Sentences with phrase «empty gallery space»

He famously exhibited an empty gallery space at Iris Clert Gallery in Paris in 1958, selling off his «sensibility» from the space and in the 1960s produced his Anthropometries, with nude women covered in paint pulled across canvases.

The latter work is inhabited by a life - size giraffe and a moving - image work shot in the empty gallery space.

Henriksen's investigation of the exhibition space has deep art historical roots, dating back to 1958 when Yves Klein first exhibited an empty gallery space at Galerie Iris Clert in Paris.

Anderson spent weeks in Flood's empty gallery space — a third - floor walkup in downtown Portland — mapping and photographing architectural details that had uncertain practical value.

Architectural in nature, the focus of this group turns to the empty gallery space, where small interventions create chaos in the truancy of human interference.

Using modernist aesthetics and ideals elucidated by the Russian constructivists and the Bauhaus school — both of which are movements known for their utopian aspirations — Cerrillo makes steel frames that outline empty gallery space, exploring the failure of Modernist abstraction to connote real meaning.

They occupied an otherwise empty gallery space and interacted with each other and the audience in accordance with a set of rules and games established by the artist.

Taking Positions is a performance - for - screen that was recorded in the empty gallery space of Kunsthaus Dahlem in Berlin.

Participants of Parliament stand, walk, lie down and otherwise navigate an empty gallery space, in silence, for six hours a day, over the course of four days, at the Nasher Museum.

In 2001, controversy arose when Martin Creed won for Lights Going On and Off, a conceptual installation in which Creed set the lights in an empty gallery space to turn on and off at regular intervals.

Shot on several of the Museum's floors, the videos reveal the artist as she moves and dances alone through the building, camouflaging herself in the empty gallery spaces during the transition period between exhibitions.

For this groundbreaking event, the Whitworth emptied every gallery space in order to create room for this unique work to develop and breathe.

After the Third Movement, an Epilogue will move the exhibition towards the void, emptying the gallery space to explore its architecture and volume.

Not exact matches

Transform empty wall space into a gallery for your favorite family memories.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

After the Pace Gallery's Marc Glimcher completed his recent purchase of prime real estate beneath the High Line between West 24th and 25th streets — it abuts one of Pace's two branches on 25th Street — he faced a dilemma: what to do with the empty space before construction began on the new gallery he plans to open there in falGallery's Marc Glimcher completed his recent purchase of prime real estate beneath the High Line between West 24th and 25th streets — it abuts one of Pace's two branches on 25th Street — he faced a dilemma: what to do with the empty space before construction began on the new gallery he plans to open there in falgallery he plans to open there in fall 2012?

Shelf Life will begin with a clean gallery space lined only with empty wall - to - wall shelves.

NEW YORK — The Pace Gallery announced yesterday that it is expanding into the empty lot at 508 West 25th Street, a space adjacent to its current space at 510 West 25th Street and directly underneath the High Line.

The work presented in the gallery is at times consumed by the empty wall space around it — feeling more self - consciously sparse than intentionally minimal.

With One wall removed, 1980, Irwin replaces the outside wall of the Malinda Wyatt Gallery with an extensible, sheer screen in a delicate white canvas to reveal the infinite light variations cast two skylights in empty space.

A front page Village Voice story in November of 1969 describes how artists began (illegally) filling the neighborhood's large, empty industrial spaces, even though they weren't zoned for residential use, with James Rosenquist and Paula Cooper Gallery being name - checked as pioneers of the area.

Danni Shen is the Curatorial Associate at Empty Gallery, a black - cube space dedicated to time - based, non-object-oriented, interdisciplinary practices as well as Asian diasporic artists and communities, physically located in Hong Kong.

IN A PARALLEL GALLERY, NONOSEKNOWS (ARTIST VARIANT)(2015), PUNCTUATES THE SPACE WITH A VIDEO AND SCULPTURAL INSTALLATION THAT COMBINES FACT AND FICTION, DOCUMENTING A GROUP OF CHINESE LABORERS WHO HARVEST PEARLS FROM OYSTERS IN ZHUJI, CHINA, EMPTY HIGH RISES NEAR SHANGHAI, AND A FICTIONAL SET BUILT IN THE ARTIST STUDIO IN NEW YORK.

THE ARTIST»S INSTITUTE Entering this basement gallery, a nonprofit space sponsored by Hunter College, you find what seems to be an empty room.

Recent exhibitions include a solo show at Project for Empty Space, Newark; as well as exhibitions at Gavlak, Los Angeles; Paul Kasmin Gallery, New York; and the Nathan Cummings Foundation, New York.

With its new satellite project SPUTNIK, as well as with the current exhibition «This is the house that Jack built» in an old empty townhouse in Zurich, Barbara Seiler Gallery breaches out of its accustomed gallery space to raise questions about current exhibition practice and site speciGallery breaches out of its accustomed gallery space to raise questions about current exhibition practice and site specigallery space to raise questions about current exhibition practice and site specificity.

Previous exhibitions include; The Sixth Borough, c / o No Longer Empty, Governor's Island, New York (2010); Soul For Sale, Tate Modern, London (2010); Ghost Machine, Magnan Metz Gallery, New York (2009) Explorations of the Uncanny, Synthetic Zero Gallery, New York (2009); Almost Nothing, Soap Factory Gallery, Minneapolis (2009); LMCC Work Space Program, New York (2008); Non-Oblectif Sud, Côtes du Rhône (2008); Kerlin Gallery, Dublin (2008); West Germany Gallery, Berlin (2007); Irish Museum of Modern Art, Dublin (2007); Fieldgate Gallery, London (2007); Mercer Union Gallery, Toronto (2006); Hugh Lane Gallery, Dublin (2005) Crawford Municipal Art Gallery, Cork (2005); Bloomberg New Contemporaries, Manchester / Sheffield / London (2005); Alma Enterprises Gallery, London (2005); British Council / CityMine (d) Brussels (2005); Eastlink Gallery, Shanghai (2004); Gallery 411, Hangzhou (2004); Zedebois Centre, Lisbon (2003) EV+A, Limerick (2002); CCFA, Prague (2001)

Walking into our cavernous space the gallery at first appears almost empty.

In the main gallery, Carl Andre's 36 Aluminum Lock Square (1968) both occupies and empties the space.

The Whitechapel Gallery's «archival» show «Supporting Artists: Acme's First Decade 1972 — 1982», like Jon Savage's series of photographs of Uninhabited London (shown in its entirety at Maggs Gallery a year back), depicts a long gone East End and Covent Garden of empty buildings, rotting short - life housing, urban decay and space.

When I first thought about an exhibition at Night Gallery my instinct was to tear down all the walls, which I thought created difficult triangular areas and didn't offer long distance viewing of the work that would be possible in an emptier space.

Buckman's work has been shown in solo exhibitions including Imprison Her Soft Hand at Project for Empty Space, Newark, Every Curve at PAPILLION ART, Los Angeles and Present Life at Garis & Hahn Gallery, New York.

Newark, NJ Project For Empty Space is thrilled to announce the opening of Imprison Her Soft Hand, a solo exhibition by Zoe Buckman, on Wednesday, February 22nd, from 6 - 8 PM, at the Project For Empty Space gallery in Newark.

In lieu of art, Booth 317 will host a single sheet of paper that explains why the space is empty, said Ms. Edelman, who also owns the Catherine Edelman Gallery in Chicago.

An artwork attributed to the space's founders, it consisted of a slide projection onto a light switch in the Clemente Jacqs gallery that portrayed the empty exhibition space at New York's Marian Goodman Ggallery that portrayed the empty exhibition space at New York's Marian Goodman GalleryGallery.

The portraits — arranged in a perfect grid with no empty spaces — compete with no other works in the gallery.

2011 Banal Inferno, CCA: The Center of Contemporary Arts, Galow (curated by Benjamin Fallon) December, De Joode & Kamutzki Winter Auction 2011, Berlin SPAMM (Super Art Modern Museum), http://spamm.fr/, (curated by Thomas Cheneseau) LikeArtBasel, Miami Art Basel @ Workshop Collective, Miami (sponsored by Artspace; organized by OKFocus; HORENSETEIN + and Daniel Leyva; curatd by Ryder Ripps) Notes on a New Nature, 319 Scholes, Brooklyn (curated by Nicholas O'Brien) Lesbian Kiss Episode, Planet Ummo Project Space, Mexico City LuckyPDFTV, Frieze Art Fair, London (curated by LuckyPDF) LAFIAC.com 2011, 38th edition of the FIAC, Paris PDF, Allegra LaViola Gallery, New York (curated by Patrick Gantert) Empty Orchestra, Eastside Projects at Birmingham Contemporary Art Forum, Birmingham (curated by Georgie Park & Samuel Rodgers) Collect the WWWorld.

Gallery Hopping: Last Chance to See Zoe Buckman's Hardhitting Feminism at Project for Empty Space, by Sarah Cascone, Artnet News, March 30, 2017

The culmination of their collective work will be presented on Sunday, October 23rd, at 3 pm at the Project For Empty Space gallery.

All F @ * #ing Summer, Gavlak Gallery, Palm Beach, FL 2012 Makeup on Empty Space, Larissa Goldston Gallery, NY 2011 Art Basel Miami Beach, Art Nova, with Lisa Anne Auerbach and Alexis Marguerite Teplin, Gavlak Gallery

But in this large Chelsea gallery The Hellfire Club was set up with black walls, broken chandeliers, photocopied images, quiet sound accompaniment — and a lot of empty space, which allowed visitors to drift back and forth, tapping into their nostalgia for the British television series, while perusing Kilimnik's recent photographs and paintings, crafted with her signature loose, colorful, thrift - shop style.

The Gateway Project gallery space is a subsidiary of Project For Empty Space, a 501c3 non-profit arts organizaspace is a subsidiary of Project For Empty Space, a 501c3 non-profit arts organizaSpace, a 501c3 non-profit arts organization.

In a parallel gallery, NoNoseKnows (AP)(2015), punctuates the space with a video and sculptural installation that combines fact and fiction, documenting a group of Chinese laborers who harvest pearls from oysters in ZhuJi, China, empty high rises near Shanghai, and a fictional set built in the artist's studio in New York.

As the flight across the ceiling of an empty gallery via the line of pitons and hand - holds could be described as both a drawing and sculpture, so here when preparing the «drawings» for his films he arranges the images and objects in space.

Exhibiting artists in The Aesthetics of Matter are: Tomashi Jackson / presented by Tilton Gallery (New York); Troy Michie / presented by COMPANY (New York); Devin N. Morris / presented by Jenkins Johnson Gallery (Brooklyn / San Francisco); Christie Neptune / presented by Rubber Factory (New York); Kameelah Janan Rasheed / presented by Project For Empty Space (Newark); David Shrobe / presented by Studio 301 NYC (Brooklyn); Didier William / presented by Anna Zorina Gallery (New York); and Kennedy Yanko / presented by Jenkins Johnson Gallery (Brooklyn / San Francisco).

Her exhibitions, performances, and screenings include SATELLITE ART and PULSE Play in Miami; The Kitchen, The Brooklyn Museum, El Museo del Barrio, A.I.R. Gallery, BronxArtSpace, Rush Arts Gallery, and Smack Mellon in New York City; The Newark Museum, Index Arts, Project for Empty Space, and Gallery Aferro in Newark, NJ.

At first our «scene» was interesting always, where there was nothing but vast «empty» spaces, there was a spark: now we have about 50 galleries... I think we are at the end of that cycle and perhaps its time for the application of critical analysis to suss out where to go from here, what really matters, or simply a determination that we will never want to be like that and we want to stay exactly how we are, thank you very much.»

For his first major solo exhibition in the UK, London - based artist Oscar Murillo empties his studio to present its contents in the main gallery space.

La fusione della campana, represents an «empty space» in three - dimensions, a concept that evolved from Perrone's first exhibition at the gallery in 2002 and the idea behind the photographic series I pensatori di buchi (The hole thinkers), 2002.

Recent and upcoming solo shows include A Line Listening to Itself, American Medium Gallery, New York, NY (upcoming); A Room Listening to Itself, Open Space Gallery, Victoria, Canada (upcoming) and Centre for Contemporary Arts, Santa Fe, USA; Louder than a beating heart, Titanik Galleria, Turku, Finland; and The sound of empty space, Galerie B - 312, Montreal, Canada (all 2Space Gallery, Victoria, Canada (upcoming) and Centre for Contemporary Arts, Santa Fe, USA; Louder than a beating heart, Titanik Galleria, Turku, Finland; and The sound of empty space, Galerie B - 312, Montreal, Canada (all 2space, Galerie B - 312, Montreal, Canada (all 2015).