Sentences with phrase «enamel house paint»

His style is also noted for its fluidity, which he emphasized through the use of enamel house paint (ripolin), polyvinyl acetate and acrylic painting.

Their black stripes executed with enamel house paint were a critical step in the transition from Abstract Expressionism to Minimalism.

«Tiznit,» made with white enamel house paint and pencil and crayon, with gouges and scratches in the surface, was named for a town in Morocco that he had visited, and the painting's primitivist shapes were inspired by tribal pieces he saw at the ethnographic museum in Rome, as well as by artists like Dubuffet, de Kooning and Franz Kline.

The industrial - strength oils pick up where enamel house paint for Jackson Pollock left off.

Here, between 1947 and 1951, Pollock made his famous drip paintings, abandoning the easel, laying canvases horizontally on the floor and applying ordinary enamel house paint with the sweep of his arm.

These are block print paintings, using enamel house paint and rigid insulation board as the printing blocks.

Not exact matches

His seminal «Black Paintings» (1958 - 60) consist of parallel bands made with a house - painter's brush and enamel.

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

When he moved to New York, Stella was still painting houses to pay rent, and continued to use the house painter's brush and enamel when making his Black Paintings (1958 - 60).

Her House Paintings (also known as the Addresses series) were painted from 1976 - 1978 and represented her own house and the houses of her friends that she painted in an archetypal yet unique style, using the grid of enameled steel plates that she often House Paintings (also known as the Addresses series) were painted from 1976 - 1978 and represented her own house and the houses of her friends that she painted in an archetypal yet unique style, using the grid of enameled steel plates that she often house and the houses of her friends that she painted in an archetypal yet unique style, using the grid of enameled steel plates that she often uses.

Bartlett has been a commercial success since the 1970s when her highly acclaimed artwork, Rhapsody (1975 - 76, collection Museum of Modern Art), a painting based on geometry and the figural motifs of house, tree, mountain, and sea on 987 gridded, enameled steel plates was shown in May 1976 at the Paula Cooper Gallery in New York.

Shaw's landscape paintings, rendered entirely in Humbrol enamel paint — which is normally used to decorate model aeroplanes — depict the postwar Coventry housing estate where he grew up.

Many different painting techniques have been used in making sculpture, including tempera, oil painting, gilding, house paint, aerosol, enamel and sandblasting.

His Black Stripe Paintings (1959), comprised of a regulated sequence of stripes painted in enamel with the broad strokes of a house painters brush, debuted in the Sixteen Americans exhibition at Museum of Modern Art in the same year.

WILLIAMSBURG BROOKLYN PUBLIC HOUSING PROJECT CONCEALED SWINDON CALL AND RESPONSE, 2010 Steel, aluminum, acrylic and enamel paint

Jennifer Bartlett, House: Spatter Painting, 1998, oil over silk - screen grid on baked enamel and steel plates, 77 × 77 inches.

Published to coincide with the show The Sleepers at Pallant House Gallery, Chichester, and ahead of a series of important exhibitions and commissions, this beautifully designed and illustrated volume presents all the major works from her career to date, from small - scale intimate paintings in oil and enamel to ambitious high - profile public commissions and architectural projects.

Keyser's Sad White Music, 2007, an orb of house paint on a sawdust - encrusted canvas support, and Smithson, 2007, a collage of enamel and paillettes on a blown - up 1970s copy of Smithsonian Magazine with a rope - harnessed rain - forest biologist swinging above a verdant canopy on its cover that becomes the painting's ground, exemplify both operations.

The paint — usually enamel, which he finds more pliable — is applied by dipping a small house brush or stick or trowel into the can and then, by rapid movements of the wrist, arm and body, quickly allowing it to fall in weaving rhythms over the surface.

Wool's 8 - foot - high enamel - on - aluminum painting, offered by an unnamed European collection, reads «If you can't take a joke you can get the fuck out of my house» in the artist's trademark black block letters.

For the MACBA, Meyer designed a building shaped as a large box, clad in white enamel - painted steel panels, flanked by a circular pavilion on its west end, which accommodates the visitors» entrance and service spaces, and a semi-detached wing on the east end, housing additional gallery spaces and staff offices.

He depicts the Coventry housing estate where he grew up and uses Humbrol enamel paint, the type used to decorate model planes in Airfix kits, as another reminder of his childhood.

The catalyst that sparked its emergence was Neiman's acquisition, one day in 1953, of partially used cans of enamel paints that were being discarded by the custodian of the apartment house adjacent to his.

To achieve this soak - stain effect, Frankenthaler would mix house paint, enamel, tube oil paints, and either turpentine or kerosene.

After gaining notoriety for her use of enamel, a high - gloss paint often applied to house exteriors, she shifted her focus to oil in 2001, in order to experiment with a more traditional artistic method.

Jennifer Bartlett, Double House, 1987, Oil on canvas; enamel on wood, steel, Painting: 118 x 168, House: 68 1/2 x 38 x 50.

The later works are a Peter Doig snow scene from 2001 - 02; Whiteread's maquette for her Trafalgar Square commission in 2001 which was a resin cast of the plinth itself; the Hurvin Anderson oil painting Maracus 111 from 2004; a Conrad Shawcross maquette for his large - scale work Continuum, a three - metre - high sculpture commissioned by the National Maritime Museum; and George Shaw's Ash Wednesday, 8.30 am from 2004 - 05, one of a number of Humbrol enamel paintings the artist has made over the years of the Coventry housing estate where he grew up.

Four enamel paintings on metal, titled Lipservice, Fun House Mirror (White Series One), Cherrys, and Glory Hole, by Marilyn Minter.

Frick Collection (NYC) One of the finest bijou museums in America, founded by Henry Clay Frick, the Frick museum houses one of the best compact art collections in the world, featuring oil paintings, sculpture, porcelain, rare furniture, Limoges enamel, and Oriental carpets.

As a little backdrop on her history, the gallery notes, «After gaining notoriety for her use of enamel, a high - gloss paint often applied to house exteriors, she shifted her focus to oil in 2001, in order to experiment with a more traditional artistic method.

Kevin and I painted (and distressed) all their doors at our house, and we just used a really great primer and two coats of Sherwin - Williams Pro Classic Latex Enamel on everything.