Hence
the emphasis in the later work on the Glückseligkeitstrieb (the «drive after happiness») that motivates the entire business of religion.
Furthering these investigations into bodily limits, Fan's
emphasis in their latest works is on architecture and design.
Not exact matches
«We were a bit
late recognising that one, but it's done wonders for our cash flow,» Mr King said.The company recently appointed business development manager Chris Temov, who has been
working closely with Austrade and the WA government, which are currently providing free market research, with an
emphasis on comparative pricing and delivery
in the UK.The research is provided under the company's status as a new exporter.
The prophetic
emphases in his thought developed roughly during the same time he discovered his love for Pauline Rother, who
later became his wife, the mother of his children and a beloved companion
in hard
work and tender play.
Nationalists
later placed great
emphasis on paragraph 30 of the agreement, headed «Co-operation», the final sentence of which read: «The two governments are committed to continue to
work together constructively
in the light of the outcome, whatever it is,
in the best interests of the people of Scotland and of the rest of the United Kingdom.»
This
emphasis on economy was a theme that would recur
in his
work on the powerful nitric acid battery that he developed a year
later — and which led to his aforementioned appointment as professor, and fellowship of the Royal Society — as well as
in his
work on the gas battery.
Coming to the U.Ss at a
later stage
in the 1980s meant that my
work was historicized within a context that placed
emphasis on institutional critique, on photographic
work, and what was termed «appropriation.»
The fault lies partly
in the uniform lighting; partly
in Selldorf's choppy and somewhat clunky installation, which misuses the famed 15,000 sq ft of open space to rob the sculptural
work of adequate breathing room; and to a larger extent on too great an
emphasis on Stella's enduring vigour, which, given that the
later works were farmed out, rings hollow and does grave disservice to the impregnable place of his early
work in a meaningful history of art.
«Everything flows» may be the most common translation of the ancient Greek phrase Panta Rhei — the title of this
latest exhibition of paintings by Keith Tyson — but the idea of a seamless transition from one thing to another, which the term suggests, seems less appropriate to Tyson's
work than the alternative definition «All things are
in flux», with its
emphasis on the potentially more unsettling idea of constant change.
Almost five decades
later, Penone continues to explore the intersection between man and nature
in his
work, with particular
emphasis on nature's persistence over man's constant interferences.
The
latest iteration of the Hammer Museum's biennial Made
in L.A. 2014 exhibition features
works by 35 Los Angeles artists, with an
emphasis on emerging and under recognized artists.
Willem van de Velde the Elder and his son are the leading masters of the
later decades, tending, as at the beginning of the century, to make the ship the subject, whereas
in tonal
works of earlier decades the
emphasis had been on the sea and the weather.
Beginning
in the
late 1980s, with exhibitions organized by curators William Olander and Laura Trippi, the New Museum placed increasing
emphasis on areas other than painting and sculpture, and presented film, video, television, photography, and performance
works as a regular part of the exhibition program.
The gallery represents established mid to
late - career artists with an
emphasis on artists now living and
working in New Mexico, Taos Moderns and prominent international glass artists.
As naval warfare became more prominent from the
late 16th century, there was an increased demand for
works depicting it, which were to remain a staple of maritime painting until the 20th century, pulling the genre
in the direction of history painting, with an
emphasis on the correct and detailed depiction of the vessels, just as other trends pulled
in the direction of increasingly illusionist and subtle effects
in the treatment of the sea and weather, paralleling those of landscape painting.
Her
late oeuvre was characterized by a pronounced
emphasis of
working in discrete series, whereby key stylistic concerns were explored across several canvases.
Intricate, dynamic, and sinuous, these remarkable
works, begun
in the
late 1940s, continue to challenge conventional notions of sculpture through their
emphasis on lightness and transparency.