aliens and Terminator 2: Judgment Day.

We were lucky enough to have Peter join us at UNIT BAR, where he shared charming, insightful and emotional stories on the topic of our favourite Bogdanovich films, specifically those that are criminally under - seen for various reasons: Saint Jack, The Thing Called Love, Texasville, and Noises Off... He also mentions two new projects in development at the time, including She's Funny That Way (formerly known as Squirrel to the Nuts).

Franz (François Ozon, 2017) Beautifully narrated in monochrome colour tones, Franz captivates with its poetic pace, its sweet and partly impossible lovestory between a man and a woman and its parallel story of love between two men where the survivor becomes obsessed with the other man fallen in war to such an extent that he builds a narrative about them despite their very brief yet emotional encounter.

Even though the thriller elements are laid to rest about halfway through «Room,» there's still a tremendously engaging emotional journey ahead, where Abrahamson smartly avoids every trap for conventional melodramatics that the basic story elements would seem to lay out for him.

You can slog through all seven - plus hours of «Penny Dreadful» without getting a sense that Logan has any particular emotional involvement in or new ideas about these classic horror stories (the vampire hiding from the light, the manmade pariah feeling the sting of unrequited affection) beyond the underlying assumption that the world is a cold and lonesome place and it behoves us to take love and friendship where we can get it.

This is a grim, emotional origin story which leaves the viewer unsure of where he or she stands, injecting post-modern flavor into a series with which we're all very familiar.

And here's where Boyhood becomes a special case: More than almost any movie I can think of, the emotional and fascinating story of how it was made is practically part of its plot; it doesn't need to be sold as a campaign talking point because it's manifest in every frame.

Stories where the book's conflict or emotional arc depends on how different these characters feel from the world around them.

Though everything seems to be coming up roses, Giffin's story soon turns to unexpectedly dark territory where emotional and domestic abuses are uncovered.

The story of two fractious stepsisters, Molly and Heather, who move to an isolated old home where one of them is befriended by a ghost is deliciously creepy, and contains real emotional heart.

Woman of Substance is a contemporary story where Robbie is the star of the story and her growth and emotional development is foremost.

So while agency is expected in both a thriller and a literary work, the protag's reactions in a literary story may be more emotional / cerebral than in a thriller, where the reaction is expected to be more dramatic.

Following a month of emotional trauma, legal advice and a growing number of women coming forward sharing their own stories of sexual assault in hostels around the world, I chose to edit this blog post and name the hostel where I feel I was assaulted — Hostel Lybeer, also known as Lybeer Travelers» Hostel, in Bruges, Belgium.

Each week, players would follow a mysterious Conduit to a series of explorable 3D environments, in - fiction websites and manga pages where they solved puzzles that unlocked content on and off the console, revealing a story of real emotional depth.

We've got two very different worlds in the game, the Finch family house Edith is exploring and the more surreal, stylized world of the stories where each is meant to reflect the personality and emotional state of the family member that story is focused on.

Being somewhat limited in my freedom to be entertained as a kid, for many years of my life, gaming served as a diverse means of escape for me away from the trappings of a mostly mundane, repetitive life, at the end of the school day I would often think to myself «alright... so what are some of the good things that I have to look forward to when I get home...», one of the first things that I would do as soon as I got home after school was play FINAL FANTASY on PlayStation, I would eagerly walk home as quickly as I could just so that I could continue playing from the part where I had last left off the day before, as pathetic as this may come across, I can confidently say that many of the happiest moments that I have had in my life have been while being utterly enthralled by the developments in the games, I think that reminiscing about aspects of a video game with great fondness is a hallmark of an impactful form of entertainment, I would often be so «in the zone» while playing that anything aside from what was taking place on the screen would become completely null and void in my mind to the point where I forget that I was playing a video game, even though I did not live the events of the game, I can emphatise with them as if I had, that is the sort of impact that the emotional depth of the story, the characters, the music, the design and the overall world of the series have had on me, what appeals the most to me is that FINAL FANTASY allows us the luxury of divorcing ourselves of our current reality to assume that of a world of fantasy for a precious moment in time, which is a sentiment that makes me wish that our world as whole had a little more «FINAL FANTASY» within it so as to make us all want to wake up as soon as possible to enjoy another day

Experience a dark, visceral and emotional series where every action and decision can change the story.

Where the viewer will discover an emotional bond to the personal stories each artist strives to connect to the gradual phases — to the waning of worlds.

Shakespeare apparently missed out the denouement of the story of Twelfth Night, where Malvolio did not go sheepishly to gaol, but responded by suing Olivia and her retinue and won ten million dollars in damages for false imprisonment, violation of constitutional rights, and intentional infliction of emotional distress.

This can be extremely confronting, hurtful and emotional; particularly in situations where we have been removed from our lands, taken from our families and / or are relying on stories told by our deceased parents and grandparents.