Sentences with phrase «emphasis on abstraction»

Ms. Dickerman places new emphasis on abstraction as a great collective endeavor that emerged simultaneously across several mutually influencing art forms, from the hands of players who often knew one another.

I was struck by her emphasis on abstraction as newness and her preoccupation with the translation of source objects.

We are a contemporary gallery showcasing conceptual and formal works, including painting, installation, collage, and sculpture with an emphasis on abstraction and works on paper.

The gallery offers a range of important contemporary art with an emphasis on abstraction in a variety of media by established and emerging American and international contemporary artists.

She writes on modern and contemporary art with an emphasis on abstraction, painting, process, creativity, pedagogy, and American philosophy as it intersects with aesthetics and institutional discourses.

Not exact matches

When Whitehead describes the approach to intellectuality as a gain in the power of abstraction, so that «the irrelevant multiplicity is eliminated, and emphasis is laid on the elements of systematic order in the actual world» (PR 388), we take this to mean that mentality becomes habitually effective when its potentially anarchic initiatives are both nourished and preserved at lower, more reiterative levels of conceptual functioning.

Global contemporary art, with an emphasis on conceptual art, photography, and video; art from Latin America, especially geometric abstraction, Cuban art, and contemporary and emerging artists

Gstaad, Switzerland; Madrid; Miami Investments; Real estate; Telecommunications; Technology Global contemporary art, with an emphasis on conceptual art, photography, and video; art from Latin America, especially geometric abstraction, Cuban art, and contemporary and emerging artists Top 200 appearance: 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017

New York, NY — Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today.

Aesthetically, the presentation includes Valledor's early expressionist abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s that included illusory and optical constructs exploring space and creating a tension between the two - dimensional and three - dimensional worlds.

The term came to refer to the work of artists who playfully flirted with Op art, Minimalism, and geometric abstraction with an emphasis on transcendentalist levity, boundary - dissolving luminescence, and — in place of New York Minimalism's hard - edged industrial materials — an embrace of cutting - edge space - age fabrication methods.

Concrete art was an art movement with a strong emphasis on geometrical abstraction.

The exhibition combines a chronological display with a thematic approach, structured in a series of major chapters in the artist's career, with emphasis on two key moments: the period from 1923 to 1933, when Torres - García participated in various European early modern avant - garde movements while establishing his own signature pictographic / Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.

A unique and highly respected collection, it illustrates the history of art by artists of African descent from the 1940s to the present, with a special emphasis on black abstraction.

Although many different styles are encompassed by the term, there are certain underlying principles that define modernist art: A rejection of history and conservative values (such as realistic depiction of subjects); innovation and experimentation with form (the shapes, colours and lines that make up the work) with a tendency to abstraction; and an emphasis on materials, techniques and processes.

With their experimental materials and sculptural expression, Hasselknippe's works share much in common with Modernism's lyrical nature - abstraction, especially through her emphasis on the sensuous experience of natural elements translated in abstract forms.

Yet it also recalls the emphasis on line, form, light, and darkness in the black - and - white photographic abstractions of Aaron Siskind (1903 — 1991) and Harry Callahan (1912 — 1999), who Rauschenberg would come to know — and, in Siskind's case, befriend — when they taught at Black Mountain during summer 1951.

The subject matter is explicitly erotic, but the compositions give a nod to abstraction with expressive, unnatural colors and a strong emphasis on individual forms.

This approach lent emphasis to the vaporous abstraction of the chromatic modulations on the walls and evinced a totalizing impulse that merged painting and architecture.

Mainly, he expanded upon Pop Art's use of images from popular culture, and further complicated it by adding abstraction and an emphasis on painterly process.

The emphasis on formal elements of shape and rhythm as independent entities, along with the fragmentation of forms, creates a tendency towards abstraction.

Taken together, the works on view trace the break from inherited notions of perspective, modeling, and subject matter to an approach that placed a greater emphasis on representing emotions, themes, and various abstractions.

She fits cut paper into small abstractions, with the emphasis on fragments.

Organized in collaboration with a seminar from Clark University, the exhibition will be presented with thematic emphasis on botanicals, landscape, abstraction, and portraiture — areas that dominated much of the production of cyanotypes in the early twentieth century and recur in contemporary work.

Her areas of research and teaching interest span the modern Americas, with an emphasis on the art of twentieth - century Cuba and Puerto Rico, the transnational history of abstraction, and the postwar avant - garde.

The exhibition brings together more than 100 works created by more than 20 artists from France, Spain, Belgium, Switzerland, Germany, Great Britain and the United States from the «20s to the «50s, rebalancing the traditional views about Surrealist sculpture by placing equal emphasis on organic abstraction which originated in the whimsical reliefs of Jean Arp, and the of found - object assemblage, which originated in the Assisted Readymades of Marcel Duchamp and became a surrealist passion.

Aesthetically, the presentation includes Valledor's early expressionist abstract paintings and signature reductive and minimalist compositions with an emphasis on his later hard edge and color - based abstractions from the 1970s and 80s.

New York — Pace Gallery is pleased to present Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today.

As the literary historian Houston A. Baker writes, the blues emerged from a matrix of «These include a grappling with personal and social catastrophe; an emphasis on improvisation and movement; the performance of extravagant or ambiguous identities; modes of abstraction and repetition; the expression of sexuality and intimacy; and an impulse towards archiving, sampling, and translation.

If viewed as an autobiographical account of Kline's breakthrough, Meryon differed in its emphasis on the continued importance of illustration to his abstraction and offered in place of Willem de Kooning another figure of inspiration for his breakthrough.

It brings together works in which she approached the genres of landscape, still life and portrait alongside her experiments with abstraction, with particular emphasis on the way she treated light and colour.

While MoMA's 2013 exhibition Inventing Abstraction: 1910 - 1925 put a strong emphasis on the artist's work and contextualized his drawings alongside many of his peers including Hans Arp, Tristan Tzara, and El Lissitzy, a group exhibition currently on view at Lower East Side's Miguel Abreu Gallery furthers this conversation.

With an emphasis on the formal vocabulary of abstraction, Schoultz exposes the ways in which meaning is manipulated and perception skewed as the locus for civic debate has shifted from the town plaza to the isolated, anonymous realm of cyberspace.

Hickam's portraits reveal a dedication to gestural abstraction with an emphasis on emotional confrontation.

In our continuing investigation of abstraction, we highlight a range of artists who put an emphasis on materials and process.

The impasto of modern and contemporary painters — particularly those moving into abstraction or creating fully abstract images, like Vincent van Gogh, Jackson Pollock, or Willem de Kooning — reflect an emphasis on gesture and the physical presence of paint itself.

Richard Diebenkorn's «Berkeley # 3» (1953) illustrates the artist's metamorphosis from abstraction to an emphasis on figuration.

Hofmann's emphasis on the «inner eye,» the ability to apprehend the essence of things, guided the artist in her spiritual approach to abstraction, long after she had sought out other teachers and mentors.

Lim has a studio in Tribeca, where he puts together his quietly original sculptures and makes paintings that acknowledge Western abstraction, even as he places an emphasis on traditional Asian imagery and painting techniques.

After his segue through figurative abstraction in the 80s and 90s, Fleming made a return to geometric abstraction in the 2000's with an emphasis on illusory compositions and visual perception.

Pace Gallery presents Blackness in Abstraction, an exhibition curated by Adrienne Edwards tracing the persistent presence of the color black in art, with a particular emphasis on monochromes, from the 1940s to today.

With an emphasis on the actual process of painting, lyrical or gestural abstraction can be characterised by techniques that are governed by the artist's interaction with chance, intuition and circumstance.

Ikon's first director Simon Chapman (1972 — 78) devised a programme that was eclectic, notable for its emphasis on painting — ranging from large post-painterly abstraction to a «New British Realism» — and a frequent inclusion of photography.

Carol and Stephen Schulte are private art dealers with over 40 years of experience specializing in post-war American abstraction with an emphasis on Color Field painting.

Maybe the shift from figuration to abstraction is tied up with a mounting mistrust of language as a description of the «real» world and a consequently increased emphasis on spontaneity at the expense of complex and specific pictorial space.

With emphasis on the dizzying complexities of 21st - century living, Mehretu's works reference a broad spectrum of systems — global interconnectivity, geopolitics, social networks and urban - planning — which are visualized through articulated line work in negotiation with explosive painterly abstraction.