Sentences with phrase «empty gallery walls»

which is presented folded in half down the long - side of the paper and wrapped inside an image of one of the empty Gallery walls
The art world is, equally, a realm where believing goes beyond seeing: pure, untamed thought is rendered on blank pages and empty gallery walls.

Not exact matches

Transform empty wall space into a gallery for your favorite family memories.
For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&raWall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.&rawall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»
By Stephanie Cristello > click here to download PDF You walk into an empty gallery — white walls, fluorescent lights — to encounter a series of electronic diffusers, each containing a molecule formulation designed to trigger certain olfactory receptors.
Shelf Life will begin with a clean gallery space lined only with empty wall - to - wall shelves.
All the Best Memories Are Hers (2018) is composed of five small photographs that hang on a wall nearby The Maid in an otherwise empty gallery.
The work presented in the gallery is at times consumed by the empty wall space around it — feeling more self - consciously sparse than intentionally minimal.
With One wall removed, 1980, Irwin replaces the outside wall of the Malinda Wyatt Gallery with an extensible, sheer screen in a delicate white canvas to reveal the infinite light variations cast two skylights in empty space.
As Sarah continued, the empty canvases on the gallery wall became filled with visual representations of value, exchange, and causality.
White Walls also describes the white cube of a gallery, at once empty and increasingly full.
The ever - inventive David Shrigley, in addition to a couple of animations in the film series described below, is represented in BQ Gallery «s booth by a white room, empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room.
When I first thought about an exhibition at Night Gallery my instinct was to tear down all the walls, which I thought created difficult triangular areas and didn't offer long distance viewing of the work that would be possible in an emptier space.
He left the last large gallery in the Hirshhorn's circling sequence empty but for one element: a floor - to - ceiling white scrim that stretches the length of one wall and gives the illusion of straightening its curve.
Inside Josh Lilley Gallery's stand at Frieze New York, a painting barely larger than an album cover hangs on an otherwise empty white wall.
Using materials such as lumber, drywall, insulation and plywood, Diiorio assembled partition - like structures only to cut them open and lay the parts on the floor or lean them against the gallery's actual walls, emptying his objects of functional purpose.
But in this large Chelsea gallery The Hellfire Club was set up with black walls, broken chandeliers, photocopied images, quiet sound accompaniment — and a lot of empty space, which allowed visitors to drift back and forth, tapping into their nostalgia for the British television series, while perusing Kilimnik's recent photographs and paintings, crafted with her signature loose, colorful, thrift - shop style.
They were pasted on the wall of the otherwise empty gallery.
Meanwhile, Blum & Poe has literally brought a piece of the street into the fair: the gallery is presenting a graffiti - covered wall and a tonne of dirt that the artist Henry Taylor appropriated from an empty lot on Los Angeles's Skid Row.
Along one wall in the otherwise empty gallery is a guitar amplifier.
Everything at Frieze does, even the piles of old timber that litter the floor of another stand, and the empty shelves and blank pegboard walls installed at T293, a gallery from Naples.
Katharina Grosse: This drove my mother up the wall @ South London Gallery The South London Gallery has been emptied and then slathered with paint all over the walls, ceiling and doors.
At Pentimenti Gallery, the partly translucent paintings on acrylic panels in the gallery's Project Room, from Finklea's «Empty Pages» and «White Room» series, are the most obviously transcendent works here, however, seemingly hovering on the walls and achieving precisely what Finklea describes as their inspiration — trips on a high - speed train over the Chesapeake Bay, and the sensation of floating they induced.Gallery, the partly translucent paintings on acrylic panels in the gallery's Project Room, from Finklea's «Empty Pages» and «White Room» series, are the most obviously transcendent works here, however, seemingly hovering on the walls and achieving precisely what Finklea describes as their inspiration — trips on a high - speed train over the Chesapeake Bay, and the sensation of floating they induced.gallery's Project Room, from Finklea's «Empty Pages» and «White Room» series, are the most obviously transcendent works here, however, seemingly hovering on the walls and achieving precisely what Finklea describes as their inspiration — trips on a high - speed train over the Chesapeake Bay, and the sensation of floating they induced.»
When the show began, the gallery was empty except for a flat color monitor that displayed the image of the day and a handful of high - resolution prints on the wall.
«The Gang: Photographs by Catherine Opie,» Walker Art Gallery, Liverpool, UK, October 4, 2014 — February 15, 2015 «Only Miss the Sun when it Starts to Snow,» Peder Lund, Oslo, Norway, June 21 — September 13, 2014» 2013 «In and Around LA,» Julius Shulman Institute, Los Angeles, CA, February 16 — March 24, 2013 «Catherine Opie,» Regen Projects, Los Angeles, CA, February 22 — March 28, 2013 2012 «Twelve Miles to the Horizon: Sunrises and Sunsets,» Long Beach Museum of Art, CA, October 5, 2012 - March 24, 2013 «BROADWAY BILLBOARD: Catherine Opie, Untitled (Stump Fire # 4),» Socrates Sculpture Park, New York, NY, September 9, 2012 - March 31, 2013 «Catherine Opie: High School Football,» Mitchell - Innes & Nash, New York, NY, March 10 — April 14, 2012 2011 «Catherine Opie,» Stephen Friedman Gallery, London, UK, November 23, 2011 — January 28, 2012 «Catherine Opie: New Zealand; Zero to Something,» projectspace B431, Elam School of Fine Arts, New Zealand, August 9 — 13, 2011 «Catherine Opie: Empty and Full,» Institute of Contemporary Art, Boston, MA, April 12 — September 5, 2011; catalogue «Catherine Opie: Football Landscapes,» Peder Lund, Oslo, Norway, January 15 — February 26, 2011 2010 «Catherine Opie,» Portland Art Museum, Portland, OR, October 23, 2010 — February 6, 2011 «Catherine Opie: Figure and Landscape,» Los Angeles County Museum of Art, Los Angeles, CA, July 25 — October 17, 2010 «Catherine Opie: High School Football Players,» Sabine Knust Galerie Maximilian Verlag, Munich, Germany, May 20 — June 10, 2010 «Venezia / Venice,» Studio Guenzani, Milan, Italy, May 19 — July 30, 2010 «Catherine Opie: Twelve Miles to the Horizon,» Regen Projects II, Los Angeles, CA, April 24 — May 22, 2010 «Catherine Opie: Girlfriends,» Gladstone Gallery, New York, NY, March 19 — April 24, 2010 2008 «Catherine Opie The Blue of Distance: Photographs from Alaska,» Stephen Friedman Gallery, London, UK, October 14 — November 14, 2008 «Catherine Opie: American Photographer,» Guggenheim Museum, New York, September 26, 2008 — January 7, 2009; catalogue «Catherine Opie,» Regen Projects, Los Angeles, CA, April 10 — May 17, 2008 2006 «1999 & In and Around Home,» Aldrich Museum, Ridgefield, CT, January 22 — May 14, 2006; traveled to The Orange County Museum of Art, CA, June 4 — September 3, 2006; Cleveland Museum of Contemporary Art, OH, September 29 — December 30, 2006; Weatherspoon Art Museum, Greensboro, NC, February 11 — April 29, 2007; catalogue «Catherine Opie: Chicago,» Museum of Contemporary Art Chicago, Chicago, IL, May 20 — October 15, 2006 «Catherine Opie: American Cities,» Gladstone Gallery, New York, NY, September 8 — October 14, 2006 2004 «Catherine Opie: Children,» Studio Guenzani, Milan, Italy, October 27 — December 4, 2004 «Catherine Opie: Surfers,» Gorney, Bravin & Lee, New York, NY, March 13 — April 10, 2004 «Catherine Opie: Surfers,» Stephen Friedman Gallery, London, UK, January 22 — February 21, 2004 «Catherine Opie: Surfers,» Regen Projects, Los Angeles, CA, January 10 — February 14, 2004 2002 «Catherine Opie: Icehouses,» Studio Guenzani, Milan, Italy, October 2 — November 6, 2002 «Catherine Opie: Icehouses,» Regen Projects, Los Angeles, CA, May 11 — June 15, 2002 «Catherine Opie: Skyways and Icehouses,» Walker Art Center, Minneapolis, MN, April 28 — July 21, 2002; catalogue 2001 «Wall Street,» Stephen Friedman Gallery, London, UK, November 30, 2001 — January 19, 2002 «1999,» Galeria Presenca, Porto, Portugal, November 10 — December 20, 2001 «Wall Street 2000 - 2001,» presented by Antik in cooperation with Gorney, Bravin & Lee, New York, NY, November 3 — December 10, 2001 2000 «Catherine Opie: In between here and there,» curated by Rochelle Steiner, The Saint Louis Art Museum, St. Louis, MO, October 6 — November 26, 2000 «Catherine Opie,» The Photographers» Gallery, London, UK, August 9 — September 24, 2000; traveled to the Museum of Contemporary Art, Chicago, IL, November 18, 2000 — February 18, 2001; catalogue «Catherine Opie: Large Format Polaroids,» Thread Waxing Space, New York, NY, May 12 — June 10, 2000 «Catherine Opie,» Artpace, San Antonio, TX, April 6 — July 2, 2000 «Catherine Opie,» Partobject Gallery, Carrboro, NC, April 1 — May 27, 2000 «Catherine Opie,» Gorney Bravin + Lee, New York, NY, March 18 — April 15, 2000 «Catherine Opie,» Susan Inglett, New York, NY, February 24 — April 1, 2000 1999 «Catherine Opie: A Survey,» Woodstreet Galleries, Pittsburgh, PA, September 3 — October 16, 1999 «Domestic,» Regen Projects, Los Angeles, CA, April 17 — May 22, 1999 1998 «Mini-Malls,» Jay Gorney Modern Art, New York, NY, March 21 — April 25, 1998 1997 «Catherine Opie,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, October 5, 1997 — February 8, 1998 «Houses and Landscapes,» Ginza Art Space, Shiseido, Tokyo, Japan, February 25 — March 31, 1997 «Portraits and Houses,» Susanne Hilberry Gallery, Birmingham, MI, 1997 1996 «Houses and Landscapes,» Regen Projects, Los Angeles, CA, April 27 — June 1, 1996 «Houses and Freeways,» Jay Gorney Modern Art, New York, NY, February 24 — March 30 «Freeways,» Feigen Gallery, Chicago, IL, 1996 1995 «Portraits,» enterprise, New York, NY, 1995 «Portraits,» Parco, Tokyo, Japan, 1995 «Portraits,» Galeria Massimo De Carlo, Milan, Italy, 1995 «Portraits and Freeways,» Richard Foncke Galerie, Ghent, Belgium, 1995 1994 «Portraits,» Regen Projects, Los Angeles, CA, June 4 — July 2, 1994 «Portraits,» Kiki Gallery, San Francisco, CA, 1994 «L.A. Freeways,» Jack Hanley Gallery, San Francisco, CA, November 19 — December 13, 1994 1991 «Being and Having,» 494 Gallery, New York, NY, 1991 1990 «A Long Way from Paris: Photographs from MacArthur Park, Metro Rail, and Their Surroundings,» Beyond Baroque, Venice, CA, 1990 1989 «Master Plan,» United States Post Office, Valencia, CA, 1989 «Master Plan,» Mills College, Oakland, CA, 1989 Selected Group Exhibitions:
So we certainly did not want these photos to go to waste, so we took a huge empty wall we had in our family room and got to DIYing to create an amazing Gallery Wall to show off these priceless phowall we had in our family room and got to DIYing to create an amazing Gallery Wall to show off these priceless phoWall to show off these priceless photos!
There's nothing wrong about small art but if you hang it on a big empty wall, you either have to build a gallery to take that space up, or use bigger art.
My gallery wall which is now surrounded by the newly installed open farm house shelves are exactly what that empty big wall needed.
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