Sentences with phrase «enamel on»

Created out of roofing tar, varnish and enamel on masonite panel, the works pay homage to the fraught history of human labor and the land.

The Pace Gallery is pleased to present Donald Judd: Works in Granite, Cor - ten, Plywood, and Enamel on Aluminum, featuring thirteen wall and floor pieces from 1978 through 1992.

The artist began working with enamel on aluminum in 1984, when he had the Lehni factory in Switzerland bend thin sheets of the material — a process previously used to create furniture — for a temporary exhibition outdoor in the Merian Park, outside Basel.

Six wall mounted enamel on aluminum works from 1985 fabricated at Lehni AG (Switzerland), and a work each fabricated at Studer (Switzerland), 1987, and Lascaux Materials Ltd. (New York), 1989, will also be on view in this exhibition.

The largest painting consists of ten panels painted with enamel on cherry, maple, and oak.

Feitelson's oil and enamel on burlap paintings feature geometric planes of uniform color with flattened space, smooth paint application and simplified forms.

Judd's work with enamel on aluminum greatly expanded his palette of industrial colors, which had previously been restricted to the colors of anodized metal and Plexiglas.

Her four Tangled Tips (Lines for Zion) drawings from 2000, subtle studies in small gestures of ink on blue paper, share a rhythm with four oil and enamel on paper paintings from the Community series (2013) on the opposite wall.

Two Wedges and Two Long Shadows, 2014, acrylic, chalk pastel, vinyl, and enamel on paper 23.50 x 29.50 inches.]

Marilyn Minter, «Pop Rocks», 2009, enamel on metal (Collection of Danielle and David Ganek; Courtesy the Brooklyn Museum)

Rhinestones, acrylic, and enamel on wood panel and DVD and framed monitor.

Exhibition Checklist Main Gallery (Clockwise from entrance) Robert Arneson Splatt, 1983 bronze with unique ceramic base 71 x 21 x 21 inches RAs 130.01 Robert Arneson Elvis II, 1978 conte, pastel on paper 41 5/8 x 29 7/8» RAd 04 Joan Brown Self - Portrait at Age 42, 1980 enamel on canvas 71 3/4» x 60» JBRp 19 Steven Campbell Men Insulting Nature and the Notion of Travel, 1986 oil on canvas 83 x 99 inches SCamp 01 Carol Cole Tar Baby, 2004 mixed media 7 x 13 inches CCs 1 Peter Saul Come and Get Me, 1968 oil on canvas 63 1/2 x42 inches PSp 118 Richard Shaw Figure on a Palette, 1980 glazed porcelain 39 x 13 x 18 inches RSs 68 Andrew Lenaghan Big Sarah, 2005 acrylic on canvas 77 1/2 x 58 inches AnLp 395 Yoan Capote Madness II, 2004 steel 70 1/2 x 40 x 23 inches YCs 19 Collier Schorr Esther's Fine Dream (Ashes to Ashes, We All Fall Down), 1991 cast paper, acrylic, pencil, and collage L 18 x W 12 x D 10 inches CoSs 1 James Barsness Untitled (Red nude on street), 2004 acrylic, ballpoint pen 12 x 9 inches JBARd 60 James Barsness Untitled (with jack o'lantern), 2004 acrylic, ballpoint pen, inkjet archival print on paper 11 7/8 x 8 5/8 inches JBARd 61 Anthony Kulig Look - Out, 2005 plaster, acrylic Two figures 17 x 4 1/2 x 3 inches each AKuls 8 Don Colley Weave 2003 7 x 6 1/2 inches scratchboard, artist's frame DCp 10 Don Colley Reel, 2003 scratchboard, hand - made hardwood frame 6 x 6 inches DCp 09 Side Gallery Diane Edison Self - Portrait Interior (striped robe), 1992 color pencil / black paper 30 x 22 inches DEd 8 Adolph Gottlieb The Watchers, c. 1941 oil on canvas 30 x 24 inches AGotp01 Lesley Dill Of, 2005 unique bronze with oil paint 67 x 58 x 28 inches LDs 207 Alfred Leslie Bread and Coffee, 1983 oil on canvas 84 x 60 inches ALp 02 Stanton Macdonald - Wright Study for American Synchromy # 1, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 3 Stanton Macdonald - Wright Study for American Synchromy # 2, 1919 charcoal on paper (2 - sided drawing) 25 x 18 1/2 inches SMWd 4 James Valerio David, 2004 pencil on paper 30 1/2 x 25 inches JVd 52

Keith Haring, Untitled (Yellow Figure), 1982, baked enamel on metal, 109,2 x 109,2 cm, Collection of Larry Warsh © The Keith Haring Foundation

MICKALENE THOMAS Interior: Bedroom with Flowers, 2011 rhinestone, acrylic paint and oil enamel on woo...

Rhinestones, acrylic, oil and enamel on wood panel, 108 x 144 inches 274.3 x 365.8 cm.

Robert Arneson Gulf Dip, 1991 conte, plastic enamel on paper 47 7/8 x 31 3/4 inches RAd 55 17.

MICKALENE THOMAS Interior: Zebra with Two Chairs and Funky Fur, 2012 rhinestone, acrylic paint and oil enamel on wood panel 96 x 132 inches 243.8 x 335.3 cm LM16294

MICKALENE THOMAS Interior: Bedroom with Flowers, 2011 rhinestone, acrylic paint and oil enamel on wood panel 108 x 84 x 2 inches 274.3 x 213.4 x 5.1 cm LM15593

Rhinestones, acrylic, oil, and enamel on wood panel, 100 x 90 x 2 inches.

Rhinestone, acrylic paint and oil enamel on wood panel, 96 x 72 x 2 in.

rhinestones, acrylic, and enamel on wood panel.

EDDIE MARTINEZ Love Letter # 15 (Fine Ants) 2017 Silkscreen ink, oil, spray paint and enamel on canvas 96 by 75 in.

Keith Haring, Untitled (Burning Skull), 1987, enamel on aluminium, 112 x 18,5 x 23 cm, Mugrabi Collection © The Keith Haring Foundation

West used thick, black brushstrokes, similar to Franz Kline's style, in works such as «Totem,» an enamel on paper from the 1960s, and an untitled enamel work from the 1960s.

More recently still, a series of owls and cockerels culminating in his Parliament of Owls and using various media including enamel on steel, flirted dangerously with the kitsch without quite succumbing.

Porcelain enamel on shaped steel (double - sided figures) mounted on a polished stainless steel base, 78 1/2 x 142 x 21 inches, 199.4 x 360.7 x 53.3 cm.

«New Map of America, Cel - vinyl and spray enamel on gessoed paper, 22 1/8 in x 18 1/8 in, 2013.

Bartlett has become known for colorful painting on baked enamel on steel plates, which she then installs in grids.

Image Credit: The Rude Screen, 2015 - 16, Enamel on canvas © Private Collection, Belgium, Courtesy Maruani Mercier Gallery

Mickalene Thomas, Tamika sur une chaise longue avec Monet, 2012, Rhinestones, acrylic, oil, and enamel on wood panel, 108 x 144 in.

Her black - and - white Frank Stella-esque enamel on canvas, Stella Tomlinson Court Park (First Version)(Study), 1990, went for $ 550,000, soaring past a $ 150,000 high estimate.

2008: Richter produces Abstract Paintings and makes the Sinbad series [CR: 905/1 -100], using enamel on the back of glass.

He makes the Perizade [CR: 916/1 -12] and Ifrit [CR: 915/13 -26] series, using enamel on the back of glass like he did for Sinbad [CR: 905/1 -100]

Comprising 100 small paintings in enamel on the back of glass, Sinbad is the first series of works by Richter to allude to The Book of One Thousand and One Nights (Arabian Nights) and was followed in 2010 by Aladdin [CR: 913, 915].

Oil, archival ink, paper, Flashe paint, and enamel on five birch panels; 72 × 180 × 2 inches (182.9 × 457.2 × 5.1 cm).

Installation view: From left, «In the Land of the Blind the Blue Eye Man is King,» 2007, from the series By the Skin of Our Teeth (oil, archival ink, paper, Flashe paint, and enamel on five birch panels) by DEBORAH GRANT; «High Life,» 2013 (enamel and charcoal on paper) by GARY SIMMONS; (with work by DARIO ROBLETO in the foreground).

Paul Feeley Maia USA, 1963 oil - based enamel on canvas 30 h x 25 w inches Feeley was a proponent of color - field painting.

Oil and enamel on canvas.

Somewhat less button - pushing will be the booth of the Los Angeles gallery David Kordansky, showing punchy and graphic paintings and sculptures by Will Boone, including the enamel on bronze sculpture «Prisoner» (2017), depicting hands grasping prison bars.

Untitled Artist: Jannis Kounellis 1936 - 2017 Date: 1960 - 98 Classification: relief Medium: Steel panel, enamel on paper on 2 canvases, fabric, coal, 3 meta Dimensions: displayed: 2000 x 1800 x 460 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © Jannis Kounellis

DSS 272 Burnt Sienna enamel on cold - rolled steel Painted 1972; fabricated 29 December 1969 CoIl.

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

Material: Enamel on canvas.

Mickalene Thomas, A-E-I-O-U and Sometimes Y, 2009; Plastic rhinestones, acrylic, and enamel on panel, 24 x 20 in.; Gift of Deborah Carstens; © 2009 Mickalene Thomas, Courtesy of the Artist and Lehmann Maupin

Shara Hughes, Relax, 9 x 12 inches, oil, acrylic, and enamel on canvas, 2013 (courtesy of the artist and Brian Morris Gallery)

Admired for its «drippiness,» said Alexander Rotter, the co-head of worldwide contemporary art at Sotheby's, the enamel on aluminum painting from the artist's most coveted series had been valued at $ 12 million to $ 18 million.

Mixed media with acrylic and enamel on board.

Every surface is redolent of some other painted surface in the real world, from the uninflected white of the gallery walls to old frescos, peeling doors and the chipped enamel on playground railings.

Bonnie Maygarden's almost photographic abstract texture is painted with enamel on leather, while Ashley Teamer's painting shows a young artist approaching abstract space using a variety of methods: Paint is poured, dripped, brushed and spread with a palette knife.

Image credits, top to bottom: Cindy Sherman, Untitled, 1981, chromogenic print, 24 x 48 in., collection Walker Art Center, Art Center Acquisition Fund, 1982, courtesy of the artist and Metro Pictures; installation view of Benches & Binoculars (hipsters may vary), photo by Cameron Wittig, courtesy Walker Art Center; Andy Warhol, Sixteen Jackies, 1964, acrylic, enamel on canvas, 80-3/8 x 64-3/8 in., collection Walker Art Center, Art Center Acquisition Fund, 1968, © 2009 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York