Sentences with phrase «empty paint cans»

I also went through my painting supplies and cleaned off my crusty paint brushes, got rid of almost empty paint cans, & threw away old plastic / paper drop cloths that were full of dust & paint.

He tosses the dirty rag he's holding into the trash can, which is nearly overflowing with cardboard, Styrofoam, wood scraps, newspapers, empty paint cans and oil bottles, and other rags like this one.

A lovely Tiffany Blue dresser accented in gold - and unexpectedly topped with an empty paint can under a cloche - So divine.

Then add little touches like feathers, an empty paint can - turned - candy - holder and of course Marv needs a little iron - burn and five o» clock shadow courtesy of mama's makeup!

Enter - the empty paint can.

Not exact matches

The dressers and nightstands are littered with empty ice - milk cartons, soft - cover books by Daniel Defoe and John Wooden, throat lozenges, a can of auto touch - up paint, a tube of Preparation H, a half - empty bottle of Michelob, a Panasonic radio on top of an Emerson radio and a Wolfman mask draped over a desk lamp.

The process is inverted here: those values can be painted on to the empty canvases of these sterile human shells.

They crisscross the area with cans of spray paint, tagging empty bags of chemicals as they count them.

Empty out all of the drawers and set them up on a saw horse or table where you can paint those separately

It's a good idea to practice on some plain empty cans before bending your painted ones.

It's like an empty canvas that can be painted over with accessories.

Empty cans of spray paint and plastic bags litter the ground.

Or maybe a talented artist with empty pockets who can't paint their first portrait because they can't afford the tube of paint?

The feeling that what is absent in a painting, that which is not there or simply implied, as in the empty central section of Simone Martini's Annunciation, can hold one in an expectant state of alertness.

Inspired by the presence of Francis Picabia's painting of the same name — Catch As Catch Can, 1913 — the exhibition engages a prying apart and emptying out of stylistic investments, critical prompts, and polemical stances in order that these tactics be revitalized with a restless comic gravitas.

Inspired by the presence of Francis Picabia's painting of the same name — Catch As Catch Can, 1913 — the exhibition engages a prying apart and emptying out of stylistic investments, critical prompts, and polemical stances in order that these tactics be revital - ized with a restless comic gravitas.

Through the medium of photography, Marey found ways to bring to light something akin to what Marcel Duchamp referred to as «an invisible fourth dimension, something you can't see with your eyes».30 In the case of Martin's paintings, where modes of representation are at stake, that invisible thing is revealed as empty, a container for meaning where no meaning actually resides.

His paintings and drawings, which have become a more prominent part of his work, can seem astonishingly empty in their simpistic slashes or ziggurat - like repetitions.

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

The four paintings here that make up a specific aspect of Jenkins» contemplative vision can not be called empty oratory; instead, their tenacious pursuit of the artist's vision should be read as a challenge to us all: to see with more than our actual eyes.»

These collaged elements — along with images of pillows and a detail from a Baroque relief — are sealed within a clear Plexiglas casing that acts as a support for the surprising array of three - dimensional objects suspended from the work's surface, ranging from tin cans and a spent tube of paint to assorted empty plastic tubes and salvaged wooden chair rungs.

His drawings, paintings, and mixed - media installations take their inspiration from contemporary urban culture, incorporating elements such as empty liquor bottles and spray - paint cans, tagged signs, wrenches, and scrap wood or metal.

Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.

In the 1990s, Wolff Olins helped a disparate constellation of British museums — Tate Britain, Tate Modern, Tate Liverpool, and Tate St. Ives — develop a unifying identity, with the family name in blurred letters as if spray - painted with a nearly empty can.

Through an assortment of drawings, paintings, photographs, and videos, the artists in «Empty Distances» delve into creative perceptions of «the void» — a nebulous space that can refer to post-apocalyptic, pre-civilization, or even psychological vacuity.

His drawings, paintings, and mixed - media installations take their inspiration from contemporary urban culture, incorporating elements such as empty liquor bottles and spray - paint cans, tagged signs, wrenches, and scrap wood or metal into overwhelming, space - transforming interior worlds.

Visitors can request that any of the paintings be removed from the line - up and placed on an empty wall to be viewed individually.

I saw some shoes in paintings by Guston just before he died and that object just hit me — you know, it has great plastic properties, shoes can get filled up, they can be empty, the idea that shoes get worn out and take you forward or keep you in place.

If the public can handle an empty museum as art, it can deal with some paintings made of cotton balls.

I have some time for hit and hoping as «part» of the method — it can create interesting and unusual areas / forms that can be related to and prevents a painting becoming slick and empty.

Empty metal paint cans are accepted for recycling at most household waste recycling centres.

They welcome the next family to their «lab» with the lure and bait painted to look like justice, and best interest of the child so that they can reel in the catch and with forked tongues and empty promise that you each will win and your child's best will be achieved the cash cow is led to the slaughter house and they make a double killing that simply grows and empowers the giant anaconda to repeat the same.

Empty picture frames painted a fun color can be a great way to add some color and interest to your room.

Here is the empty room, you can see what the first colour was before the kitchen was painted yellow.

Can't change the dreary paint job until the HOA repaints in 2019, but can work on the almost totally empty courtyard which sports only a lavendar spreading lantana and which currently does not have a working bubbler system.

And if I would put some of my wall paint in cute mason jars then when I need to touch up the wall, like I do now, I wouldn't have to hunt for an almost empty gallon can.

· Sanded down the chairs and used the opportunity to use up random half empty cans of white spray paint as a quick base coat.