Sentences with phrase «en scenes in»

Not exact matches

It was a scene reminiscent of Mourinho's sprint at Old Trafford en route to his first European Cup success with Porto in 2004.

Mise en Scene by Ruffian — 2 sizes up in tops (10), 1 size up in dresses (8).

All the illuminating mise - en - scene and framing in the world can't compensate for a screenplay that has some focus issues.

By the time we arrive at «the incident,» the filmmakers are simultaneously mainlining and distorting the scandal's iconic figures and moments: posing a bloodied Harding over Kerrigan's (Caitlin Carver) bruised body; imagining a scene of Harding and Kerrigan bonding over pizza, booze, and En Vogue in a hotel room; and introducing «bodyguard» Shawn Eckhardt (Paul Walter Hauser) and «hitman» Shane Stant (Ricky Russert), the moronic goons who wrenched Harding's narrative away from her and turned it into tabloid grist.

What he lacks in strong narrative skills he makes up for with a brilliant performance and some terrific mise - en - scene.

In his feature film Art Party, Smith builds on his 2011 protest with a mix of performance, interviews and imagined scenes, en route to the 2013 Art Party Conference, where he and other speakers championed the importance of art and its place in the education systeIn his feature film Art Party, Smith builds on his 2011 protest with a mix of performance, interviews and imagined scenes, en route to the 2013 Art Party Conference, where he and other speakers championed the importance of art and its place in the education systein the education system.

That continues through to its meticulous attention to detail in its mise - en - scene.

Most reporters spend more time leaving never - to - be-returned telephone messages or watching pay - per - view movies in the Ramada Inn than careening through Beirut streets en route to visit a Hezbollah sheik, as Bergman does in the exciting opening scene here.

Despite a monotonously fashionable mise - en - scene, Lyne generates some genuine erotic tension between his two stars; you believe in their obsessive relationship, even as most of the action and staging registers as ridiculous.

In its own messy, slightly ungovernable way, this digressive bagatelle feels looser than some of Anderson's most tightly controlled mis - en - scenes.

You'll be in the know about mise - en - scene.

In the scenes with Nolte, set in a posh club, so much gets said that we don't care if Rudolph's mise en scene is show - offy or noIn the scenes with Nolte, set in a posh club, so much gets said that we don't care if Rudolph's mise en scene is show - offy or noin a posh club, so much gets said that we don't care if Rudolph's mise en scene is show - offy or not.

Owen has a great sense of the cinematic pleasures of mise - en - scene and montage, you see this in the Todd Haynes film as well.

In a nutshell, the filmmakers weren't bold enough to even edit the songbook (a.k.a. trust / dare their base audience) let alone create an actual script that allowed for quiet, CINEMATIC moments (was it to much to ask for a freakin» mise en scene that allowed for medium 2 - and 3 - shots when lyrics overlapped?!)

The mis - en - scene composition is done in the hip and thematically relevant format of many a Soderbergh movie, essentially giving what are static scenes of conversation a higher artistic cinematic polish.

She is clearly the center of Pakula's aesthetic; I found his mise - en - scene to be something of a representation of Bree herself, enigmatic and obscured but in some ways very forthcoming.

Vatel was a gorgeous movie and the mis en scene was gorgeous and you felt you were back in the time period.

As expected, spatial dynamics play a huge role in Snowpiercer, which would all be for naught were it not for the film's stunning and endlessly inventive mise - en - scene.

The action is set throughout in a cramped 1970s committee room, complete with spider plants and electric typewriters, a mise - en - scène that seems particularly absurd in the battle scenes.

This is cerebral, poetic cinema of the highest order, choreographed mise - en - scene fit to be framed and admired in the most respected of museums.

On first glance Brooks» directorial style is anonymous, but the way in which Mother questions success and happiness appears in its mise en scene consistently.

The final shootout sequence in the ghost town is brilliantly done, both in the mise - en - scene (an empty wasteland of a town, devoid of both human and vegetal life (except for the poor Mexican couple who get caught in the crossfire) and in the camera movement.

Although other films might've depicted a fun - filled female - bonding sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.

I must admit, I enjoy watching our cultural mandarins pondering a mise - en - scene in which a swung crowbar bends into a silhouette of the head it bashes.

In the very opening scene of the latter, male protagonist Mario (Enric Majó) expresses his affection for Barcelona and compares it to a living organism that breathes «just like you and I.» 5 This declaration of love echoes Pons» own tribute to his city: «Yo estoy agradecido a la ciudad en la cual me muevo y que es muy bonita.

Moreover, in their deployment of original material the installations are also highly attentive to the politics of mise en scene.

I would be cheating my own rules for this annual exercise if I were to crown Howards End as my film of the year - I have in fact seen it many, many times before and loved it for a long time (although never before was I able to enjoy the finesse of its narrative structure, and admire its sumptuous mise - en - scene and art direction - actually delivered on a shoestring budget - on a big screen).

The merit of Gosford Park, apart from its impressive ensemble acting and mise en scene, is its smartness about the relations between servants and their employers, not its insights into the nature of either class (which The Rules of the Game has in abundance).

An early scene on an airplane features Shane Brown (Vincent Gallo) en route to Paris for his honeymoon, his comfort and security literally in midair.

Best TV Atlanta (FX) Better Call Saul (AMC) Casanova Undressed (Sky Arts) Crisis in Six Scenes (Amazon) Mr Robot (USA Network)-RRB- The Night Of (HBO) War and Peace (BBC) Best Film Writing Tony McKibbin's review of Adrian Martin's Mise en Scène and Film Style: From Classical Hollywood to New Media Art in Film - Philosophy 19 (http://www.film-philosophy.com/index.php/f-p/article/view/1124)

In terms of mise en scene, we get a show - offy opening shot and some equally show - offy extreme close - ups near the end but, contrary to what we've been hearing, no particular signs of development or renewal in Altman's camera stylIn terms of mise en scene, we get a show - offy opening shot and some equally show - offy extreme close - ups near the end but, contrary to what we've been hearing, no particular signs of development or renewal in Altman's camera stylin Altman's camera style.

As he showed in his first film, LaBute has penchant for sharp dialogue and deft characterization but is less concerned with plot mechanics and visual mise - en - scene.

As the commercials show, there is a scene wherein the gals, while en route to the wedding, uncover something rotten in their car.

If anything, he's a classic example of the studio director who knew how to set up a scene (look at the mise - en - scene and deep focus in The Little Foxes, for example — of course, having Gregg Toland as cinematographer didn't hurt) and then get out of the way of his actors.

In fact, the first half of the film (chronicling Ellis and Neckbone's meeting and bonding with Mud) has an almost dreamlike quality to its gorgeous iconography and mise - en - scene composition.

Gilliam offers his usual cinematic touches, with quirky characters, cluttered mise - en - scene, and a healthy helping of the surreal mixed in.

The brilliance in both films is certainly due to Savides u» nique mise - en - scene and naturalistic point of view, perhaps so real and genuine, it gave «Elephant» a chilling tone to its brutal aftermath and in «Gerry» captured the desperation and isolation of the forsaken.

Because it derives its style from documenting what actors do — the action takes place in and around a glass house, designed by Richard Neutra, and a pool, an archetypal Hollywood setting that puts everyone on display — this isn't a movie where the mise en scene can easily be separated from the plot.

The film is an artistic behemoth, from the incredible performances that breath life into each character, to the fastidious mise - en - scene that make surroundings feel like second - homes in record time, to the balletic camera movements that are such an integral part of the film's feeling of intimacy.

Repertoire (Alphabetical order by director) Du levande (You, the Living, Roy Andersson, 2007) En kärlekshistoria (A Swedish Love Story, Roy Andersson, 1970) Sånger från andra våningen (Songs from the Second Floor, Roy Andersson, 2000) Les ordres (Michel Brault, 1974) Jagdszenen aus Niederbayern (Hunting Scenes from Bavaria, Peter Fleischman, 1969) La faille (Weak Spot, Peter Fleischman, 1975) Proverka na Dorogakh (Trial on the Road, Aleksei German, 1971) Moy drug Ivan Lapshin (My Friend Ivan Lapshin, Aleksei German, 1984) La Verifica Incerta (Alberto Grifi & Gianfranco Baruchello, 1965) Die linkshändige frau (The Left - Handed Woman, Peter Handke, 1978) Poison (Todd Haynes, 1990) Feng gui lai de ren (Boys from Fengkuei, Hou Hsiao - hsien, 1983) Jak zyc (How to Live, Marcel Lozinski, 1981) The savage eye (Ben Maddow / Sidney Meyers / Joseph Strick, 1960) Kundskabens træ (Tree of Knowledge, Nils Malmros, 1981) Drenge (Boys, Nils Malmros, 1977) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) De ofrivilliga (Involuntary, Ruben Östlund, 2008) Minotaur (Nicolás Pereda, 2015) La parmigiana (The Girl from Parma, Antonio Pietrangeli, 1963) Chroniques turcs (Turkish Shorts, Maurice Pialat, 1963) La gueule ouverte (Mouth Agape, Maurice Pialat, 1978) Passe ton bac d'abord (Graduate First, Maurice Pialat, 1978) La maison des bois (Maurice Pialat, 1971) Silvia Prieto (Martin Rejtman, 1999) Entrenamiento Elemental para Actores (Elementary Training for Actors, Martin Rejtman, 2009) Rapado (Martin Rejtman, 1992) Trás - os - Montes (Antonio Reis & Margarida Cordeiro, 1976) Os Verdes Anos (The Green Years, Paulo Rochas, 1963) Sagro Gra (Gianfranco Rosi, 2013) Carriage trade (Warren Sonbert, 1968) Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht (Not Reconciled, Straub - Huillet, 1965) Idioterne (The Idiots, Lars von Trier, 1998) Im Lauf der Zeit (Kings of the Road, Wim Wenders, 1976) Die Angst des Tormanns beim Elfmeter (Goalie's Anxiety at the Penalty Kick, Wim Wenders, 1971) Summer in the City (Wim Wenders, 1970) Ich war neunzehn (I Was 19, Konrad Wolf, 1968) Ljudi (U Prolazu)(People (In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni film (Black Film, Želimir Žilnik, 197in the City (Wim Wenders, 1970) Ich war neunzehn (I Was 19, Konrad Wolf, 1968) Ljudi (U Prolazu)(People (In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni film (Black Film, Želimir Žilnik, 197In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni film (Black Film, Želimir Žilnik, 1971)

Light and fun, with flashes of Sirk's brilliance in mise - en - scene (mirrors and such).

Use of mise en scene, in particular the use of music.

This detailed and high quality unit includes: * 15 lesson plans (with 13 differentiation strategies) * 93 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (21 sheets) Unit's lessons include: * Introduction to the AQA GCSE Media Studies course requirements * Introduction to the four key concepts * Activity focused on pupils» own consumption of media texts * Detailed research into the history of the media - creating a timeline of people, technology and institutions * Applying Maslow's Hierarchy of Needs to film media * Introduction of camera shots, angles and movement * Film terminology «speed - dating» to introuce key media language * Analysing a mise - en - scene * Analysing a film trailer: genre conventions and audience appeal * Creating genre - specific typography and writing a commentary * Analysing logos and slogans * Exploring stereotypes in the media * Music industry terminology and genre features * Analysing a CD album sleeve: genre conventions and audience appeal * The history ofvideo gaming * Video gaming genres and gratifications * Analysing a video game cover: genre conventions and audience appeal

The concepts covered are: * Camera techniques * Audio techniques * Editing techniques * Mise - en - scene codes * Narrative structure * Genre conventions * Representation * Ideologies * Cultural Spheres and Universes * Institutional Techniques * Audiences models and theories * A wide range of media theories broken into contextual areas into sociological and political This is vital tool in the lead up to the exam period, where it can be used as a revision guide for key concept development, and as a compliment to other units you are teaching.

Activities — designed to suit different age - groups — include games and activities to develop identification and analysis of different camera shots, learning how to construct a story and use character analysis in scriptwriting, analysing use of sound, expressing thoughts and opinions on a piece of film and exploring mise - en - scene.

Just off of the Royal Mile in Edinburgh city centre, is the 5 star Visit Scotland accredited Smart City Hostels, with dorm and private rooms (all en - suite), towels and linen provided, a secure 24 hour reception, Bar 50 for food and drinks with free wifi, and all of Edinburgh's attractions / lively night scene on your doorstep Read more

Just off of the Royal Mile in Edinburgh city centre, is the 5 star Visit Scotland accredited Smart City Hostels, with dorm and private rooms... Read more (all en - suite), towels and linen provided, a secure 24 hour reception, Bar 50 for food and drinks with free wifi, and all of Edinburgh's attractions / lively night scene on your doorstep

This luxury experience provides a four - day vacation based in the Cottage at Serenity Point and features welcome gifts, a personal car and driver throughout, behind - the - scenes winery tour, guided horseback excursion, en - suite massage, dinners and a diamond pendant and earring set.

Many of the levels will follow scenes or sections from the films, so expect to do battle with the trolls and wind your way down a river in a barrel en route to confronting Smaug the Terrible.

The score in the torture chamber scene is out - of - place as an overlaid piece of music but as part of the mise - en - scène humanises the monster and unnerves the player with its disconnection from the situation.