Sentences with phrase «emotions of the characters seem»

Not exact matches

The intensity of my emotions may seem surprisingly out of character to some of my West Chester friends.

The comedy succeeds because the objectively ridiculous, overdrawn emotions of the characters must seem real and immediate to them.

It probably doesn't help that Alexander Skarsgård, who was an inspired choice for the title character, plays him so grim - faced that he doesn't seem capable of emotion.

On paper, it could seem that the emotions coming from the characters aren't very authentic, but the way Caine pulls off his performance in this scene allows the scene to work wonders and adds quite the amount of depth to his character.

Having said that, there are many instances in which Storaro's images attempt to serve its story by bathing its characters in vibrant hues of light that wax and wane according to the emotions depicted onscreen which, as ambitious as it seems, feels overdone to the point that it distances its audience from its characters more than it infatuates.

So in the future it seems that emotion has been outlawed — a strange thing, for though the characters in the film appear to experience jealousy, anger, pride, and sadness, the audience is imbued with a majestic feeling of sleepy unconcern.

It's just rare that there are two movies where the central characters are both female, but it seems like a completely different set of emotions that are even going into it.»

The characters here might not seem desperate from the external appearance and behavior, but there are different levels of that oh - so human emotion.

The men in Piñeiro's movies always seem to be of secondary importance, their motives and emotions succeeding those of the female characters.

The verisimilitude is the tale's strong point and even though the characters constantly seem sedated, their moments of expressed emotion are effective and engaging and do well to hold interest.

Lanthimos («The Lobster») starts off with an in - surgery shot of a beating, open heart — glistening with fat, it seems like a moving animal — and things go reeling from there: the uniform, intentional flat - affect performances (particularly Martin, who's both numbingly intense and not - quite - present); the high - angle camerawork, in which the characters sometimes seem to be at the bottom of a too - brightly - lit fishbowl; the slow movement away from familiar settings and emotions.

At the same time, however, she keeps the character grounded, always believable — the dialogue (courtesy of Raymond Chandler by way of James M. Cain) are unforgettably stylized, but the emotions seem real, even when they're being faked.

It's very easy to lose the story of Batman in the midst of more interesting villains, and that certainly seemed the case with The Dark Knight, but Rises puts Wayne right back under the microscope, and Bale finds new depths of emotion with the character, making him more vulnerable and ultimately human than before.

The inevitable tragedy that results seems driven as much by the unforgiving land and sky as it does by the emotions of the embattled characters.

I should be able to feel some kind of emotion whenever tragedy strikes, but I never seem to feel anything, don't get me wrong, I'll be the first to admit that I'm misanthropic, but that doesn't make me completely heartless and I feel the series as a whole should be doing more to develop stronger characters.

He takes position of Captain of a warship suddenly, has responsibility thrust upon him, but just nods away — at no point does he have any real character flaws, and at no point does he seem to show any emotion.