Sentences with phrase «emotions of a character in»

Help your toddler understand emotions by pointing out emotions of characters in books or tv shows and movies.

With film, you have actors delivering performances which enable audiences to tap into the emotions of characters in a totally different way from how they do with characters on a page.

I have prepared three fun worksheets focusing on the Feelings and Emotions of the characters in the story.

Another approach is infusing SEL instruction into academic curriculum, for example, asking students to identify and discuss emotions of characters in literature.

Not exact matches

«Bennett has become a master of storytelling through character, and while there are clearly no people in these films, it was clearly a very human story, which we knew a director such as Bennett would zero in on and draw out very real human - like emotions from these poor inanimate objects,» Lennon said.

But the more developed the characters and story are, in terms of emotion and things like that, the more you are attached to them.

In the film and animation world, it's a widely used method of drawing shapes and diagrams that represent characters, emotions and the shape of a story.

Think of your emotions as a film you're watching on Netflix: Just as you don't have control over the characters or the plot in the film, you can't control the way you feel in reaction to an event or situation.

That was a very interesting read many comments caught my attention I've recently been diagnosed with Bipolar I have hallucinations and hear voices in my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loin my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loin a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loin many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loIN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loll

In the simplest terms then, human social experience is a form of togetherness in which there is a sharing of feeling, a concordance of emotion, between two or more individuals who become immanently related one to another by the very character of their mutual experiencIn the simplest terms then, human social experience is a form of togetherness in which there is a sharing of feeling, a concordance of emotion, between two or more individuals who become immanently related one to another by the very character of their mutual experiencin which there is a sharing of feeling, a concordance of emotion, between two or more individuals who become immanently related one to another by the very character of their mutual experience.

In estimating the religious character of individuals, nations, or races, the first question is, not how they feel, but what they think and believe — not whether their religion is one which manifests itself in emotions, more or less vehement and enthusiastic, but what are the conceptions of God and divine things by which these emotions are called fortIn estimating the religious character of individuals, nations, or races, the first question is, not how they feel, but what they think and believe — not whether their religion is one which manifests itself in emotions, more or less vehement and enthusiastic, but what are the conceptions of God and divine things by which these emotions are called fortin emotions, more or less vehement and enthusiastic, but what are the conceptions of God and divine things by which these emotions are called forth.

The saintly character is the character for which spiritual emotions are the habitual centre of the personal energy; and there is a certain composite photograph of universal saintliness, the same in all religions, of which the features can easily be traced.

His work ranks with the finest classical Hebrew prose to be found anywhere in the Old Testament, displaying a phenomenal verbal / literary technique in the use of humor and irony, in subtle, sensitive character portrayal, and in effective, varied appeal to human emotion.

Perceptions of causal efficacy put us in direct touch with the inner nature or character of things and persons as well as with the emotions, values, and purposes inherent in reality.

First, we are given an in - depth discussion of the process of practical reasoning; the moral evaluation of human action; a philosophical psychology that draws together the roles of intellect, will, and emotion in human acts and in the development of virtuous or vicious moral character; the nature of sin and the foundational role of conversion to Christ; and the place of law in the Christian life.

In golf, we always overplay and overhype the emotion, character and class of the players.

Read a book together in which the emotions of the characters are clearly depicted.

While oversight and accountability genuinely help the democratic process, representing the proper style of character and the proper valence of emotion mattered more in this referendum than facts about the economic prospects of the UK and of the working class.

As part of the Oz project, researchers at the computer science department at Carnegie Mellon University in Pittsburgh, have produced a system which gives computer characters 20 emotions.

With the resulting software, an animator need only pick out points on their character's face that correspond to points in the model, such as the corners of the lips, then set the activity or emotion the character is feeling, and watch as the face colour changes automatically.

The term erethism (or reddening), which derives from a person's tendency to blush, 3 covers a constellation of personality traits including timidity, diffidence, contentiousness, insecurity, bluntness, rigidity, excitability and hypersensitivity to criticism and to sensory stimulation.4 - 6 Considering mercury's subtle but reproducible effects on emotions, it is likely that a number of problems blamed on character, personality or stress may in fact be caused or compounded by low - level mercury toxicity.

In real life, it's very hard to contact a person for the first time, since it requires a lot of strength of character, not to mention that you have to overcome emotions as well.

Western Australia About Blog A full time professional artist and photographer with decades of horse, dog, photography and art experience, I specialize in creating beautiful, expressive, emotion filled images that capture everything you love most about your four legged family member's unique personality and character.

After seven movies of playing Severus Snape with slimy and malevolent aplomb, Alan Rickman is finally given the chance to imbue his character with some genuine emotion — the flashback that reveals his tragic history is easily the most moving sequence in the film, if not the entire series.

In terms of the camera allowing us to see the tiniest flickers of emotion — and amplifying the greatest — this is a device that works insofar as it reveals much of the characters inner life, but also produces an intensity that never varies.

Hopefully the emotions poor out of the book as well as it did through these characters in the film.»

The best thing that can be said about Bats vs. Supes is that it's rapid collapse at the box office may finally be enough to convince Warner Brothers to remove Snyder from any future DC Comics films and give them to those who've show an ability to deliver movies with coherent character, narrative and emotion in addition to pure spectacle — and preferably all of the above.

Johansson, so astounding in Match Point and Girl with a Pearl Earring, is better off than Hunt, but she also has a few moments where it feels like she's acting instead of letting her character's emotions come naturally.

But in movies that feature big, big sacrifices or big, big losses, it doesn't matter the realism of the setting or characters, so long as the emotions ring true.

The breathtaking cinematography beautifully meshes with the closeness of the characters» captured emotions in which you can't help but accredit to the perfect chemistry of the cast.

Redmayne is committed to the emotions of his scenes, particularly in «Empty Chairs at Empty Tables,» and his interactions with Cosette (a fine Amanda Seyfried, playing an underwritten character) and Eponine (the marvelous stage actress Samantha Barks) benefit from this.

The film take a more blatantly serious turn in the third act than most of Anderson's previous stories have done, hinting at the emotions that are at the surface for the characters but that still feel deeply buried to us.

Overall I love the show and how relatable it is in terms of the spectrum of human emotion, one thing I must say is that Paige is my favorite character by far because she has a very girl next door kind of thing to her but, is still a total bad ass.

Keener, who has to deal with a sudden loss during the last section of the film, achieves moments of searing emotion, and in the very last scene, another character figures prominently — a teenage friend of Keener's daughter — and the performance by Mikey Madison is one of the most eloquent in the film.

In Fruitvale Station and Creed, Coogler demonstrated his ability to bring emotion and character work to the foreground, whether working on an indie canvas or within the framework of a larger franchise.

It may sound obvious, but so many films like «Hunt for the Wilderpeople» try to play the emotion instead of grounding it in character.

I don't know whether it's the technology that's changed, or that the artists, most of whom worked on the first, have grown, but there is a striking new level of emotion in the characters themselves, particularly their eyes, that does much to, well, animate the film.

The common problem of Solondz's characters is an inability to see the world in shades of grey, which is fitting in a film where color - garish, boring or just plain ugly - is so important, and the actors are working off palettes of such extreme emotions.

The performances are significantly brilliant and the actions of each character will have you in a universe of mixed emotions.

Weisz and McAdams each demonstrate a balance of strength and vulnerability in their committed portrayals, generating sympathy through strong - willed characters whose emotions remain largely muted and internalized.

It's still a show defined more by emotion than plot, but structuring it this way — and moving most of the action to Jarden, which has many mysteries of its own — creates a sense of more momentum, rather than a bunch of characters wandering around in a daze.

Johnson and Heyman have a script here that deserves Best Original Screenplay consideration, almost simply for how well they've created a quartet of characters (Burrell and Wilson's supporting players don't behave as these sorts of characters would in other films), though the balance of both comedic and dramatic emotion is tremendously done as well.

The undercurrent of emotions flowing through his characters almost always burst out in bouts of sudden violence.

Although the stoic nature of her character effectively mutes any need for ostentatious displays of emotions, Carano's imposing physical build, looks, and dynamic fighting style does make up for the lack of nuance in her character, such that it creates that certain mystique that many quiet - but - deadly action stars like Clint Eastwood benefit from.

Logan Marshall - Green's character in The Invitation (Will) has layers of emotions.

In all of Trier's films, emotion, subjectivity, and intuition are in their fullest forms by female characters: from Grace (Nicole Kidman) in Dogville, She (Charlotte Gainsbourg) in Antichrist, and Justine (Kirsten Dunst) in MelancholiIn all of Trier's films, emotion, subjectivity, and intuition are in their fullest forms by female characters: from Grace (Nicole Kidman) in Dogville, She (Charlotte Gainsbourg) in Antichrist, and Justine (Kirsten Dunst) in Melancholiin their fullest forms by female characters: from Grace (Nicole Kidman) in Dogville, She (Charlotte Gainsbourg) in Antichrist, and Justine (Kirsten Dunst) in Melancholiin Dogville, She (Charlotte Gainsbourg) in Antichrist, and Justine (Kirsten Dunst) in Melancholiin Antichrist, and Justine (Kirsten Dunst) in Melancholiin Melancholia.

In one scene, there is a character named Izzy (Page, To Rome with Love) who tries to bring down someone close to her whose company is involved in a major pollution scandal, but these moments don't ring as profound without anything to ground her character, and the way that this story thread evolves feels manufactured, which is evidenced by the lack of genuine emotion when the episode concludes in a traumatic waIn one scene, there is a character named Izzy (Page, To Rome with Love) who tries to bring down someone close to her whose company is involved in a major pollution scandal, but these moments don't ring as profound without anything to ground her character, and the way that this story thread evolves feels manufactured, which is evidenced by the lack of genuine emotion when the episode concludes in a traumatic wain a major pollution scandal, but these moments don't ring as profound without anything to ground her character, and the way that this story thread evolves feels manufactured, which is evidenced by the lack of genuine emotion when the episode concludes in a traumatic wain a traumatic way.

Take Bolt for example, the loveable and stunningly adorable main character who, in less than 90 minutes, shows a wide spectrum of emotions and behavior, ranging from self - realization, denial and identity crisis.

Boiled down into concrete words, this sounds corny, but in execution on screen it's all rather affecting, with Stoltz's understated but sure direction eliciting vivid, multi-dimensional, and highly appealing turns by Holt and Gisondo, who are equally adept at selling both the absurd humor of August's characters and the genuine, relatable emotions that drive their behaviors and goals.

Singing something is supposed to indicate an abundance of emotion, making the character shift up performance mode (Amy Adams does a great job of explaining it in the witty Enchanted).